#1 of 26 2011 · Action, Comedy
$152.9M worldwide · 66% of the chart's total
Tower Heist (2011) is the highest-grossing movie released in week 45 of 2011 (Oct 30–Nov 5), with $152.9M worldwide, ahead of A Very Harold & Kumar Christmas (2011) at $36.2M and Kaiji 2: The Ultimate Gambler (2011) at $20M. 26 films released that week report a worldwide gross, $231M in all, 49% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 75% on Week 44, 2011, whose releases took $933.2M. By genre, Comedy leads with $201.5M across 14 releases.
#1 of 26 2011 · Action, Comedy
$152.9M worldwide · 66% of the chart's total
Tower Heist (2011) leads with $152.9M, 66% of the total. The top 5 together took $219.8M, 95% of what all 26 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 45 of 2011 (Oct 30–Nov 5).
Nov 4, 2011 US and Canada: $78M Rest of the world: $74.9M Worldwide: $152.9M
Nov 4, 2011 US and Canada: $35.1M Rest of the world: $1.1M Worldwide: $36.2M
Nov 5, 2011 US and Canada: – Rest of the world: – Worldwide: $20M
Nov 4, 2011 US and Canada: $162.1K Rest of the world: $5.7M Worldwide: $5.8M
Nov 4, 2011 US and Canada: – Rest of the world: – Worldwide: $4.9M
Nov 3, 2011 US and Canada: – Rest of the world: – Worldwide: $2.5M
Nov 2, 2011 US and Canada: – Rest of the world: – Worldwide: $2.3M
Nov 4, 2011 US and Canada: – Rest of the world: – Worldwide: $1.2M
Nov 3, 2011 US and Canada: – Rest of the world: – Worldwide: $1.2M
Nov 4, 2011 US and Canada: $30.7K Rest of the world: $1.1M Worldwide: $1.1M
Nov 2, 2011 US and Canada: – Rest of the world: – Worldwide: $722.2K
Nov 4, 2011 US and Canada: – Rest of the world: – Worldwide: $717.8K
Nov 3, 2011 US and Canada: – Rest of the world: – Worldwide: $444.2K
Nov 4, 2011 US and Canada: – Rest of the world: – Worldwide: $254.2K
Nov 4, 2011 US and Canada: – Rest of the world: – Worldwide: $124.1K
Nov 3, 2011 US and Canada: – Rest of the world: – Worldwide: $121.2K
Nov 1, 2011 US and Canada: – Rest of the world: – Worldwide: $89.5K
Nov 4, 2011 US and Canada: $20K Rest of the world: $63.1K Worldwide: $83.1K
Nov 4, 2011 US and Canada: – Rest of the world: – Worldwide: $79.5K
Nov 4, 2011 US and Canada: – Rest of the world: – Worldwide: $65.9K
Nov 2, 2011 US and Canada: $53.7K Rest of the world: Worldwide: $53.7K
Nov 4, 2011 US and Canada: $1.1K Rest of the world: $25.2K Worldwide: $26.3K
Nov 4, 2011 US and Canada: – Rest of the world: – Worldwide: $16.1K
Oct 30, 2011 US and Canada: – Rest of the world: – Worldwide: $4.3K
Nov 3, 2011 US and Canada: – Rest of the world: – Worldwide: $1.5K
Nov 3, 2011 US and Canada: – Rest of the world: – Worldwide: $114 Of the top 10, A Very Harold & Kumar Christmas (2011) earned the biggest share at home (97% in the US & Canada), while Young Goethe in Love (2011) made 97% of its gross abroad. Across all 26 films, $113.4M (49%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
1 of 26 films crossed $100M and took $152.9M between them, 66% of the total. 23 films, 88% of the list, earned under $10M.
Week 45 releases took $231M. The biggest of these 9 weeks is week 47 (Nov 13–19) with $1.1B, led by The Twilight Saga: Breaking Dawn - Part 1 (2011).
Of these 10 years, Week 45, 2003 earned the most: $932M from 15 films, led by The Matrix Revolutions (2003). Week 45, 2011 took $231M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 45, 2002 Nov 3–9 21 films | 21 | $429.3M | – | 8 Mile (2002) $242.9M |
| Week 45, 2003 Nov 2–8 15 films · +117% | 15 | $932M | +117% | The Matrix Revolutions (2003) $427.3M |
| Week 45, 2004 Oct 31–Nov 6 13 films · −24% | 13 | $708.9M | −24% | The Incredibles (2004) $631.7M |
| Week 45, 2005 Oct 30–Nov 5 21 films · −39% | 21 | $435.7M | −39% | Chicken Little (2005) $314.4M |
| Week 45, 2006 Nov 5–11 31 films · −56% | 31 | $191.2M | −56% | Stranger Than Fiction (2006) $53.7M |
| Week 45, 2007 Nov 4–10 28 films · +122% | 28 | $424M | +122% | No Country for Old Men (2007) $171.6M |
| Week 45, 2008 Nov 2–8 26 films · +79% | 26 | $759M | +79% | Madagascar: Escape 2 Africa (2008) $603.9M |
| Week 45, 2009 Nov 1–7 23 films · −32% | 23 | $517.6M | −32% | A Christmas Carol (2009) $325.3M |
| Week 45, 2010 Oct 31–Nov 6 29 films · +35% | 29 | $699.9M | +35% | Megamind (2010) $321.9M |
| Week 45, 2011 Oct 30–Nov 5 26 films · −67% | 26 | $231M | −67% | Tower Heist (2011) $152.9M |
Comedy took $201.5M across 14 films, 87% of the total, ahead of Crime ($154M) and Action ($154M). A film counts once for each of its genres. English-language films took $191.2M across 7 films, 83% of the total, ahead of Japanese-language films ($20M) and Polish-language films ($4.9M).
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.7B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 26 films as the chart.
Tower Heist (2011) leads with $152.9M worldwide, $78M of it in the US & Canada. Next come A Very Harold & Kumar Christmas (2011) at $36.2M and Kaiji 2: The Ultimate Gambler (2011) at $20M.
26 films released in week 45 of 2011 (Oct 30–Nov 5) report a worldwide gross, $231M in all, or $8.9M per film on average. Week 44, 2011 releases took $933.2M.
None. 1 film crossed $100 million, led by Tower Heist (2011) with $152.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 45 of 2011 (Oct 30–Nov 5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.