#1 of 7 2001 · Drama, History
$97M worldwide · 40% of the chart's total
Enemy at the Gates (2001) is the highest-grossing English-language movie released in week 11 of 2001 (Mar 11–17), with $97M worldwide, ahead of Exit Wounds (2001) at $80M and Memento (2001) at $40M. 7 English-language films released that week report a worldwide gross, $245.1M in all, 57% of it from the US & Canada. That is 3.1 times the total of Week 10, 2001, whose releases took $78.2M. By genre, Thriller leads with $217M across 3 English releases.
#1 of 7 2001 · Drama, History
$97M worldwide · 40% of the chart's total
Enemy at the Gates (2001) leads with $97M, 40% of the total. The top 5 together took $243.6M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2001 (Mar 11–17).
Mar 16, 2001 US and Canada: $51.4M Rest of the world: $45.6M Worldwide: $97M
Mar 16, 2001 US and Canada: $51.8M Rest of the world: $28.2M Worldwide: $80M
Mar 16, 2001 US and Canada: $25.5M Rest of the world: $14.5M Worldwide: $40M
Mar 14, 2001 US and Canada: $2.6M Rest of the world: $14M Worldwide: $16.6M
Mar 13, 2001 US and Canada: $7M Rest of the world: $3M Worldwide: $10M
Mar 16, 2001 US and Canada: $907.8K Rest of the world: $196.6K Worldwide: $1.1M
Of the top 7, Keep the River on Your Right: A Modern Cannibal Tale (2001) earned the biggest share at home (100% in the US & Canada), while The Dish (2001) made 85% of its gross abroad. Across all 7 films, $139.6M (57%) came from the US & Canada.
Week 11 releases took $245.1M. The biggest of these 9 weeks is week 6 (Feb 4–10) with $377.8M, led by Hannibal (2001).
Of these 10 years, Week 11, 1994 earned the most: $311.6M from 6 films, led by Four Weddings and a Funeral (1994). Week 11, 2001 took $245.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 1992 Mar 8–14 4 films | 4 | $110M | – | My Cousin Vinny (1992) $64.1M |
| Week 11, 1993 Mar 7–13 3 films · −71% | 3 | $31.7M | −71% | CB4 (1993) $18M |
| Week 11, 1994 Mar 6–12 6 films · +883% | 6 | $311.6M | +883% | Four Weddings and a Funeral (1994) $245.7M |
| Week 11, 1995 Mar 12–18 4 films · −82% | 4 | $57M | −82% | Circle of Friends (1995) $23.4M |
| Week 11, 1996 Mar 10–16 2 films · +122% | 2 | $126.4M | +122% | Executive Decision (1996) $122M |
| Week 11, 1997 Mar 9–15 4 films · −89% | 4 | $14.4M | −89% | Love Jones (1997) $12.8M |
| Week 11, 1998 Mar 8–14 3 films · +1173% | 3 | $183.2M | +1173% | The Man in the Iron Mask (1998) $183M |
| Week 11, 1999 Mar 7–13 5 films · −35% | 5 | $118.4M | −35% | Baby Geniuses (1999) $36.5M |
| Week 11, 2000 Mar 5–11 4 films · +43% | 4 | $169.8M | +43% | Mission to Mars (2000) $111M |
| Week 11, 2001 Mar 11–17 7 films · +44% | 7 | $245.1M | +44% | Enemy at the Gates (2001) $97M |
52 weeks of 2001 with reported grosses; the biggest is week 51 (Dec 16–22) with $1.5B, led by The Lord of the Rings: The Fellowship of the Ring (2001).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Enemy at the Gates (2001) leads with $97M worldwide, $51.4M of it in the US & Canada. Next come Exit Wounds (2001) at $80M and Memento (2001) at $40M.
7 English-language films released in week 11 of 2001 (Mar 11–17) report a worldwide gross, $245.1M in all, or $35M per film on average. Week 10, 2001 releases took $78.2M.
None. The biggest, Enemy at the Gates (2001), earned $97M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2001 (Mar 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.