#1 of 6 1997 · Drama, Thriller
$50.1M worldwide · 36% of the chart's total
Absolute Power (1997) is the highest-grossing English-language movie released in week 7 of 1997 (Feb 9–15), with $50.1M worldwide, ahead of Vegas Vacation (1997) at $36.4M and Fools Rush In (1997) at $29.5M. 6 English-language films released that week report a worldwide gross, $140M in all, 100% of it from the US & Canada. That is down 26% on Week 6, 1997, whose releases took $190.4M. By genre, Drama leads with $85.3M across 4 English releases.
#1 of 6 1997 · Drama, Thriller
$50.1M worldwide · 36% of the chart's total
Absolute Power (1997) leads with $50.1M, 36% of the total. The top 5 together took $139.7M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 7 of 1997 (Feb 9–15).
Feb 14, 1997 US and Canada: $50.1M Rest of the world: Worldwide: $50.1M
Feb 14, 1997 US and Canada: $36.4M Rest of the world: Worldwide: $36.4M
Feb 14, 1997 US and Canada: $29.5M Rest of the world: Worldwide: $29.5M
Feb 14, 1997 US and Canada: $18.3M Rest of the world: Worldwide: $18.3M
Feb 12, 1997 US and Canada: $5.3M Rest of the world: $102.8K Worldwide: $5.4M
Feb 14, 1997 US and Canada: $387.1K Rest of the world: Worldwide: $387.1K Of the top 6, Absolute Power (1997) earned the biggest share at home (100% in the US & Canada), while Dangerous Ground (1997) made 2% of its gross abroad. Across all 6 films, $139.9M (100%) came from the US & Canada.
Week 7 releases took $140M. The biggest of these 9 weeks is week 6 (Feb 2–8) with $190.4M, led by Dante's Peak (1997).
Of these 10 years, Week 7, 1991 earned the most: $335.8M from 4 films, led by The Silence of the Lambs (1991). Week 7, 1997 took $140M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 7, 1988 Feb 7–13 4 films | 4 | $34.2M | – | School Daze (1988) $14.5M |
| Week 7, 1989 Feb 12–18 5 films · +228% | 5 | $112M | +228% | The 'Burbs (1989) $49.1M |
| Week 7, 1990 Feb 11–17 3 films · −69% | 3 | $34.5M | −69% | Madhouse (1990) $21M |
| Week 7, 1991 Feb 10–16 4 films · +873% | 4 | $335.8M | +873% | The Silence of the Lambs (1991) $272.7M |
| Week 7, 1992 Feb 9–15 1 film · −45% | 1 | $183.1M | −45% | Wayne's World (1992) $183.1M |
| Week 7, 1993 Feb 7–13 6 films · −41% | 6 | $108.4M | −41% | Groundhog Day (1993) $71.1M |
| Week 7, 1994 Feb 6–12 2 films · −44% | 2 | $60.6M | −44% | Blank Check (1994) $30.6M |
| Week 7, 1995 Feb 12–18 4 films · +67% | 4 | $101.4M | +67% | The Brady Bunch Movie (1995) $46.6M |
| Week 7, 1996 Feb 11–17 4 films · +7% | 4 | $108.9M | +7% | Happy Gilmore (1996) $41.4M |
| Week 7, 1997 Feb 9–15 6 films · +29% | 6 | $140M | +29% | Absolute Power (1997) $50.1M |
53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Absolute Power (1997) leads with $50.1M worldwide, $50.1M of it in the US & Canada. Next come Vegas Vacation (1997) at $36.4M and Fools Rush In (1997) at $29.5M.
6 English-language films released in week 7 of 1997 (Feb 9–15) report a worldwide gross, $140M in all, or $23.3M per film on average. Week 6, 1997 releases took $190.4M.
None. The biggest, Absolute Power (1997), earned $50.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 7 of 1997 (Feb 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.