#1 of 5 2011 · Biography, Drama
$294.6K worldwide · 67% of the chart's total
Khodorkovsky (2011) is the highest-grossing documentary movie released in week 49 of 2011 (Nov 27–Dec 3), with $294.6K worldwide, ahead of The First Rasta (2011) at $92.7K and Under Control (2011) at $26.2K. 5 documentary films released that week report a worldwide gross, $440.7K in all, 15% of it from the US & Canada. By language, Russian leads with $294.6K across 1 documentary release.
#1 of 5 2011 · Biography, Drama
$294.6K worldwide · 67% of the chart's total
Khodorkovsky (2011) leads with $294.6K, 67% of the total. The top 5 together took $440.7K, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 49 of 2011 (Nov 27–Dec 3).
Nov 30, 2011 US and Canada: $39.5K Rest of the world: $255.1K Worldwide: $294.6K
Dec 2, 2011 US and Canada: $22.8K Rest of the world: $69.8K Worldwide: $92.7K
Dec 2, 2011 US and Canada: – Rest of the world: – Worldwide: $26.2K
Dec 2, 2011 US and Canada: $2.6K Rest of the world: $22K Worldwide: $24.7K
Nov 27, 2011 US and Canada: – Rest of the world: – Worldwide: $2.6K Of the top 5, The First Rasta (2011) earned the biggest share at home (25% in the US & Canada), while Knuckle (2011) made 89% of its gross abroad. Across all 5 films, $65K (15%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 49 releases took $440.7K. The biggest of these 9 weeks is week 43 (Oct 16–22) with $1.2M, led by Klitschko (2011).
Of these 10 years, Week 49, 2005 earned the most: $1.4M from 3 films, led by First Descent (2005). Week 49, 2011 took $440.7K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 49, 2002 Dec 1–7 No films | 0 | – | – | – |
| Week 49, 2003 Nov 30–Dec 6 1 film | 1 | $6.2K | – | Forget Baghdad: Jews and Arabs - The Iraqi Connection (2003) $6.2K |
| Week 49, 2004 Nov 28–Dec 4 2 films · +401% | 2 | $30.8K | +401% | WMD: Weapons of Mass Deception (2004) $30.2K |
| Week 49, 2005 Nov 27–Dec 3 3 films · +4580% | 3 | $1.4M | +4580% | First Descent (2005) $988.4K |
| Week 49, 2006 Dec 3–9 3 films · −82% | 3 | $257.3K | −82% | I Have Never Forgotten You: The Life & Legacy of Simon Wiesenthal (2006) $204.2K |
| Week 49, 2007 Dec 2–8 2 films · +108% | 2 | $535.3K | +108% | The Life of Buddha (2007) $482.5K |
| Week 49, 2008 Nov 30–Dec 6 1 film · −96% | 1 | $21.4K | −96% | Mr. Governor (2008) $21.4K |
| Week 49, 2009 Nov 29–Dec 5 3 films · +2228% | 3 | $498.2K | +2228% | Garbo: The Spy (2009) $356.1K |
| Week 49, 2010 Nov 28–Dec 4 2 films · −69% | 2 | $152.6K | −69% | Bhutto (2010) $100.2K |
| Week 49, 2011 Nov 27–Dec 3 5 films · +189% | 5 | $440.7K | +189% | Khodorkovsky (2011) $294.6K |
48 weeks of 2011 with reported grosses; the biggest is week 7 (Feb 6–12) with $99.3M, led by Justin Bieber: Never Say Never (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Khodorkovsky (2011) leads with $294.6K worldwide, $39.5K of it in the US & Canada. Next come The First Rasta (2011) at $92.7K and Under Control (2011) at $26.2K.
5 documentary films released in week 49 of 2011 (Nov 27–Dec 3) report a worldwide gross, $440.7K in all, or $88.1K per film on average.
None. The biggest, Khodorkovsky (2011), earned $294.6K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 49 of 2011 (Nov 27–Dec 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.