#1 of 4 1996 · Romance, Drama
$100.7M worldwide · 72% of the chart's total
Up Close & Personal (1996) is the highest-grossing English-language movie released in week 9 of 1996 (Feb 25–Mar 2), with $100.7M worldwide, ahead of Down Periscope (1996) at $37.6M and When Saturday Comes (1996) at $983.5K. 4 English-language films released that week report a worldwide gross, $139.3M in all, 55% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 145% on Week 8, 1996, whose releases took $57M.
#1 of 4 1996 · Romance, Drama
$100.7M worldwide · 72% of the chart's total
Up Close & Personal (1996) leads with $100.7M, 72% of the total. The top 4 together took $139.3M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 1996 (Feb 25–Mar 2).
Mar 1, 1996 US and Canada: $51.1M Rest of the world: $49.6M Worldwide: $100.7M
Mar 1, 1996 US and Canada: $25.8M Rest of the world: $11.8M Worldwide: $37.6M
Mar 1, 1996 US and Canada: – Rest of the world: – Worldwide: $983.5K
Mar 1, 1996 US and Canada: $78.1K Rest of the world: Worldwide: $78.1K Of the top 4, The Neon Bible (1996) earned the biggest share at home (100% in the US & Canada), while Up Close & Personal (1996) made 49% of its gross abroad. Across all 4 films, $77M (55%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
Week 9 releases took $139.3M. The biggest of these 9 weeks is week 10 (Mar 3–9) with $290.4M, led by The Birdcage (1996).
Of these 10 years, Week 9, 1990 earned the most: $200.5M from 1 film, led by The Hunt for Red October (1990). Week 9, 1996 took $139.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 9, 1987 Feb 22–28 4 films | 4 | $64.5M | – | A Nightmare on Elm Street 3: Dream Warriors (1987) $44.8M |
| Week 9, 1988 Feb 21–27 3 films · −89% | 3 | $7.3M | −89% | Hairspray (1988) $6.7M |
| Week 9, 1989 Feb 26–Mar 4 6 films · +575% | 6 | $49M | +575% | Lean on Me (1989) $31.9M |
| Week 9, 1990 Feb 25–Mar 3 1 film · +309% | 1 | $200.5M | +309% | The Hunt for Red October (1990) $200.5M |
| Week 9, 1991 Feb 24–Mar 2 2 films · −81% | 2 | $38.1M | −81% | The Doors (1991) $34.5M |
| Week 9, 1992 Feb 23–29 2 films · −45% | 2 | $21.1M | −45% | Memoirs of an Invisible Man (1992) $14.4M |
| Week 9, 1993 Feb 21–27 1 film · +94% | 1 | $40.9M | +94% | Falling Down (1993) $40.9M |
| Week 9, 1994 Feb 20–26 2 films · −55% | 2 | $18.2M | −55% | Sugar Hill (1994) $18.2M |
| Week 9, 1995 Feb 26–Mar 4 4 films · +205% | 4 | $55.7M | +205% | Man of the House (1995) $40.1M |
| Week 9, 1996 Feb 25–Mar 2 4 films · +150% | 4 | $139.3M | +150% | Up Close & Personal (1996) $100.7M |
52 weeks of 1996 with reported grosses; the biggest is week 27 (Jun 30–Jul 6) with $969.4M, led by Independence Day (1996).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Up Close & Personal (1996) leads with $100.7M worldwide, $51.1M of it in the US & Canada. Next come Down Periscope (1996) at $37.6M and When Saturday Comes (1996) at $983.5K.
4 English-language films released in week 9 of 1996 (Feb 25–Mar 2) report a worldwide gross, $139.3M in all, or $34.8M per film on average. Week 8, 1996 releases took $57M.
None. 1 film crossed $100 million, led by Up Close & Personal (1996) with $100.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 1996 (Feb 25–Mar 2). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.