#1 of 5 The Topp Twins: Untouchable Girls (2009)
2009 · Documentary, Music
$1.8M worldwide · 55% of the chart's total
The Topp Twins: Untouchable Girls (2009) is the highest-grossing documentary movie released in week 38 of 2009 (Sep 13–19), with $1.8M worldwide, ahead of Plastic Planet (2009) at $846.5K and The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers (2009) at $454K. 5 documentary films released that week report a worldwide gross, $3.3M in all, 21% of it from the US & Canada. That is up 129% on Week 37, 2009, whose releases took $1.5M. By language, English leads with $2.5M across 4 documentary releases.
#1 of 5 The Topp Twins: Untouchable Girls (2009)
2009 · Documentary, Music
$1.8M worldwide · 55% of the chart's total
The Topp Twins: Untouchable Girls (2009) leads with $1.8M, 55% of the total. The top 5 together took $3.3M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 38 of 2009 (Sep 13–19).
Sep 18, 2009 US and Canada: $3.2K Rest of the world: $843.4K Worldwide: $846.5K
Sep 18, 2009 US and Canada: $32.5K Rest of the world: Worldwide: $32.5K Of the top 5, The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers (2009) earned the biggest share at home (100% in the US & Canada), while Plastic Planet (2009) made 100% of its gross abroad. Across all 5 films, $686.4K (21%) came from the US & Canada.
Week 38 releases took $3.3M. The biggest of these 9 weeks is week 39 (Sep 20–26) with $17.7M, led by Capitalism: A Love Story (2009).
Of these 10 years, Week 38, 2006 earned the most: $86.6M from 4 films, led by Jackass Number Two (2006). Week 38, 2009 took $3.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 38, 2000 Sep 10–16 1 film | 1 | $99.7K | – | Paragraph 175 (2000) $99.7K |
| Week 38, 2001 Sep 16–22 4 films · +2565% | 4 | $2.7M | +2565% | The Endurance (2001) $2.5M |
| Week 38, 2002 Sep 15–21 No films | 0 | – | – | – |
| Week 38, 2003 Sep 14–20 4 films | 4 | $18.3M | – | To Be and to Have (2003) $16.1M |
| Week 38, 2004 Sep 12–18 1 film · −99% | 1 | $130K | −99% | Be Here to Love Me (2004) $130K |
| Week 38, 2005 Sep 11–17 2 films · −26% | 2 | $96.8K | −26% | The Future of Food (2005) $81.3K |
| Week 38, 2006 Sep 17–23 4 films · +89359% | 4 | $86.6M | +89359% | Jackass Number Two (2006) $84.6M |
| Week 38, 2007 Sep 16–22 1 film · −100% | 1 | $502 | −100% | A Walk Into the Sea: Danny Williams and the Warhol Factory (2007) $502 |
| Week 38, 2008 Sep 14–20 2 films · +66444% | 2 | $334.1K | +66444% | It’s Hard Being Loved by Jerks (2008) $305.3K |
| Week 38, 2009 Sep 13–19 5 films · +894% | 5 | $3.3M | +894% | The Topp Twins: Untouchable Girls (2009) $1.8M |
46 weeks of 2009 with reported grosses; the biggest is week 44 (Oct 25–31) with $268M, led by This Is It (2009).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Topp Twins: Untouchable Girls (2009) leads with $1.8M worldwide, $29.3K of it in the US & Canada. Next come Plastic Planet (2009) at $846.5K and The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers (2009) at $454K.
5 documentary films released in week 38 of 2009 (Sep 13–19) report a worldwide gross, $3.3M in all, or $664.2K per film on average. Week 37, 2009 releases took $1.5M.
None. The biggest, The Topp Twins: Untouchable Girls (2009), earned $1.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 38 of 2009 (Sep 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.