#1 of 29 2011 · Drama
$117.1M worldwide · 40% of the chart's total
Water for Elephants (2011) is the highest-grossing movie released in week 17 of 2011 (Apr 17–23), with $117.1M worldwide, ahead of Madea's Big Happy Family (2011) at $54.2M and Gantz: Perfect Answer (2011) at $33.7M. 29 films released that week report a worldwide gross, $292.9M in all, 45% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 57% on Week 16, 2011, whose releases took $688.2M. By genre, Drama leads with $211.3M across 12 releases.
#1 of 29 2011 · Drama
$117.1M worldwide · 40% of the chart's total
Water for Elephants (2011) leads with $117.1M, 40% of the total. The top 5 together took $263.2M, 90% of what all 29 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2011 (Apr 17–23).
Apr 22, 2011 US and Canada: $58.7M Rest of the world: $58.4M Worldwide: $117.1M
Apr 22, 2011 US and Canada: $53.3M Rest of the world: $816K Worldwide: $54.2M
Apr 23, 2011 US and Canada: – Rest of the world: – Worldwide: $33.7M
Apr 22, 2011 US and Canada: $15.4M Rest of the world: $15.4M Worldwide: $30.9M
Apr 22, 2011 US and Canada: $2.1M Rest of the world: $4.7M Worldwide: $6.8M
Apr 22, 2011 US and Canada: – Rest of the world: – Worldwide: $4M
Apr 21, 2011 US and Canada: – Rest of the world: – Worldwide: $3.2M
Apr 22, 2011 US and Canada: – Rest of the world: – Worldwide: $3M
Apr 20, 2011 US and Canada: – Rest of the world: – Worldwide: $2.1M
Apr 20, 2011 US and Canada: $3.5K Rest of the world: $2M Worldwide: $2M
Apr 23, 2011 US and Canada: – Rest of the world: – Worldwide: $1.8M
Apr 21, 2011 US and Canada: – Rest of the world: – Worldwide: $1.7M
Apr 22, 2011 US and Canada: $564.5K Rest of the world: $944.4K Worldwide: $1.5M
Apr 23, 2011 US and Canada: – Rest of the world: – Worldwide: $1.2M
Apr 22, 2011 US and Canada: $33.2K Rest of the world: $372.1K Worldwide: $405.4K
Apr 22, 2011 US and Canada: – Rest of the world: – Worldwide: $326.2K
Apr 21, 2011 US and Canada: – Rest of the world: – Worldwide: $233.9K
Apr 22, 2011 US and Canada: – Rest of the world: – Worldwide: $221.3K
Apr 21, 2011 US and Canada: – Rest of the world: – Worldwide: $211.9K
Apr 22, 2011 US and Canada: – Rest of the world: – Worldwide: $72.2K
Apr 21, 2011 US and Canada: – Rest of the world: – Worldwide: $61.4K
Apr 22, 2011 US and Canada: – Rest of the world: – Worldwide: $38.9K
Apr 22, 2011 US and Canada: $35.1K Rest of the world: Worldwide: $35.1K
Apr 22, 2011 US and Canada: $34.1K Rest of the world: Worldwide: $34.1K
Apr 22, 2011 US and Canada: – Rest of the world: – Worldwide: $6.8K
Apr 22, 2011 US and Canada: $5.9K Rest of the world: Worldwide: $5.9K
Apr 22, 2011 US and Canada: $3K Rest of the world: Worldwide: $3K Of the top 10, Madea's Big Happy Family (2011) earned the biggest share at home (98% in the US & Canada), while Legend of the Fist: The Return of Chen Zhen (2011) made 100% of its gross abroad. Across all 29 films, $130.9M (45%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
1 of 29 films crossed $100M and took $117.1M between them, 40% of the total. 24 films, 83% of the list, earned under $10M.
Week 17 releases took $292.9M. The biggest of these 9 weeks is week 18 (Apr 24–30) with $707.3M, led by Fast Five (2011).
Of these 10 years, Week 17, 2006 earned the most: $307.5M from 27 films, led by RV (2006). Week 17, 2011 took $292.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 2002 Apr 21–27 17 films | 17 | $58.5M | – | Jason X (2002) $17.1M |
| Week 17, 2003 Apr 20–26 19 films · +143% | 19 | $142.5M | +143% | Identity (2003) $90.3M |
| Week 17, 2004 Apr 18–24 16 films · +83% | 16 | $260.4M | +83% | Man on Fire (2004) $130.8M |
| Week 17, 2005 Apr 17–23 16 films · −4% | 16 | $250.2M | −4% | The Interpreter (2005) $162.9M |
| Week 17, 2006 Apr 23–29 27 films · +23% | 27 | $307.5M | +23% | RV (2006) $87.5M |
| Week 17, 2007 Apr 22–28 29 films · −44% | 29 | $173.5M | −44% | Next (2007) $77.6M |
| Week 17, 2008 Apr 20–26 24 films · +1% | 24 | $175.6M | +1% | Baby Mama (2008) $64.4M |
| Week 17, 2009 Apr 19–25 26 films · +3% | 26 | $180.7M | +3% | Obsessed (2009) $73.8M |
| Week 17, 2010 Apr 18–24 26 films · +51% | 26 | $273M | +51% | Oceans (2010) $83.1M |
| Week 17, 2011 Apr 17–23 29 films · +7% | 29 | $292.9M | +7% | Water for Elephants (2011) $117.1M |
Drama took $211.3M across 12 films, 72% of the total, ahead of Action ($66.1M) and Comedy ($63M). A film counts once for each of its genres. English-language films took $208.2M across 12 films, 71% of the total, ahead of Japanese-language films ($34.9M) and Chinese-language films ($27.4M).
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.7B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 29 films as the chart.
Water for Elephants (2011) leads with $117.1M worldwide, $58.7M of it in the US & Canada. Next come Madea's Big Happy Family (2011) at $54.2M and Gantz: Perfect Answer (2011) at $33.7M.
29 films released in week 17 of 2011 (Apr 17–23) report a worldwide gross, $292.9M in all, or $10.1M per film on average. Week 16, 2011 releases took $688.2M.
None. 1 film crossed $100 million, led by Water for Elephants (2011) with $117.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2011 (Apr 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.