#1 of 29 2007 · Action, Sci-Fi
$77.6M worldwide · 45% of the chart's total
Next (2007) is the highest-grossing movie released in week 17 of 2007 (Apr 22–28), with $77.6M worldwide, ahead of The Invisible (2007) at $26.8M and Kitaro (2007) at $18.9M. 29 films released that week report a worldwide gross, $173.5M in all, 31% of it from the US & Canada. That is down 40% on Week 16, 2007, whose releases took $288M. By genre, Thriller leads with $126.3M across 9 releases.
#1 of 29 2007 · Action, Sci-Fi
$77.6M worldwide · 45% of the chart's total
Next (2007) leads with $77.6M, 45% of the total. The top 5 together took $147.2M, 85% of what all 29 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2007 (Apr 22–28).
Apr 27, 2007 US and Canada: $18.2M Rest of the world: $59.4M Worldwide: $77.6M
Apr 27, 2007 US and Canada: $20.6M Rest of the world: $6.2M Worldwide: $26.8M
Apr 28, 2007 US and Canada: – Rest of the world: – Worldwide: $18.9M
Apr 27, 2007 US and Canada: $872.6K Rest of the world: $14.4M Worldwide: $15.2M
Apr 27, 2007 US and Canada: $7.4M Rest of the world: $1.3M Worldwide: $8.6M
Apr 27, 2007 US and Canada: $400.4K Rest of the world: $5.6M Worldwide: $6M
Apr 27, 2007 US and Canada: $4.5M Rest of the world: $189.5K Worldwide: $4.7M
Apr 28, 2007 US and Canada: $114.3K Rest of the world: $2.7M Worldwide: $2.9M
Apr 26, 2007 US and Canada: – Rest of the world: – Worldwide: $2.5M
Apr 28, 2007 US and Canada: – Rest of the world: – Worldwide: $2.2M
Apr 27, 2007 US and Canada: $1.2M Rest of the world: $845.6K Worldwide: $2.1M
Apr 27, 2007 US and Canada: $55.8K Rest of the world: $1.8M Worldwide: $1.8M
Apr 27, 2007 US and Canada: $26.7K Rest of the world: $1.4M Worldwide: $1.4M
Apr 27, 2007 US and Canada: – Rest of the world: – Worldwide: $1.1M
Apr 26, 2007 US and Canada: – Rest of the world: – Worldwide: $308.3K
Apr 27, 2007 US and Canada: $36.8K Rest of the world: $248.3K Worldwide: $285.1K
Apr 26, 2007 US and Canada: – Rest of the world: – Worldwide: $225.4K
Apr 27, 2007 US and Canada: – Rest of the world: – Worldwide: $225.1K
Apr 27, 2007 US and Canada: – Rest of the world: – Worldwide: $113.3K
Apr 27, 2007 US and Canada: – Rest of the world: – Worldwide: $87.6K
Apr 26, 2007 US and Canada: – Rest of the world: – Worldwide: $87.6K
Apr 27, 2007 US and Canada: – Rest of the world: – Worldwide: $70.1K
Apr 25, 2007 US and Canada: $69.8K Rest of the world: Worldwide: $69.8K
Apr 27, 2007 US and Canada: $66.5K Rest of the world: Worldwide: $66.5K
Apr 26, 2007 US and Canada: – Rest of the world: – Worldwide: $45.1K
Apr 26, 2007 US and Canada: – Rest of the world: – Worldwide: $36.4K
Apr 23, 2007 US and Canada: – Rest of the world: – Worldwide: $25.2K
Apr 27, 2007 US and Canada: – Rest of the world: – Worldwide: $10.7K
Apr 27, 2007 US and Canada: $7.5K Rest of the world: Worldwide: $7.5K Of the top 10, Kickin It Old Skool (2007) earned the biggest share at home (96% in the US & Canada), while Rise: Blood Hunter (2007) made 96% of its gross abroad. Across all 29 films, $53.5M (31%) came from the US & Canada. 3 films of the top 10 report no US & Canada figure.
None of the 29 films reached $100M. 25 films, 86% of the list, earned under $10M. Each band shows its films and its share of the $173.5M total.
Week 17 releases took $173.5M. The biggest of these 9 weeks is week 18 (Apr 29–May 5) with $953.8M, led by Spider-Man 3 (2007).
Of these 10 years, Week 17, 2006 earned the most: $307.5M from 27 films, led by RV (2006). Week 17, 2007 took $173.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 1998 Apr 19–25 6 films | 6 | $43.2M | – | The Big Hit (1998) $27M |
| Week 17, 1999 Apr 18–24 6 films · ±0% | 6 | $43.4M | ±0% | Election (1999) $14.9M |
| Week 17, 2000 Apr 16–22 8 films · +322% | 8 | $183M | +322% | U-571 (2000) $127.7M |
| Week 17, 2001 Apr 22–28 8 films · −49% | 8 | $93.8M | −49% | Driven (2001) $54.7M |
| Week 17, 2002 Apr 21–27 17 films · −38% | 17 | $58.5M | −38% | Jason X (2002) $17.1M |
| Week 17, 2003 Apr 20–26 19 films · +143% | 19 | $142.5M | +143% | Identity (2003) $90.3M |
| Week 17, 2004 Apr 18–24 16 films · +83% | 16 | $260.4M | +83% | Man on Fire (2004) $130.8M |
| Week 17, 2005 Apr 17–23 16 films · −4% | 16 | $250.2M | −4% | The Interpreter (2005) $162.9M |
| Week 17, 2006 Apr 23–29 27 films · +23% | 27 | $307.5M | +23% | RV (2006) $87.5M |
| Week 17, 2007 Apr 22–28 29 films · −44% | 29 | $173.5M | −44% | Next (2007) $77.6M |
Thriller took $126.3M across 9 films, 73% of the total, ahead of Fantasy ($123.3M) and Romance ($122.2M). A film counts once for each of its genres. English-language films took $104.2M across 13 films, 60% of the total, ahead of Japanese-language films ($18.9M) and Hindi-language films ($15.2M).
52 weeks of 2007 with reported grosses; the biggest is week 50 (Dec 9–15) with $1.2B, led by I Am Legend (2007).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 29 films as the chart.
Next (2007) leads with $77.6M worldwide, $18.2M of it in the US & Canada. Next come The Invisible (2007) at $26.8M and Kitaro (2007) at $18.9M.
29 films released in week 17 of 2007 (Apr 22–28) report a worldwide gross, $173.5M in all, or $6M per film on average. Week 16, 2007 releases took $288M.
None. The biggest, Next (2007), earned $77.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2007 (Apr 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.