#1 of 8 2011 · Documentary
$517K worldwide · 59% of the chart's total
L'amour fou (2011) is the highest-grossing documentary movie released in week 20 of 2011 (May 8–14), with $517K worldwide, ahead of How to Live Forever (2011) at $164.7K and Michel Petrucciani (2011) at $117.1K. 8 documentary films released that week report a worldwide gross, $874.1K in all, 44% of it from the US & Canada. By language, French leads with $519.2K across 2 documentary releases.
#1 of 8 2011 · Documentary
$517K worldwide · 59% of the chart's total
L'amour fou (2011) leads with $517K, 59% of the total. The top 5 together took $850.7K, 97% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 20 of 2011 (May 8–14).
May 13, 2011 US and Canada: $312.5K Rest of the world: $204.5K Worldwide: $517K
May 13, 2011 US and Canada: – Rest of the world: – Worldwide: $164.7K
May 14, 2011 US and Canada: – Rest of the world: – Worldwide: $117.1K
May 13, 2011 US and Canada: $19.1K Rest of the world: Worldwide: $19.1K
May 14, 2011 US and Canada: – Rest of the world: – Worldwide: $2.3K
May 13, 2011 US and Canada: – Rest of the world: – Worldwide: $2.1K Of the top 8, Hey, Boo: Harper Lee and 'To Kill a Mockingbird' (2011) earned the biggest share at home (100% in the US & Canada), while L'amour fou (2011) made 40% of its gross abroad. Across all 8 films, $383.6K (44%) came from the US & Canada. 4 films of the top 8 report no US & Canada figure.
Week 20 releases took $874.1K. The biggest of these 9 weeks is week 15 (Apr 3–9) with $55.7M, led by Born to Be Wild (2011).
Of these 10 years, Week 20, 2010 earned the most: $16M from 2 films, led by Sea Rex 3D: Journey to a Prehistoric World (2010). Week 20, 2011 took $874.1K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 20, 2002 May 12–18 1 film | 1 | $62.2K | – | Ten Minutes Older: The Trumpet (2002) $62.2K |
| Week 20, 2003 May 11–17 3 films · +909% | 3 | $627.8K | +909% | The Soul of a Man (2003) $592.9K |
| Week 20, 2004 May 9–15 2 films · −36% | 2 | $404.5K | −36% | Still We Believe: The Boston Red Sox Movie (2004) $396.8K |
| Week 20, 2005 May 8–14 4 films · +2190% | 4 | $9.3M | +2190% | Mad Hot Ballroom (2005) $9.1M |
| Week 20, 2006 May 14–20 No films | 0 | – | – | – |
| Week 20, 2007 May 13–19 2 films | 2 | $104.2K | – | In Search of Mozart (2007) $102.2K |
| Week 20, 2008 May 11–17 2 films · −9% | 2 | $94.7K | −9% | I Want to See (2008) $90.4K |
| Week 20, 2009 May 10–16 No films | 0 | – | – | – |
| Week 20, 2010 May 9–15 2 films | 2 | $16M | – | Sea Rex 3D: Journey to a Prehistoric World (2010) $16M |
| Week 20, 2011 May 8–14 8 films · −95% | 8 | $874.1K | −95% | L'amour fou (2011) $517K |
French-language documentary films took $519.2K across 2 films, 59% of the total, ahead of English-language documentary films ($352.8K) and Korean-language documentary films ($2.1K).
48 weeks of 2011 with reported grosses; the biggest is week 7 (Feb 6–12) with $99.3M, led by Justin Bieber: Never Say Never (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
L'amour fou (2011) leads with $517K worldwide, $312.5K of it in the US & Canada. Next come How to Live Forever (2011) at $164.7K and Michel Petrucciani (2011) at $117.1K.
8 documentary films released in week 20 of 2011 (May 8–14) report a worldwide gross, $874.1K in all, or $109.3K per film on average.
None. The biggest, L'amour fou (2011), earned $517K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 20 of 2011 (May 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.