#1 of 4 2001 · Action, Adventure
$147.9M worldwide · 62% of the chart's total
Spy Kids (2001) is the highest-grossing English-language movie released in week 13 of 2001 (Mar 25–31), with $147.9M worldwide, ahead of Someone Like You... (2001) at $38.7M and The Tailor of Panama (2001) at $28M. 4 English-language films released that week report a worldwide gross, $238.1M in all, 70% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 143% on Week 12, 2001, whose releases took $98.1M.
#1 of 4 2001 · Action, Adventure
$147.9M worldwide · 62% of the chart's total
Spy Kids (2001) leads with $147.9M, 62% of the total. The top 4 together took $238.1M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2001 (Mar 25–31).
Mar 30, 2001 US and Canada: $112.7M Rest of the world: $35.2M Worldwide: $147.9M
Mar 30, 2001 US and Canada: $27.3M Rest of the world: $11.3M Worldwide: $38.7M
Mar 30, 2001 US and Canada: $13.7M Rest of the world: $14.3M Worldwide: $28M
Mar 30, 2001 US and Canada: $13.6M Rest of the world: $9.9M Worldwide: $23.4M Of the top 4, Spy Kids (2001) earned the biggest share at home (76% in the US & Canada), while The Tailor of Panama (2001) made 51% of its gross abroad. Across all 4 films, $167.4M (70%) came from the US & Canada.
Week 13 releases took $238.1M. The biggest of these 9 weeks is week 15 (Apr 8–14) with $352.7M, led by Bridget Jones's Diary (2001).
Of these 10 years, Week 13, 2001 earned the most: $238.1M from 4 films, led by Spy Kids (2001).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 1992 Mar 22–28 6 films | 6 | $134.5M | – | White Men Can’t Jump (1992) $90.8M |
| Week 13, 1993 Mar 21–27 2 films · −69% | 2 | $42.1M | −69% | The Adventures of Huck Finn (1993) $24.1M |
| Week 13, 1994 Mar 20–26 2 films · +47% | 2 | $61.8M | +47% | D2: The Mighty Ducks (1994) $45.6M |
| Week 13, 1995 Mar 26–Apr 1 3 films · −37% | 3 | $39.2M | −37% | Tommy Boy (1995) $32.7M |
| Week 13, 1996 Mar 24–30 3 films · +45% | 3 | $56.7M | +45% | Sgt. Bilko (1996) $38M |
| Week 13, 1997 Mar 23–29 4 films · +172% | 4 | $154.3M | +172% | The Devil's Own (1997) $140.8M |
| Week 13, 1998 Mar 22–28 6 films · −86% | 6 | $21.8M | −86% | The Newton Boys (1998) $10.5M |
| Week 13, 1999 Mar 21–27 3 films · +144% | 3 | $53.3M | +144% | Edtv (1999) $35.2M |
| Week 13, 2000 Mar 19–25 5 films · +92% | 5 | $102.2M | +92% | Romeo Must Die (2000) $91M |
| Week 13, 2001 Mar 25–31 4 films · +133% | 4 | $238.1M | +133% | Spy Kids (2001) $147.9M |
52 weeks of 2001 with reported grosses; the biggest is week 51 (Dec 16–22) with $1.5B, led by The Lord of the Rings: The Fellowship of the Ring (2001).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Spy Kids (2001) leads with $147.9M worldwide, $112.7M of it in the US & Canada. Next come Someone Like You... (2001) at $38.7M and The Tailor of Panama (2001) at $28M.
4 English-language films released in week 13 of 2001 (Mar 25–31) report a worldwide gross, $238.1M in all, or $59.5M per film on average. Week 12, 2001 releases took $98.1M.
None. 1 film crossed $100 million, led by Spy Kids (2001) with $147.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2001 (Mar 25–31). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.