#1 of 31 2011 · Action, Sci-Fi
$149.9M worldwide · 37% of the chart's total
I Am Number Four (2011) is the highest-grossing movie released in week 8 of 2011 (Feb 13–19), with $149.9M worldwide, ahead of Unknown (2011) at $135.7M and Big Mommas: Like Father, Like Son (2011) at $82.7M. 31 films released that week report a worldwide gross, $403.4M in all, 39% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is down 38% on Week 7, 2011, whose releases took $646.4M. By genre, Drama leads with $157.3M across 19 releases.
#1 of 31 2011 · Action, Sci-Fi
$149.9M worldwide · 37% of the chart's total
I Am Number Four (2011) leads with $149.9M, 37% of the total. The top 5 together took $389.4M, 97% of what all 31 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 8 of 2011 (Feb 13–19).
Feb 18, 2011 US and Canada: $55.1M Rest of the world: $94.8M Worldwide: $149.9M
Feb 18, 2011 US and Canada: $63.7M Rest of the world: $72M Worldwide: $135.7M
Feb 18, 2011 US and Canada: $37.9M Rest of the world: $44.8M Worldwide: $82.7M
Feb 17, 2011 US and Canada: – Rest of the world: – Worldwide: $12.2M
Feb 17, 2011 US and Canada: $270.2K Rest of the world: $3.7M Worldwide: $3.9M
Feb 16, 2011 US and Canada: – Rest of the world: – Worldwide: $2.8M
Feb 18, 2011 US and Canada: $22.7K Rest of the world: $1.6M Worldwide: $1.7M
Feb 13, 2011 US and Canada: – Rest of the world: – Worldwide: $1M
Feb 17, 2011 US and Canada: – Rest of the world: – Worldwide: $720.4K
Feb 18, 2011 US and Canada: $635.3K Rest of the world: Worldwide: $635.3K
Feb 17, 2011 US and Canada: – Rest of the world: – Worldwide: $526.3K
Feb 17, 2011 US and Canada: – Rest of the world: – Worldwide: $455K
Feb 17, 2011 US and Canada: – Rest of the world: – Worldwide: $427.5K
Feb 18, 2011 US and Canada: – Rest of the world: – Worldwide: $338.2K
Feb 18, 2011 US and Canada: – Rest of the world: – Worldwide: $279.1K
Feb 18, 2011 US and Canada: – Rest of the world: – Worldwide: $254.5K
Feb 13, 2011 US and Canada: – Rest of the world: – Worldwide: $192.8K
Feb 15, 2011 US and Canada: – Rest of the world: – Worldwide: $189.8K
Feb 14, 2011 US and Canada: – Rest of the world: – Worldwide: $138K
Feb 18, 2011 US and Canada: – Rest of the world: – Worldwide: $127.8K
Feb 16, 2011 US and Canada: – Rest of the world: – Worldwide: $86.3K
Feb 17, 2011 US and Canada: – Rest of the world: – Worldwide: $71.8K
Feb 18, 2011 US and Canada: $49.9K Rest of the world: $8.7K Worldwide: $58.6K
Feb 18, 2011 US and Canada: – Rest of the world: – Worldwide: $37.2K
Feb 18, 2011 US and Canada: $19.7K Rest of the world: $12.7K Worldwide: $32.4K
Feb 18, 2011 US and Canada: $24.6K Rest of the world: Worldwide: $24.6K
Feb 19, 2011 US and Canada: $21.6K Rest of the world: Worldwide: $21.6K
Feb 14, 2011 US and Canada: – Rest of the world: – Worldwide: $11.1K
Feb 18, 2011 US and Canada: $1.8K Rest of the world: Worldwide: $1.8K
Feb 16, 2011 US and Canada: – Rest of the world: – Worldwide: $105 Of the top 10, Unknown (2011) earned the biggest share at home (47% in the US & Canada), while Vanishing on 7th Street (2011) made 99% of its gross abroad. Across all 31 films, $157.7M (39%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
2 of 31 films crossed $100M and took $285.6M between them, 71% of the total. 27 films, 87% of the list, earned under $10M.
Week 8 releases took $403.4M. The biggest of these 9 weeks is week 7 (Feb 6–12) with $646.4M, led by Just Go with It (2011).
Of these 10 years, Week 8, 2010 earned the most: $448.8M from 27 films, led by Shutter Island (2010). Week 8, 2011 took $403.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 8, 2002 Feb 17–23 14 films | 14 | $144.7M | – | Dragonfly (2002) $52.3M |
| Week 8, 2003 Feb 16–22 13 films · +7% | 13 | $154.9M | +7% | Old School (2003) $87.1M |
| Week 8, 2004 Feb 15–21 16 films · −13% | 16 | $134.5M | −13% | Crimson Rivers II: Angels of the Apocalypse (2004) $40.2M |
| Week 8, 2005 Feb 13–19 22 films · +225% | 22 | $437.4M | +225% | Constantine (2005) $230.9M |
| Week 8, 2006 Feb 19–25 21 films · −69% | 21 | $135.8M | −69% | Madea’s Family Reunion (2006) $63.4M |
| Week 8, 2007 Feb 18–24 24 films · +40% | 24 | $190.1M | +40% | The Number 23 (2007) $77.7M |
| Week 8, 2008 Feb 17–23 16 films · +38% | 16 | $261.9M | +38% | Vantage Point (2008) $152M |
| Week 8, 2009 Feb 15–21 16 films · −46% | 16 | $141.6M | −46% | Madea Goes to Jail (2009) $90.5M |
| Week 8, 2010 Feb 14–20 27 films · +217% | 27 | $448.8M | +217% | Shutter Island (2010) $295M |
| Week 8, 2011 Feb 13–19 31 films · −10% | 31 | $403.4M | −10% | I Am Number Four (2011) $149.9M |
Drama took $157.3M across 19 films, 39% of the total, ahead of Thriller ($153.7M) and Mystery ($150.2M). A film counts once for each of its genres. English-language films took $372.5M across 14 films, 92% of the total, ahead of Korean-language films ($12.8M) and German-language films ($12.3M).
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.7B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 31 films as the chart.
I Am Number Four (2011) leads with $149.9M worldwide, $55.1M of it in the US & Canada. Next come Unknown (2011) at $135.7M and Big Mommas: Like Father, Like Son (2011) at $82.7M.
31 films released in week 8 of 2011 (Feb 13–19) report a worldwide gross, $403.4M in all, or $13M per film on average. Week 7, 2011 releases took $646.4M.
None. 2 films crossed $100 million, led by I Am Number Four (2011) with $149.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 8 of 2011 (Feb 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.