#1 of 7 The Black Power Mixtape 1967-1975 (2011)
2011 · Documentary
$280.3K worldwide · 47% of the chart's total
The Black Power Mixtape 1967-1975 (2011) is the highest-grossing documentary movie released in week 37 of 2011 (Sep 4–10), with $280.3K worldwide, ahead of The Whale (2011) at $115.8K and Bobby Fischer Against the World (2011) at $90.5K. 7 documentary films released that week report a worldwide gross, $601.9K in all, 71% of it from the US & Canada. By language, English leads with $534.8K across 6 documentary releases.
#1 of 7 The Black Power Mixtape 1967-1975 (2011)
2011 · Documentary
$280.3K worldwide · 47% of the chart's total
The Black Power Mixtape 1967-1975 (2011) leads with $280.3K, 47% of the total. The top 5 together took $592.8K, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2011 (Sep 4–10).
Sep 9, 2011 US and Canada: $273.7K Rest of the world: $6.5K Worldwide: $280.3K
Sep 9, 2011 US and Canada: $81.9K Rest of the world: $33.9K Worldwide: $115.8K
Sep 9, 2011 US and Canada: $34K Rest of the world: $33.1K Worldwide: $67.1K
Sep 9, 2011 US and Canada: $39.2K Rest of the world: Worldwide: $39.2K
Sep 9, 2011 US and Canada: – Rest of the world: – Worldwide: $7.2K
Sep 9, 2011 US and Canada: – Rest of the world: – Worldwide: $1.9K Of the top 7, Where Soldiers Come From (2011) earned the biggest share at home (100% in the US & Canada), while The Autobiography of Nicolae Ceausescu (2011) made 49% of its gross abroad. Across all 7 films, $428.9K (71%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 37 releases took $601.9K. The biggest of these 9 weeks is week 36 (Aug 28–Sep 3) with $14.2M, led by Rebirth (2011).
Of these 10 years, Week 37, 2005 earned the most: $3.4M from 3 films, led by We Feed the World (2005). Week 37, 2011 took $601.9K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2002 Sep 8–14 1 film | 1 | $68.9K | – | The Pinochet Case (2002) $68.9K |
| Week 37, 2003 Sep 7–13 No films | 0 | – | – | – |
| Week 37, 2004 Sep 5–11 2 films | 2 | $77.7K | – | Salvador Allende (2004) $62K |
| Week 37, 2005 Sep 4–10 3 films · +4289% | 3 | $3.4M | +4289% | We Feed the World (2005) $3.1M |
| Week 37, 2006 Sep 10–16 4 films · −52% | 4 | $1.6M | −52% | The U.S. vs. John Lennon (2006) $1.4M |
| Week 37, 2007 Sep 9–15 5 films · −83% | 5 | $286.1K | −83% | Pete Seeger: The Power of Song (2007) $88.3K |
| Week 37, 2008 Sep 7–13 3 films · −23% | 3 | $219.2K | −23% | Flow: For Love of Water (2008) $142.6K |
| Week 37, 2009 Sep 6–12 5 films · +563% | 5 | $1.5M | +563% | La Danse: The Paris Opera Ballet (2009) $1.1M |
| Week 37, 2010 Sep 5–11 5 films · +123% | 5 | $3.2M | +123% | Don’t Cry for Me Sudan (2010) $2.2M |
| Week 37, 2011 Sep 4–10 7 films · −81% | 7 | $601.9K | −81% | The Black Power Mixtape 1967-1975 (2011) $280.3K |
48 weeks of 2011 with reported grosses; the biggest is week 7 (Feb 6–12) with $99.3M, led by Justin Bieber: Never Say Never (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Black Power Mixtape 1967-1975 (2011) leads with $280.3K worldwide, $273.7K of it in the US & Canada. Next come The Whale (2011) at $115.8K and Bobby Fischer Against the World (2011) at $90.5K.
7 documentary films released in week 37 of 2011 (Sep 4–10) report a worldwide gross, $601.9K in all, or $86K per film on average.
None. The biggest, The Black Power Mixtape 1967-1975 (2011), earned $280.3K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2011 (Sep 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.