#1 of 25 2011 · Action, Sci-Fi
$211.8M worldwide · 45% of the chart's total
Battle: Los Angeles (2011) is the highest-grossing movie released in week 11 of 2011 (Mar 6–12), with $211.8M worldwide, ahead of Red Riding Hood (2011) at $90.3M and SP: The Motion Picture II (2011) at $40.3M. 25 films released that week report a worldwide gross, $471.9M in all, 34% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 2% on Week 10, 2011, whose releases took $480.9M. By genre, Action leads with $283M across 4 releases.
#1 of 25 2011 · Action, Sci-Fi
$211.8M worldwide · 45% of the chart's total
Battle: Los Angeles (2011) leads with $211.8M, 45% of the total. The top 5 together took $416.3M, 88% of what all 25 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2011 (Mar 6–12).
Mar 11, 2011 US and Canada: $83.6M Rest of the world: $128.3M Worldwide: $211.8M
Mar 11, 2011 US and Canada: $37.7M Rest of the world: $52.6M Worldwide: $90.3M
Mar 12, 2011 US and Canada: – Rest of the world: – Worldwide: $40.3M
Mar 11, 2011 US and Canada: $21.4M Rest of the world: $17.8M Worldwide: $39.2M
Mar 11, 2011 US and Canada: $11.2M Rest of the world: $23.5M Worldwide: $34.7M
Mar 11, 2011 US and Canada: – Rest of the world: – Worldwide: $29.7M
Mar 11, 2011 US and Canada: $1.4M Rest of the world: $6.4M Worldwide: $7.7M
Mar 11, 2011 US and Canada: – Rest of the world: – Worldwide: $4.9M
Mar 9, 2011 US and Canada: – Rest of the world: – Worldwide: $4.4M
Mar 10, 2011 US and Canada: – Rest of the world: – Worldwide: $2.8M
Mar 11, 2011 US and Canada: $1.6M Rest of the world: Worldwide: $1.6M
Mar 11, 2011 US and Canada: $1.2M Rest of the world: Worldwide: $1.2M
Mar 10, 2011 US and Canada: – Rest of the world: – Worldwide: $1.1M
Mar 10, 2011 US and Canada: – Rest of the world: – Worldwide: $668.9K
Mar 11, 2011 US and Canada: – Rest of the world: – Worldwide: $560.6K
Mar 11, 2011 US and Canada: $22.6K Rest of the world: $360.3K Worldwide: $382.9K
Mar 11, 2011 US and Canada: – Rest of the world: – Worldwide: $158.5K
Mar 11, 2011 US and Canada: $135.8K Rest of the world: Worldwide: $135.8K
Mar 11, 2011 US and Canada: – Rest of the world: – Worldwide: $87.6K
Mar 11, 2011 US and Canada: – Rest of the world: – Worldwide: $44K
Mar 11, 2011 US and Canada: $43.1K Rest of the world: Worldwide: $43.1K
Mar 11, 2011 US and Canada: $33.4K Rest of the world: Worldwide: $33.4K
Mar 11, 2011 US and Canada: $21.5K Rest of the world: Worldwide: $21.5K
Mar 11, 2011 US and Canada: $11.5K Rest of the world: Worldwide: $11.5K
Mar 10, 2011 US and Canada: – Rest of the world: – Worldwide: $5.9K Of the top 10, Mars Needs Moms (2011) earned the biggest share at home (55% in the US & Canada), while Certified Copy (2011) made 82% of its gross abroad. Across all 25 films, $158.3M (34%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
1 of 25 films crossed $100M and took $211.8M between them, 45% of the total. 19 films, 76% of the list, earned under $10M.
Week 11 releases took $471.9M. The biggest of these 9 weeks is week 7 (Feb 6–12) with $646.4M, led by Just Go with It (2011).
Of these 10 years, Week 11, 2002 earned the most: $496.5M from 9 films, led by Ice Age (2002). Week 11, 2011 took $471.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2002 Mar 10–16 9 films | 9 | $496.5M | – | Ice Age (2002) $383.3M |
| Week 11, 2003 Mar 9–15 12 films · −60% | 12 | $196.8M | −60% | Bend It Like Beckham (2003) $76.6M |
| Week 11, 2004 Mar 7–13 12 films · −17% | 12 | $163.5M | −17% | Secret Window (2004) $92.9M |
| Week 11, 2005 Mar 6–12 19 films · +175% | 19 | $450M | +175% | Robots (2005) $262.5M |
| Week 11, 2006 Mar 12–18 23 films · −40% | 23 | $270.3M | −40% | V for Vendetta (2006) $134.7M |
| Week 11, 2007 Mar 11–17 23 films · −42% | 23 | $157.7M | −42% | Premonition (2007) $84.3M |
| Week 11, 2008 Mar 9–15 31 films · +163% | 31 | $415.1M | +163% | Horton Hears a Who! (2008) $298.6M |
| Week 11, 2009 Mar 8–14 26 films · −44% | 26 | $230.5M | −44% | Race to Witch Mountain (2009) $106.4M |
| Week 11, 2010 Mar 7–13 23 films · +29% | 23 | $297.5M | +29% | Green Zone (2010) $113.4M |
| Week 11, 2011 Mar 6–12 25 films · +59% | 25 | $471.9M | +59% | Battle: Los Angeles (2011) $211.8M |
Action took $283M across 4 films, 60% of the total, ahead of Sci-Fi ($251.1M) and Drama ($177.1M). A film counts once for each of its genres. English-language films took $387.4M across 16 films, 82% of the total, ahead of Japanese-language films ($40.3M) and Spanish-language films ($29.7M).
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.7B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 25 films as the chart.
Battle: Los Angeles (2011) leads with $211.8M worldwide, $83.6M of it in the US & Canada. Next come Red Riding Hood (2011) at $90.3M and SP: The Motion Picture II (2011) at $40.3M.
25 films released in week 11 of 2011 (Mar 6–12) report a worldwide gross, $471.9M in all, or $18.9M per film on average. Week 10, 2011 releases took $480.9M.
None. 1 film crossed $100 million, led by Battle: Los Angeles (2011) with $211.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2011 (Mar 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.