#1 of 6 2011 · Documentary
$607.2K worldwide · 48% of the chart's total
Life in a Day (2011) is the highest-grossing documentary movie released in week 31 of 2011 (Jul 24–30), with $607.2K worldwide, ahead of El Bulli: Cooking in Progress (2011) at $343.1K and The Interrupters (2011) at $286.5K. 6 documentary films released that week report a worldwide gross, $1.3M in all, 61% of it from the US & Canada. By language, English leads with $908.7K across 4 documentary releases.
#1 of 6 2011 · Documentary
$607.2K worldwide · 48% of the chart's total
Life in a Day (2011) leads with $607.2K, 48% of the total. The top 5 together took $1.3M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 31 of 2011 (Jul 24–30).
Jul 29, 2011 US and Canada: $252.8K Rest of the world: $354.4K Worldwide: $607.2K
Jul 27, 2011 US and Canada: $237.2K Rest of the world: $105.9K Worldwide: $343.1K
Jul 29, 2011 US and Canada: $282.4K Rest of the world: $4K Worldwide: $286.5K
Jul 28, 2011 US and Canada: – Rest of the world: – Worldwide: $14.4K
Jul 29, 2011 US and Canada: – Rest of the world: – Worldwide: $11.3K
Jul 29, 2011 US and Canada: $3.7K Rest of the world: Worldwide: $3.7K Of the top 6, The Harvest/La Cosecha (2011) earned the biggest share at home (100% in the US & Canada), while Life in a Day (2011) made 58% of its gross abroad. Across all 6 films, $776.1K (61%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 31 releases took $1.3M. The biggest of these 9 weeks is week 33 (Aug 7–13) with $12.8M, led by Senna (2011).
Of these 10 years, Week 31, 2002 earned the most: $19.2M from 1 film, led by Martin Lawrence Live: Runteldat (2002). Week 31, 2011 took $1.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 31, 2002 Jul 28–Aug 3 1 film | 1 | $19.2M | – | Martin Lawrence Live: Runteldat (2002) $19.2M |
| Week 31, 2003 Jul 27–Aug 2 No films | 0 | – | – | – |
| Week 31, 2004 Jul 25–31 2 films | 2 | $1.3M | – | Festival Express (2004) $1.3M |
| Week 31, 2005 Jul 24–30 3 films · +431% | 3 | $6.8M | +431% | The Aristocrats (2005) $6.8M |
| Week 31, 2006 Jul 30–Aug 5 2 films · −99% | 2 | $34.6K | −99% | My Country, My Country (2006) $33.6K |
| Week 31, 2007 Jul 29–Aug 4 No films | 0 | – | – | – |
| Week 31, 2008 Jul 27–Aug 2 1 film | 1 | $4.9K | – | The Burning Season (2008) $4.9K |
| Week 31, 2009 Jul 26–Aug 1 3 films · +28479% | 3 | $1.4M | +28479% | The Cove (2009) $1.2M |
| Week 31, 2010 Jul 25–31 3 films · −99% | 3 | $15.9K | −99% | Hugh Hefner: Playboy, Activist and Rebel (2010) $10K |
| Week 31, 2011 Jul 24–30 6 films · +7845% | 6 | $1.3M | +7845% | Life in a Day (2011) $607.2K |
48 weeks of 2011 with reported grosses; the biggest is week 7 (Feb 6–12) with $99.3M, led by Justin Bieber: Never Say Never (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Life in a Day (2011) leads with $607.2K worldwide, $252.8K of it in the US & Canada. Next come El Bulli: Cooking in Progress (2011) at $343.1K and The Interrupters (2011) at $286.5K.
6 documentary films released in week 31 of 2011 (Jul 24–30) report a worldwide gross, $1.3M in all, or $211K per film on average.
None. The biggest, Life in a Day (2011), earned $607.2K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 31 of 2011 (Jul 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.