#1 of 6 2011 · Music, Documentary
$471.3K worldwide · 49% of the chart's total
Pearl Jam Twenty (2011) is the highest-grossing documentary movie released in week 39 of 2011 (Sep 18–24), with $471.3K worldwide, ahead of The Man Nobody Knew: In Search of My Father, CIA Spymaster William Colby (2011) at $183.3K and Thunder Soul (2011) at $144K. 6 documentary films released that week report a worldwide gross, $952.6K in all, 90% of it from the US & Canada. By language, English leads with $952.6K across 6 documentary releases.
#1 of 6 2011 · Music, Documentary
$471.3K worldwide · 49% of the chart's total
Pearl Jam Twenty (2011) leads with $471.3K, 49% of the total. The top 5 together took $916.6K, 96% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 39 of 2011 (Sep 18–24).
Sep 20, 2011 US and Canada: $471.3K Rest of the world: Worldwide: $471.3K
Sep 23, 2011 US and Canada: $144K Rest of the world: Worldwide: $144K
Sep 23, 2011 US and Canada: $60.3K Rest of the world: Worldwide: $60.3K
Sep 23, 2011 US and Canada: – Rest of the world: – Worldwide: $57.6K
Sep 20, 2011 US and Canada: – Rest of the world: – Worldwide: $36K Of the top 6, Pearl Jam Twenty (2011) earned the biggest share at home (100% in the US & Canada), while Limelight (2011) made 0% of its gross abroad. Across all 6 films, $859K (90%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 39 releases took $952.6K. The biggest of these 9 weeks is week 36 (Aug 28–Sep 3) with $14.2M, led by Rebirth (2011).
Of these 10 years, Week 39, 2007 earned the most: $50.7M from 3 films, led by Sea Monsters: A Prehistoric Adventure (2007). Week 39, 2011 took $952.6K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 39, 2002 Sep 22–28 3 films | 3 | $1.4M | – | Shanghai Ghetto (2002) $712.4K |
| Week 39, 2003 Sep 21–27 No films | 0 | – | – | – |
| Week 39, 2004 Sep 19–25 4 films | 4 | $827.2K | – | Earth from Above (2004) $399.1K |
| Week 39, 2005 Sep 18–24 2 films · +4778% | 2 | $40.3M | +4778% | Magnificent Desolation: Walking on the Moon 3D (2005) $40.3M |
| Week 39, 2006 Sep 24–30 1 film · −100% | 1 | $7.5K | −100% | loudQUIETloud: A Film About the Pixies (2006) $7.5K |
| Week 39, 2007 Sep 23–29 3 films · +674950% | 3 | $50.7M | +674950% | Sea Monsters: A Prehistoric Adventure (2007) $50.7M |
| Week 39, 2008 Sep 21–27 2 films · −100% | 2 | $60.9K | −100% | Boogie Man: The Lee Atwater Story (2008) $60.3K |
| Week 39, 2009 Sep 20–26 3 films · +29009% | 3 | $17.7M | +29009% | Capitalism: A Love Story (2009) $17.4M |
| Week 39, 2010 Sep 19–25 4 films · −63% | 4 | $6.6M | −63% | Waiting for 'Superman' (2010) $6.4M |
| Week 39, 2011 Sep 18–24 6 films · −86% | 6 | $952.6K | −86% | Pearl Jam Twenty (2011) $471.3K |
48 weeks of 2011 with reported grosses; the biggest is week 7 (Feb 6–12) with $99.3M, led by Justin Bieber: Never Say Never (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Pearl Jam Twenty (2011) leads with $471.3K worldwide, $471.3K of it in the US & Canada. Next come The Man Nobody Knew: In Search of My Father, CIA Spymaster William Colby (2011) at $183.3K and Thunder Soul (2011) at $144K.
6 documentary films released in week 39 of 2011 (Sep 18–24) report a worldwide gross, $952.6K in all, or $158.8K per film on average.
None. The biggest, Pearl Jam Twenty (2011), earned $471.3K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 39 of 2011 (Sep 18–24). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.