#1 of 28 2011 · Comedy
$324.8M worldwide · 74% of the chart's total
Bridesmaids (2011) is the highest-grossing movie released in week 20 of 2011 (May 8–14), with $324.8M worldwide, ahead of Priest (2011) at $78.3M and Almanya: Welcome to Germany (2011) at $14.9M. 28 films released that week report a worldwide gross, $438M in all, 46% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 35% on Week 19, 2011, whose releases took $674.5M. By genre, Comedy leads with $344M across 5 releases.
#1 of 28 2011 · Comedy
$324.8M worldwide · 74% of the chart's total
Bridesmaids (2011) leads with $324.8M, 74% of the total. The top 5 together took $428.2M, 98% of what all 28 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 20 of 2011 (May 8–14).
May 13, 2011 US and Canada: $169.1M Rest of the world: $155.7M Worldwide: $324.8M
May 13, 2011 US and Canada: $29.1M Rest of the world: $49.2M Worldwide: $78.3M
May 13, 2011 US and Canada: – Rest of the world: – Worldwide: $14.9M
May 14, 2011 US and Canada: – Rest of the world: – Worldwide: $6.7M
May 13, 2011 US and Canada: – Rest of the world: – Worldwide: $3.5M
May 13, 2011 US and Canada: $2.7M Rest of the world: $108.8K Worldwide: $2.8M
May 13, 2011 US and Canada: – Rest of the world: – Worldwide: $1.2M
May 13, 2011 US and Canada: $332K Rest of the world: $905.5K Worldwide: $1.2M
May 12, 2011 US and Canada: – Rest of the world: – Worldwide: $628.4K
May 13, 2011 US and Canada: $312.5K Rest of the world: $204.5K Worldwide: $517K
May 13, 2011 US and Canada: $48.6K Rest of the world: $435.3K Worldwide: $483.8K
May 13, 2011 US and Canada: $382.9K Rest of the world: $66.8K Worldwide: $449.7K
May 12, 2011 US and Canada: – Rest of the world: – Worldwide: $435.3K
May 13, 2011 US and Canada: – Rest of the world: – Worldwide: $424.3K
May 13, 2011 US and Canada: – Rest of the world: – Worldwide: $352.9K
May 11, 2011 US and Canada: – Rest of the world: – Worldwide: $243.3K
May 11, 2011 US and Canada: – Rest of the world: – Worldwide: $237K
May 13, 2011 US and Canada: $180.2K Rest of the world: Worldwide: $180.2K
May 13, 2011 US and Canada: – Rest of the world: – Worldwide: $164.7K
May 13, 2011 US and Canada: – Rest of the world: – Worldwide: $160K
May 14, 2011 US and Canada: – Rest of the world: – Worldwide: $117.1K
May 13, 2011 US and Canada: $19.4K Rest of the world: Worldwide: $19.4K
May 13, 2011 US and Canada: $19.1K Rest of the world: Worldwide: $19.1K
May 11, 2011 US and Canada: – Rest of the world: – Worldwide: $3.9K
May 14, 2011 US and Canada: – Rest of the world: – Worldwide: $2.3K
May 13, 2011 US and Canada: – Rest of the world: – Worldwide: $2.1K Of the top 10, Everything Must Go (2011) earned the biggest share at home (96% in the US & Canada), while The First Grader (2011) made 73% of its gross abroad. Across all 28 films, $202.3M (46%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
1 of 28 films crossed $100M and took $324.8M between them, 74% of the total. 25 films, 89% of the list, earned under $10M.
Week 20 releases took $438M. The biggest of these 9 weeks is week 22 (May 22–28) with $1.3B, led by Kung Fu Panda 2 (2011).
Of these 10 years, Week 20, 2006 earned the most: $1.1B from 15 films, led by The Da Vinci Code (2006). Week 20, 2011 took $438M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 20, 2002 May 12–18 14 films | 14 | $805.2M | – | Star Wars: Episode II - Attack of the Clones (2002) $653.8M |
| Week 20, 2003 May 11–17 22 films · −3% | 22 | $781.2M | −3% | The Matrix Reloaded (2003) $741.8M |
| Week 20, 2004 May 9–15 22 films · −29% | 22 | $556M | −29% | Troy (2004) $497.4M |
| Week 20, 2005 May 8–14 35 films · −39% | 35 | $336.6M | −39% | Monster-in-Law (2005) $155.5M |
| Week 20, 2006 May 14–20 15 films · +237% | 15 | $1.1B | +237% | The Da Vinci Code (2006) $760M |
| Week 20, 2007 May 13–19 29 films · −23% | 29 | $872.9M | −23% | Shrek the Third (2007) $808.3M |
| Week 20, 2008 May 11–17 12 films · −51% | 12 | $429.6M | −51% | The Chronicles of Narnia: Prince Caspian (2008) $419.7M |
| Week 20, 2009 May 10–16 19 films · +21% | 19 | $518.7M | +21% | Angels & Demons (2009) $485.9M |
| Week 20, 2010 May 9–15 22 films · −74% | 22 | $137.1M | −74% | Letters to Juliet (2010) $79.3M |
| Week 20, 2011 May 8–14 28 films · +219% | 28 | $438M | +219% | Bridesmaids (2011) $324.8M |
Comedy took $344M across 5 films, 79% of the total, ahead of Action ($82.1M) and Thriller ($78.5M). A film counts once for each of its genres. English-language films took $408.2M across 13 films, 93% of the total, ahead of German-language films ($15.8M) and French-language films ($7.2M).
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.7B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 28 films as the chart.
Bridesmaids (2011) leads with $324.8M worldwide, $169.1M of it in the US & Canada. Next come Priest (2011) at $78.3M and Almanya: Welcome to Germany (2011) at $14.9M.
28 films released in week 20 of 2011 (May 8–14) report a worldwide gross, $438M in all, or $15.6M per film on average. Week 19, 2011 releases took $674.5M.
None. 1 film crossed $100 million, led by Bridesmaids (2011) with $324.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 20 of 2011 (May 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.