#1 of 4 2001 · Comedy, Family
$43.1M worldwide · 94% of the chart's total
See Spot Run (2001) is the highest-grossing English-language movie released in week 9 of 2001 (Feb 25–Mar 3), with $43.1M worldwide, ahead of Carman: The Champion (2001) at $1.8M and The Caveman's Valentine (2001) at $794.5K. 4 English-language films released that week report a worldwide gross, $45.9M in all, 78% of it from the US & Canada. That is down 31% on Week 8, 2001, whose releases took $66.4M.
#1 of 4 2001 · Comedy, Family
$43.1M worldwide · 94% of the chart's total
See Spot Run (2001) leads with $43.1M, 94% of the total. The top 4 together took $45.9M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 2001 (Feb 25–Mar 3).
Mar 2, 2001 US and Canada: $33.4M Rest of the world: $9.7M Worldwide: $43.1M
Mar 2, 2001 US and Canada: $1.8M Rest of the world: Worldwide: $1.8M
Mar 2, 2001 US and Canada: $687.2K Rest of the world: $107.3K Worldwide: $794.5K
Mar 2, 2001 US and Canada: $195.1K Rest of the world: $105K Worldwide: $300.1K Of the top 4, Carman: The Champion (2001) earned the biggest share at home (100% in the US & Canada), while Series 7: The Contenders (2001) made 35% of its gross abroad. Across all 4 films, $36M (78%) came from the US & Canada.
Week 9 releases took $45.9M. The biggest of these 9 weeks is week 6 (Feb 4–10) with $377.8M, led by Hannibal (2001).
Of these 10 years, Week 9, 1997 earned the most: $147.6M from 4 films, led by Donnie Brasco (1997). Week 9, 2001 took $45.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 9, 1992 Feb 23–29 2 films | 2 | $21.1M | – | Memoirs of an Invisible Man (1992) $14.4M |
| Week 9, 1993 Feb 21–27 1 film · +94% | 1 | $40.9M | +94% | Falling Down (1993) $40.9M |
| Week 9, 1994 Feb 20–26 2 films · −55% | 2 | $18.2M | −55% | Sugar Hill (1994) $18.2M |
| Week 9, 1995 Feb 26–Mar 4 4 films · +205% | 4 | $55.7M | +205% | Man of the House (1995) $40.1M |
| Week 9, 1996 Feb 25–Mar 2 4 films · +150% | 4 | $139.3M | +150% | Up Close & Personal (1996) $100.7M |
| Week 9, 1997 Feb 23–Mar 1 4 films · +6% | 4 | $147.6M | +6% | Donnie Brasco (1997) $124.9M |
| Week 9, 1998 Feb 22–28 6 films · −87% | 6 | $19.4M | −87% | Krippendorf’s Tribe (1998) $7.6M |
| Week 9, 1999 Feb 21–27 3 films · +544% | 3 | $125M | +544% | 8MM (1999) $96.6M |
| Week 9, 2000 Feb 20–26 3 films · −47% | 3 | $65.7M | −47% | Wonder Boys (2000) $33.4M |
| Week 9, 2001 Feb 25–Mar 3 4 films · −30% | 4 | $45.9M | −30% | See Spot Run (2001) $43.1M |
52 weeks of 2001 with reported grosses; the biggest is week 51 (Dec 16–22) with $1.5B, led by The Lord of the Rings: The Fellowship of the Ring (2001).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
See Spot Run (2001) leads with $43.1M worldwide, $33.4M of it in the US & Canada. Next come Carman: The Champion (2001) at $1.8M and The Caveman's Valentine (2001) at $794.5K.
4 English-language films released in week 9 of 2001 (Feb 25–Mar 3) report a worldwide gross, $45.9M in all, or $11.5M per film on average. Week 8, 2001 releases took $66.4M.
None. The biggest, See Spot Run (2001), earned $43.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 2001 (Feb 25–Mar 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.