
Publishing assistant Brett Eisenberg dreams of becoming a top editor, but her lack of confidence is worsened by an overbearing new boss. She begins a relationship with older Archie, who struggles with alcoholism, diabetes and a strained bond with his daughter. Determined to help him, Brett seeks guidance from her dying father.
Does Suburban Girl have end credit scenes?
No!
Suburban Girl does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Suburban Girl, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Marin Ireland
Katie

Alec Baldwin
Archie Knox

Sarah Michelle Gellar
Brett Eisenberg

Jill Eikenberry
Marlene Eisenberg

Nate Corddry
Jason

Maggie Grace
Chloe

James Naughton
Robert Eisenberg

Lanette Ware
Nikki

Jason Antoon
Dean

Marian Seldes
Margaret Paddleford

Peter Scolari
Mickey Lamm

Chris Carmack
Jed

Vanessa Branch
Faye Faulkner

Ebon Moss-Bachrach
Ethan Eisenberg

Melissa Brown
Jazmin

Amad Jackson
Seaver

Audra Blaser
Petal

Vince Giantomasi
Jack
Discover where to watch Suburban Girl online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
Challenge your knowledge of Suburban Girl with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is Brett Eisenberg's profession at the start of the film?
Literary agent
Assistant book editor
Magazine columnist
Publishing intern
Show hint
Read the complete plot summary of Suburban Girl, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Brett Eisenberg is an ambitious yet unsure New York City assistant book editor working in the competitive heart of Manhattan’s Upper East Side. When her mentor and boss is suddenly fired and replaced by the glamorous Faye Falkner, Brett feels the ground shift beneath her—she’s pushed to prove herself in a field that rewards poise as much as talent. At a bustling book signing, Brett meets the notorious and much older publishing playboy Archie Knox, whose worldliness and confidence intrigue her, drawing her away from her immature boyfriend Jed.
Archie is a complex mix of charm and flaw: a recovering alcoholic who lives with diabetes and has an estranged daughter. The age gap between Brett and Archie becomes a recurring, pointed contrast in their lives—his preferences and habits feel foreign to her, from his missteps with a Blackberry to his old-school approach to romance. Brett is initially buoyed by Archie’s encouragement to stand up to Faye and claim her own voice, but the glow fades as his patronizing attitude surfaces. What starts as mentorship begins to feel like a power imbalance, and Brett finds herself resenting the way Archie treats her as if she were his daughter rather than his partner.
The couple’s tension deepens as Archie relapses and slides into infidelity, a betrayal that tests Brett’s resolve and forces her to confront what she truly wants from life and love. She reaches out to her father, Robert, for guidance, and a painful truth unfolds during a visit to the family home: Robert is fighting cancer, a battle kept private by Brett’s relatives who worry she would be overwhelmed by bad news. This revelation hits just as Brett is faced with a tense celebrity client situation that Archie helps salvage, momentarily renewing their connection.
Together again, Brett and Archie navigate the awkwardness of introducing their relationship to her wary family, who question whether the age gap and Archie’s struggles with alcohol can coexist with Brett’s future. The unrest intensifies when Robert’s illness worsens, leading to Archie’s hospital admission and a stark warning from Brett’s father about the risks of aging into a caretaker role for someone who isn’t ready to grow up. After Robert passes away, Brett is faced with a new clarity: she cannot hinge her happiness on another person, no matter how charismatic or influential he may be.
Archie’s proposal to revisit the old Blackberry becomes a turning point that Brett refuses to accept. She asserts a firm boundary—she and Archie are not equals but teacher and student, and she needs time to mature on her own terms. The film closes on a decisive note: Brett steps into her own power, no longer insulated by romance or fear. She makes a visible change in her life and work, shedding old habits and embracing a bolder, more confident stance.
In the end, Brett’s evolution is reflected in small, intimate moments and larger choices alike. She embraces a look she once hid from, slipping into leather pants she was afraid to wear, and she begins editing with purpose, using a pen rather than a pencil. The story leaves her standing at the threshold of a future she shapes herself, with a renewed sense of independence and direction that suggests she has finally found her own voice in both her career and her heart.
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