#1 of 29 2011 · Drama
$110.2M worldwide · 28% of the chart's total
Moneyball (2011) is the highest-grossing movie released in week 39 of 2011 (Sep 18–24), with $110.2M worldwide, ahead of Dolphin Tale (2011) at $95.9M and Abduction (2011) at $82.1M. 29 films released that week report a worldwide gross, $397.4M in all, 51% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 120% on Week 38, 2011, whose releases took $180.7M. By genre, Drama leads with $245.5M across 15 releases.
#1 of 29 2011 · Drama
$110.2M worldwide · 28% of the chart's total
Moneyball (2011) leads with $110.2M, 28% of the total. The top 5 together took $373M, 94% of what all 29 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 39 of 2011 (Sep 18–24).
Sep 23, 2011 US and Canada: $75.6M Rest of the world: $34.6M Worldwide: $110.2M
Sep 23, 2011 US and Canada: $72.3M Rest of the world: $23.7M Worldwide: $95.9M
Sep 23, 2011 US and Canada: $28.1M Rest of the world: $54M Worldwide: $82.1M
Sep 23, 2011 US and Canada: $25.1M Rest of the world: $32M Worldwide: $57.1M
Sep 23, 2011 US and Canada: – Rest of the world: – Worldwide: $27.7M
Sep 23, 2011 US and Canada: – Rest of the world: – Worldwide: $3.9M
Sep 23, 2011 US and Canada: $538.7K Rest of the world: $2.8M Worldwide: $3.3M
Sep 20, 2011 US and Canada: – Rest of the world: – Worldwide: $2.8M
Sep 21, 2011 US and Canada: – Rest of the world: – Worldwide: $2.7M
Sep 19, 2011 US and Canada: – Rest of the world: – Worldwide: $2.5M
Sep 23, 2011 US and Canada: $728.3K Rest of the world: $745K Worldwide: $1.5M
Sep 22, 2011 US and Canada: – Rest of the world: – Worldwide: $1.2M
Sep 23, 2011 US and Canada: $484.6K Rest of the world: $707.4K Worldwide: $1.2M
Sep 23, 2011 US and Canada: – Rest of the world: – Worldwide: $525.1K
Sep 20, 2011 US and Canada: $471.3K Rest of the world: Worldwide: $471.3K
Sep 23, 2011 US and Canada: – Rest of the world: – Worldwide: $153.9K
Sep 23, 2011 US and Canada: $144K Rest of the world: Worldwide: $144K
Sep 23, 2011 US and Canada: $68.9K Rest of the world: $54.8K Worldwide: $123.7K
Sep 23, 2011 US and Canada: – Rest of the world: – Worldwide: $76.4K
Sep 23, 2011 US and Canada: $60.3K Rest of the world: Worldwide: $60.3K
Sep 23, 2011 US and Canada: – Rest of the world: – Worldwide: $57.6K
Sep 20, 2011 US and Canada: – Rest of the world: – Worldwide: $36K
Sep 19, 2011 US and Canada: – Rest of the world: – Worldwide: $30.6K
Sep 23, 2011 US and Canada: – Rest of the world: – Worldwide: $15.2K
Sep 23, 2011 US and Canada: $14.2K Rest of the world: Worldwide: $14.2K
Sep 23, 2011 US and Canada: $10.2K Rest of the world: Worldwide: $10.2K
Sep 21, 2011 US and Canada: – Rest of the world: – Worldwide: $786 Of the top 10, Dolphin Tale (2011) earned the biggest share at home (75% in the US & Canada), while Machine Gun Preacher (2011) made 84% of its gross abroad. Across all 29 films, $203.8M (51%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
1 of 29 films crossed $100M and took $110.2M between them, 28% of the total. 24 films, 83% of the list, earned under $10M.
Week 39 releases took $397.4M. The biggest of these 9 weeks is week 33 (Aug 7–13) with $522.5M, led by The Help (2011).
Of these 10 years, Week 39, 2006 earned the most: $562.1M from 23 films, led by Open Season (2006). Week 39, 2011 took $397.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 39, 2002 Sep 22–28 23 films | 23 | $330M | – | Sweet Home Alabama (2002) $180.6M |
| Week 39, 2003 Sep 21–27 21 films · −33% | 21 | $219.9M | −33% | The Rundown (2003) $81M |
| Week 39, 2004 Sep 19–25 32 films · +17% | 32 | $257.3M | +17% | The Forgotten (2004) $117.6M |
| Week 39, 2005 Sep 18–24 17 films · +69% | 17 | $434.8M | +69% | Flightplan (2005) $223.4M |
| Week 39, 2006 Sep 24–30 23 films · +29% | 23 | $562.1M | +29% | Open Season (2006) $200.8M |
| Week 39, 2007 Sep 23–29 27 films · −25% | 27 | $419.6M | −25% | The Game Plan (2007) $147.9M |
| Week 39, 2008 Sep 21–27 29 films · −13% | 29 | $367M | −13% | Eagle Eye (2008) $178.8M |
| Week 39, 2009 Sep 20–26 35 films · +45% | 35 | $531.3M | +45% | Paranormal Activity (2009) $177.5M |
| Week 39, 2010 Sep 19–25 28 films · −24% | 28 | $404.7M | −24% | Legend of the Guardians: The Owls of Ga'Hoole (2010) $140.1M |
| Week 39, 2011 Sep 18–24 29 films · −2% | 29 | $397.4M | −2% | Moneyball (2011) $110.2M |
Drama took $245.5M across 15 films, 62% of the total, ahead of Action ($142.5M) and Thriller ($139.2M). A film counts once for each of its genres. English-language films took $349.9M across 15 films, 88% of the total, ahead of Japanese-language films ($31M) and Norwegian-language films ($3.9M).
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.7B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 29 films as the chart.
Moneyball (2011) leads with $110.2M worldwide, $75.6M of it in the US & Canada. Next come Dolphin Tale (2011) at $95.9M and Abduction (2011) at $82.1M.
29 films released in week 39 of 2011 (Sep 18–24) report a worldwide gross, $397.4M in all, or $13.7M per film on average. Week 38, 2011 releases took $180.7M.
None. 1 film crossed $100 million, led by Moneyball (2011) with $110.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 39 of 2011 (Sep 18–24). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.