#1 of 5 2011 · Biography, Sport
$706.5K worldwide · 58% of the chart's total
Klitschko (2011) is the highest-grossing documentary movie released in week 43 of 2011 (Oct 16–22), with $706.5K worldwide, ahead of Being Elmo: A Puppeteer's Journey (2011) at $310.8K and Revenge of the Electric Car (2011) at $151.3K. 5 documentary films released that week report a worldwide gross, $1.2M in all, 41% of it from the US & Canada. That is up 10% on Week 42, 2011, whose releases took $1.1M. By language, German leads with $706.5K across 1 documentary release.
#1 of 5 2011 · Biography, Sport
$706.5K worldwide · 58% of the chart's total
Klitschko (2011) leads with $706.5K, 58% of the total. The top 5 together took $1.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 43 of 2011 (Oct 16–22).
Oct 21, 2011 US and Canada: – Rest of the world: – Worldwide: $706.5K
Oct 21, 2011 US and Canada: $304.1K Rest of the world: $6.8K Worldwide: $310.8K
Oct 21, 2011 US and Canada: $150.9K Rest of the world: $386 Worldwide: $151.3K
Oct 21, 2011 US and Canada: $5.6K Rest of the world: Worldwide: $5.6K Of the top 5, Paul Goodman Changed My Life (2011) earned the biggest share at home (100% in the US & Canada), while Being Elmo: A Puppeteer's Journey (2011) made 2% of its gross abroad. Across all 5 films, $496.2K (41%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 43 releases took $1.2M. The biggest of these 9 weeks is week 43 (Oct 16–22) with $1.2M, led by Klitschko (2011).
Of these 10 years, Week 43, 2007 earned the most: $2.4M from 4 films, led by A Summer in the Cage (2007). Week 43, 2011 took $1.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 43, 2002 Oct 20–26 1 film | 1 | $157.2K | – | Derrida (2002) $157.2K |
| Week 43, 2003 Oct 19–25 1 film · −98% | 1 | $3.5K | −98% | Sister Helen (2003) $3.5K |
| Week 43, 2004 Oct 17–23 3 films · +8987% | 3 | $321.8K | +8987% | Lightning in a Bottle (2004) $201.7K |
| Week 43, 2005 Oct 16–22 5 films · +32% | 5 | $424.3K | +32% | Protocols of Zion (2005) $178.9K |
| Week 43, 2006 Oct 22–28 4 films · +49% | 4 | $630.1K | +49% | The Bridge (2006) $205.7K |
| Week 43, 2007 Oct 21–27 4 films · +277% | 4 | $2.4M | +277% | A Summer in the Cage (2007) $2.1M |
| Week 43, 2008 Oct 19–25 2 films · −82% | 2 | $434.6K | −82% | Stranded: I've Come from a Plane That Crashed on the Mountains (2008) $412.8K |
| Week 43, 2009 Oct 18–24 3 films · −50% | 3 | $216.5K | −50% | Killing Kasztner (2009) $112.3K |
| Week 43, 2010 Oct 17–23 2 films · −84% | 2 | $34.5K | −84% | Boxing Gym (2010) $32.5K |
| Week 43, 2011 Oct 16–22 5 films · +3407% | 5 | $1.2M | +3407% | Klitschko (2011) $706.5K |
48 weeks of 2011 with reported grosses; the biggest is week 7 (Feb 6–12) with $99.3M, led by Justin Bieber: Never Say Never (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Klitschko (2011) leads with $706.5K worldwide. Next come Being Elmo: A Puppeteer's Journey (2011) at $310.8K and Revenge of the Electric Car (2011) at $151.3K.
5 documentary films released in week 43 of 2011 (Oct 16–22) report a worldwide gross, $1.2M in all, or $242K per film on average. Week 42, 2011 releases took $1.1M.
None. The biggest, Klitschko (2011), earned $706.5K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 43 of 2011 (Oct 16–22). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.