#1 of 6 2011 · Mystery, Horror
$33.7M worldwide · 51% of the chart's total
Gantz: Perfect Answer (2011) is the highest-grossing action movie released in week 17 of 2011 (Apr 17–23), with $33.7M worldwide, ahead of Legend of the Fist: The Return of Chen Zhen (2011) at $27.4M and A Chinese Ghost Story IV (2011) at $3.2M. 6 action films released that week report a worldwide gross, $66.1M in all, <1% of it from the US & Canada. That is up 7% on Week 16, 2011, whose releases took $61.6M. By language, Japanese leads with $33.7M across 1 action release.
#1 of 6 2011 · Mystery, Horror
$33.7M worldwide · 51% of the chart's total
Gantz: Perfect Answer (2011) leads with $33.7M, 51% of the total. The top 5 together took $66.1M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2011 (Apr 17–23).
Apr 23, 2011 US and Canada: – Rest of the world: – Worldwide: $33.7M
Apr 21, 2011 US and Canada: – Rest of the world: – Worldwide: $3.2M
Apr 22, 2011 US and Canada: $564.5K Rest of the world: $944.4K Worldwide: $1.5M
Apr 22, 2011 US and Canada: – Rest of the world: – Worldwide: $326.2K
Apr 22, 2011 US and Canada: $3K Rest of the world: Worldwide: $3K Of the top 6, Zokkomon (2011) earned the biggest share at home (100% in the US & Canada), while Legend of the Fist: The Return of Chen Zhen (2011) made 100% of its gross abroad. Across all 6 films, $617.9K (<1%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 17 releases took $66.1M. The biggest of these 9 weeks is week 18 (Apr 24–30) with $651M, led by Fast Five (2011).
Of these 10 years, Week 17, 2004 earned the most: $132.5M from 4 films, led by Man on Fire (2004). Week 17, 2011 took $66.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 2002 Apr 21–27 No films | 0 | – | – | – |
| Week 17, 2003 Apr 20–26 1 film | 1 | $4.5M | – | Samurai Resurrection (2003) $4.5M |
| Week 17, 2004 Apr 18–24 4 films · +2844% | 4 | $132.5M | +2844% | Man on Fire (2004) $130.8M |
| Week 17, 2005 Apr 17–23 3 films · −84% | 3 | $21.2M | −84% | Empire of the Wolves (2005) $12.4M |
| Week 17, 2006 Apr 23–29 5 films · −28% | 5 | $15.4M | −28% | Bloody Tie (2006) $10.6M |
| Week 17, 2007 Apr 22–28 7 films · +603% | 7 | $108.1M | +603% | Next (2007) $77.6M |
| Week 17, 2008 Apr 20–26 3 films · −71% | 3 | $30.9M | −71% | Shaolin Girl (2008) $15M |
| Week 17, 2009 Apr 19–25 4 films · +17% | 4 | $36.3M | +17% | Fighting (2009) $32.5M |
| Week 17, 2010 Apr 18–24 4 films · +12% | 4 | $40.6M | +12% | The Losers (2010) $29.4M |
| Week 17, 2011 Apr 17–23 6 films · +63% | 6 | $66.1M | +63% | Gantz: Perfect Answer (2011) $33.7M |
51 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.2B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Gantz: Perfect Answer (2011) leads with $33.7M worldwide. Next come Legend of the Fist: The Return of Chen Zhen (2011) at $27.4M and A Chinese Ghost Story IV (2011) at $3.2M.
6 action films released in week 17 of 2011 (Apr 17–23) report a worldwide gross, $66.1M in all, or $11M per film on average. Week 16, 2011 releases took $61.6M.
None. The biggest, Gantz: Perfect Answer (2011), earned $33.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2011 (Apr 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.