#1 of 25 2011 · Fantasy, Animation
$563.9M worldwide · 59% of the chart's total
The Smurfs (2011) is the highest-grossing movie released in week 31 of 2011 (Jul 24–30), with $563.9M worldwide, ahead of Cowboys & Aliens (2011) at $174.8M and Crazy, Stupid, Love (2011) at $145.1M. 25 films released that week report a worldwide gross, $952.8M in all, 35% of it from the US & Canada. 3 films crossed $100 million; none reached $1 billion. That is up 54% on Week 30, 2011, whose releases took $617.4M. By genre, Family leads with $576.9M across 3 releases.
#1 of 25 2011 · Fantasy, Animation
$563.9M worldwide · 59% of the chart's total
The Smurfs (2011) leads with $563.9M, 59% of the total. The top 5 together took $914.4M, 96% of what all 25 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 31 of 2011 (Jul 24–30).
Jul 29, 2011 US and Canada: $142.6M Rest of the world: $421.3M Worldwide: $563.9M
Jul 29, 2011 US and Canada: $100.2M Rest of the world: $74.6M Worldwide: $174.8M
Jul 29, 2011 US and Canada: $84.4M Rest of the world: $60.7M Worldwide: $145.1M
Jul 29, 2011 US and Canada: $5.4M Rest of the world: $14.2M Worldwide: $19.6M
Jul 29, 2011 US and Canada: – Rest of the world: – Worldwide: $11M
Jul 29, 2011 US and Canada: $708.2K Rest of the world: $8.8M Worldwide: $9.5M
Jul 29, 2011 US and Canada: $1M Rest of the world: $5.2M Worldwide: $6.2M
Jul 29, 2011 US and Canada: $1.4M Rest of the world: $4.4M Worldwide: $5.7M
Jul 29, 2011 US and Canada: – Rest of the world: – Worldwide: $2.5M
Jul 29, 2011 US and Canada: – Rest of the world: – Worldwide: $2M
Jul 29, 2011 US and Canada: $568.7K Rest of the world: $318.5K Worldwide: $887.2K
Jul 29, 2011 US and Canada: $252.8K Rest of the world: $354.4K Worldwide: $607.2K
Jul 27, 2011 US and Canada: – Rest of the world: – Worldwide: $360.4K
Jul 27, 2011 US and Canada: $237.2K Rest of the world: $105.9K Worldwide: $343.1K
Jul 29, 2011 US and Canada: – Rest of the world: – Worldwide: $329.6K
Jul 29, 2011 US and Canada: $282.4K Rest of the world: $4K Worldwide: $286.5K
Jul 27, 2011 US and Canada: – Rest of the world: – Worldwide: $225.9K
Jul 28, 2011 US and Canada: – Rest of the world: – Worldwide: $207.3K
Jul 29, 2011 US and Canada: – Rest of the world: – Worldwide: $110.8K
Jul 28, 2011 US and Canada: – Rest of the world: – Worldwide: $14.4K
Jul 29, 2011 US and Canada: – Rest of the world: – Worldwide: $11.3K
Jul 29, 2011 US and Canada: $7.1K Rest of the world: Worldwide: $7.1K
Jul 29, 2011 US and Canada: $3.7K Rest of the world: Worldwide: $3.7K
Jul 29, 2011 US and Canada: – Rest of the world: – Worldwide: $2.6K Of the top 10, Crazy, Stupid, Love (2011) earned the biggest share at home (58% in the US & Canada), while Point Blank (2011) made 93% of its gross abroad. Across all 25 films, $337M (35%) came from the US & Canada. 3 films of the top 10 report no US & Canada figure.
3 of 25 films crossed $100M and took $883.8M between them, 93% of the total. 20 films, 80% of the list, earned under $10M.
Week 31 releases took $952.8M. The biggest of these 9 weeks is week 29 (Jul 10–16) with $1.4B, led by Harry Potter and the Deathly Hallows: Part 2 (2011).
Of these 10 years, Week 31, 2011 earned the most: $952.8M from 25 films, led by The Smurfs (2011).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 31, 2002 Jul 28–Aug 3 8 films | 8 | $495.7M | – | Signs (2002) $408.2M |
| Week 31, 2003 Jul 27–Aug 2 13 films · −43% | 13 | $283.6M | −43% | American Wedding (2003) $232.7M |
| Week 31, 2004 Jul 25–31 20 films · +98% | 20 | $561.3M | +98% | The Village (2004) $256.7M |
| Week 31, 2005 Jul 24–30 14 films · −53% | 14 | $263.7M | −53% | Sky High (2005) $86.4M |
| Week 31, 2006 Jul 30–Aug 5 18 films · +42% | 18 | $374.1M | +42% | Talladega Nights: The Ballad of Ricky Bobby (2006) $163.4M |
| Week 31, 2007 Jul 29–Aug 4 27 films · +75% | 27 | $655.4M | +75% | The Bourne Ultimatum (2007) $442.8M |
| Week 31, 2008 Jul 27–Aug 2 15 films · −32% | 15 | $443.5M | −32% | The Mummy: Tomb of the Dragon Emperor (2008) $403.4M |
| Week 31, 2009 Jul 26–Aug 1 30 films · −41% | 30 | $260.5M | −41% | Funny People (2009) $71.6M |
| Week 31, 2010 Jul 25–31 20 films · +11% | 20 | $290.4M | +11% | Cats & Dogs: The Revenge of Kitty Galore (2010) $112.5M |
| Week 31, 2011 Jul 24–30 25 films · +228% | 25 | $952.8M | +228% | The Smurfs (2011) $563.9M |
Family took $576.9M across 3 films, 61% of the total, ahead of Animation ($575M) and Fantasy ($563.9M). A film counts once for each of its genres. English-language films took $784.5M across 14 films, 82% of the total, ahead of French-language films ($9.5M) and Japanese-language films ($9.1M).
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.7B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 25 films as the chart.
The Smurfs (2011) leads with $563.9M worldwide, $142.6M of it in the US & Canada. Next come Cowboys & Aliens (2011) at $174.8M and Crazy, Stupid, Love (2011) at $145.1M.
25 films released in week 31 of 2011 (Jul 24–30) report a worldwide gross, $952.8M in all, or $38.1M per film on average. Week 30, 2011 releases took $617.4M.
None. 3 films crossed $100 million, led by The Smurfs (2011) with $563.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 31 of 2011 (Jul 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.