#1 of 4 Spy Kids: All the Time in the World (2011)
2011 · Action, Adventure
$85.6M worldwide · 56% of the chart's total
Spy Kids: All the Time in the World (2011) is the highest-grossing action movie released in week 34 of 2011 (Aug 14–20), with $85.6M worldwide, ahead of Conan the Barbarian (2011) at $63.5M and Overheard 2 (2011) at $4M. 4 action films released that week report a worldwide gross, $153.4M in all, 39% of it from the US & Canada. That is up 177% on Week 33, 2011, whose releases took $55.4M.
#1 of 4 Spy Kids: All the Time in the World (2011)
2011 · Action, Adventure
$85.6M worldwide · 56% of the chart's total
Spy Kids: All the Time in the World (2011) leads with $85.6M, 56% of the total. The top 4 together took $153.4M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 34 of 2011 (Aug 14–20).
Aug 19, 2011 US and Canada: $21.3M Rest of the world: $42.2M Worldwide: $63.5M
Aug 18, 2011 US and Canada: – Rest of the world: – Worldwide: $4M
Aug 19, 2011 US and Canada: $17.5K Rest of the world: $299.5K Worldwide: $316.9K Of the top 4, Spy Kids: All the Time in the World (2011) earned the biggest share at home (45% in the US & Canada), while 5 Days of War (2011) made 94% of its gross abroad. Across all 4 films, $59.9M (39%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
Week 34 releases took $153.4M. The biggest of these 9 weeks is week 32 (Jul 31–Aug 6) with $522.9M, led by Rise of the Planet of the Apes (2011).
Of these 10 years, Week 34, 2011 earned the most: $153.4M from 4 films, led by Spy Kids: All the Time in the World (2011).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 34, 2002 Aug 18–24 3 films | 3 | $17.4M | – | Undisputed (2002) $14.9M |
| Week 34, 2003 Aug 17–23 2 films · +100% | 2 | $34.8M | +100% | The Medallion (2003) $34.3M |
| Week 34, 2004 Aug 15–21 3 films · −48% | 3 | $18.1M | −48% | Naruto the Movie: Ninja Clash in the Land of Snow (2004) $11.1M |
| Week 34, 2005 Aug 14–20 2 films · −55% | 2 | $8.1M | −55% | Lee Dae-ro Can’t Die (2005) $4.7M |
| Week 34, 2006 Aug 20–26 3 films · −14% | 3 | $6.9M | −14% | No Mercy for the Rude (2006) $4.9M |
| Week 34, 2007 Aug 19–25 3 films · +645% | 3 | $51.7M | +645% | War (2007) $42.7M |
| Week 34, 2008 Aug 17–23 3 films · +65% | 3 | $85.3M | +65% | Death Race (2008) $76M |
| Week 34, 2009 Aug 16–22 2 films · −67% | 2 | $28.1M | −67% | The Baader Meinhof Complex (2009) $26.9M |
| Week 34, 2010 Aug 15–21 4 films · +234% | 4 | $94M | +234% | Piranha 3-D (2010) $83.2M |
| Week 34, 2011 Aug 14–20 4 films · +63% | 4 | $153.4M | +63% | Spy Kids: All the Time in the World (2011) $85.6M |
51 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.2B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Spy Kids: All the Time in the World (2011) leads with $85.6M worldwide, $38.5M of it in the US & Canada. Next come Conan the Barbarian (2011) at $63.5M and Overheard 2 (2011) at $4M.
4 action films released in week 34 of 2011 (Aug 14–20) report a worldwide gross, $153.4M in all, or $38.4M per film on average. Week 33, 2011 releases took $55.4M.
None. The biggest, Spy Kids: All the Time in the World (2011), earned $85.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 34 of 2011 (Aug 14–20). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.