#1 of 5 La Danse: The Paris Opera Ballet (2009)
2009 · Documentary
$1.1M worldwide · 77% of the chart's total
La Danse: The Paris Opera Ballet (2009) is the highest-grossing documentary movie released in week 37 of 2009 (Sep 6–12), with $1.1M worldwide, ahead of Crude (2009) at $185.9K and No Impact Man: The Documentary (2009) at $116.3K. 5 documentary films released that week report a worldwide gross, $1.5M in all, 59% of it from the US & Canada. By language, French leads with $1.1M across 1 documentary release.
#1 of 5 La Danse: The Paris Opera Ballet (2009)
2009 · Documentary
$1.1M worldwide · 77% of the chart's total
La Danse: The Paris Opera Ballet (2009) leads with $1.1M, 77% of the total. The top 5 together took $1.5M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2009 (Sep 6–12).
Sep 11, 2009 US and Canada: $567.5K Rest of the world: $557.3K Worldwide: $1.1M
Sep 9, 2009 US and Canada: $170.3K Rest of the world: $15.6K Worldwide: $185.9K
Sep 11, 2009 US and Canada: $100K Rest of the world: $16.3K Worldwide: $116.3K
Sep 9, 2009 US and Canada: $20.5K Rest of the world: Worldwide: $20.5K
Sep 11, 2009 US and Canada: $5.5K Rest of the world: Worldwide: $5.5K Of the top 5, Walt & El Grupo (2009) earned the biggest share at home (100% in the US & Canada), while La Danse: The Paris Opera Ballet (2009) made 50% of its gross abroad. Across all 5 films, $863.9K (59%) came from the US & Canada.
Week 37 releases took $1.5M. The biggest of these 9 weeks is week 39 (Sep 20–26) with $17.7M, led by Capitalism: A Love Story (2009).
Of these 10 years, Week 37, 2005 earned the most: $3.4M from 3 films, led by We Feed the World (2005). Week 37, 2009 took $1.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2000 Sep 3–9 1 film | 1 | $1.4M | – | Backstage (2000) $1.4M |
| Week 37, 2001 Sep 9–15 1 film · −100% | 1 | $5.8K | −100% | Murder on a Sunday Morning (2001) $5.8K |
| Week 37, 2002 Sep 8–14 1 film · +1080% | 1 | $68.9K | +1080% | The Pinochet Case (2002) $68.9K |
| Week 37, 2003 Sep 7–13 No films | 0 | – | – | – |
| Week 37, 2004 Sep 5–11 2 films | 2 | $77.7K | – | Salvador Allende (2004) $62K |
| Week 37, 2005 Sep 4–10 3 films · +4289% | 3 | $3.4M | +4289% | We Feed the World (2005) $3.1M |
| Week 37, 2006 Sep 10–16 4 films · −52% | 4 | $1.6M | −52% | The U.S. vs. John Lennon (2006) $1.4M |
| Week 37, 2007 Sep 9–15 5 films · −83% | 5 | $286.1K | −83% | Pete Seeger: The Power of Song (2007) $88.3K |
| Week 37, 2008 Sep 7–13 3 films · −23% | 3 | $219.2K | −23% | Flow: For Love of Water (2008) $142.6K |
| Week 37, 2009 Sep 6–12 5 films · +563% | 5 | $1.5M | +563% | La Danse: The Paris Opera Ballet (2009) $1.1M |
46 weeks of 2009 with reported grosses; the biggest is week 44 (Oct 25–31) with $268M, led by This Is It (2009).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
La Danse: The Paris Opera Ballet (2009) leads with $1.1M worldwide, $567.5K of it in the US & Canada. Next come Crude (2009) at $185.9K and No Impact Man: The Documentary (2009) at $116.3K.
5 documentary films released in week 37 of 2009 (Sep 6–12) report a worldwide gross, $1.5M in all, or $290.6K per film on average.
None. The biggest, La Danse: The Paris Opera Ballet (2009), earned $1.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2009 (Sep 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.