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Documentary box office · Week 17 · Apr 18–24, 2004

Documentary Box Office, Week 17 of 2004: Documentary Releases of Apr 18–24

Sacred Planet (2004) is the highest-grossing documentary movie released in week 17 of 2004 (Apr 18–24), with $1.1M worldwide, ahead of This So-Called Disaster: Sam Shepard Directs the Late Henry Moss (2004) at $226.7K and The Agronomist (2004) at $226.2K. 4 documentary films released that week report a worldwide gross, $1.6M in all, 100% of it from the US & Canada.

week 17 releases with a gross
4
combined worldwide
$1.6M
Sacred Planet (2004), the #1
$1.1M
earned in the US & Canada
100%
Sacred Planet (2004) movie poster #1 of 4
#1 documentary movie of Week 17, 2004

Sacred Planet (2004)

2004 · Documentary, Short

$1.1M worldwide · 70% of the chart's total

$1.1M US & Canada · 100% elsewhere · 0%
Top 4

What Were the Biggest Documentary Hits of Week 17 of 2004?

Sacred Planet (2004) leads with $1.1M, 70% of the total. The top 4 together took $1.6M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Sacred Planet (2004) movie poster Number 1
    $1.1M Sacred Planet (2004)
    $1.1M US & Canada · 100% elsewhere · 0%
  2. This So-Called Disaster: Sam Shepard Directs the Late Henry Moss (2004) movie poster Number 2
    $226.7K This So-Called Disaster: Sam Shepard Directs the Late Henry Moss (2004)
    $226.7K US & Canada · 100% elsewhere · 0%
  3. The Agronomist (2004) movie poster Number 3
    $226.2K The Agronomist (2004)
    $226.2K US & Canada · 100% elsewhere · 0%
  4. Faster (2004) movie poster Number 4
    $16.3K Faster (2004)
    $16.3K US & Canada · 100% elsewhere · 0%

US & Canada (domestic) Rest of the world

The chart

Every Documentary Release of Week 17 of 2004, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2004 (Apr 18–24).

  1. 1 Sacred Planet (2004) movie poster
    Sacred Planet (2004) Apr 22, 2004 · English · Documentary, Short $1.1M worldwide
    Apr 22, 2004 US and Canada: $1.1M Rest of the world: Worldwide: $1.1M
  2. 2 This So-Called Disaster: Sam Shepard Directs the Late Henry Moss (2004) movie poster
    This So-Called Disaster: Sam Shepard Directs the Late Henry Moss (2004) Apr 21, 2004 · English · Documentary $226.7K worldwide
    Apr 21, 2004 US and Canada: $226.7K Rest of the world: Worldwide: $226.7K
  3. 3 The Agronomist (2004) movie poster
    The Agronomist (2004) Apr 23, 2004 · English · Documentary $226.2K worldwide
    Apr 23, 2004 US and Canada: $226.2K Rest of the world: Worldwide: $226.2K
  4. 4 Faster (2004) movie poster
    Faster (2004) Apr 23, 2004 · English · Documentary $16.3K worldwide
    Apr 23, 2004 US and Canada: $16.3K Rest of the world: Worldwide: $16.3K
US & Canada vs the world

Where Did the Money Come From in Week 17 of 2004?

Of the top 4, Sacred Planet (2004) earned the biggest share at home (100% in the US & Canada), while Faster (2004) made 0% of its gross abroad. Across all 4 films, $1.6M (100%) came from the US & Canada.

  1. 1 Sacred Planet (2004) $1.1M
    $1.1M US & Canada · 100% elsewhere · 0%
  2. 2 This So-Called Disaster: Sam Shepard Directs the Late Henry Moss (2004) $226.7K
    $226.7K US & Canada · 100% elsewhere · 0%
  3. 3 The Agronomist (2004) $226.2K
    $226.2K US & Canada · 100% elsewhere · 0%
  4. 4 Faster (2004) $16.3K
    $16.3K US & Canada · 100% elsewhere · 0%
Earlier years

How Does Week 17 of 2004 Compare With Earlier Years?

Of these 10 years, Week 17, 1999 earned the most: $10.7M from 1 film, led by Island of the Sharks (1999). Week 17, 2004 took $1.6M.

Week Films Worldwide Change Biggest film
Week 17, 1995 Apr 23–29 1 film 1 $3M – Crumb (1995) $3M
Week 17, 1996 Apr 21–27 No films 0 – – –
Week 17, 1997 Apr 20–26 1 film 1 $142.2K – Waco: The Rules of Engagement (1997) $142.2K
Week 17, 1998 Apr 19–25 No films 0 – – –
Week 17, 1999 Apr 18–24 1 film 1 $10.7M – Island of the Sharks (1999) $10.7M
Week 17, 2000 Apr 16–22 No films 0 – – –
Week 17, 2001 Apr 22–28 No films 0 – – –
Week 17, 2002 Apr 21–27 2 films 2 $1.8M – Dogtown and Z-Boys (2002) $1.5M
Week 17, 2003 Apr 20–26 2 films · +203% 2 $5.4M +203% The Real Cancun (2003) $5.3M
Week 17, 2004 Apr 18–24 4 films · −71% 4 $1.6M −71% Sacred Planet (2004) $1.1M
FAQ

Documentary Box Office Week 17 of 2004: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing documentary movie in week 17 of 2004 (Apr 18–24)?

Sacred Planet (2004) leads with $1.1M worldwide, $1.1M of it in the US & Canada. Next come This So-Called Disaster: Sam Shepard Directs the Late Henry Moss (2004) at $226.7K and The Agronomist (2004) at $226.2K.

How much did documentary movies released in week 17 of 2004 (Apr 18–24) earn?

4 documentary films released in week 17 of 2004 (Apr 18–24) report a worldwide gross, $1.6M in all, or $394.4K per film on average.

How many documentary movies released in week 17 of 2004 (Apr 18–24) made $1 billion?

None. The biggest, Sacred Planet (2004), earned $1.1M.

How much of the Week 17, 2004 Documentary box office came from the US and Canada?

$1.6M of the $1.6M total, or 100%, was earned in the US & Canada (the domestic market); the rest came from other countries. 0 films of the 4 report no domestic figure.

How is the week 17, 2004 documentary box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2004 (Apr 18–24). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 17, 2004 documentary box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.