#1 of 27 2011 · Action, Drama
$226.9M worldwide · 37% of the chart's total
Immortals (2011) is the highest-grossing movie released in week 46 of 2011 (Nov 6–12), with $226.9M worldwide, ahead of Jack and Jill (2011) at $149.7M and J. Edgar (2011) at $84.9M. 27 films released that week report a worldwide gross, $615.6M in all, 32% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is up 167% on Week 45, 2011, whose releases took $231M. By genre, Drama leads with $409.5M across 14 releases.
#1 of 27 2011 · Action, Drama
$226.9M worldwide · 37% of the chart's total
Immortals (2011) leads with $226.9M, 37% of the total. The top 5 together took $552M, 90% of what all 27 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 46 of 2011 (Nov 6–12).
Nov 11, 2011 US and Canada: $83.5M Rest of the world: $143.4M Worldwide: $226.9M
Nov 11, 2011 US and Canada: $74.2M Rest of the world: $75.5M Worldwide: $149.7M
Nov 9, 2011 US and Canada: $37.3M Rest of the world: $47.6M Worldwide: $84.9M
Nov 11, 2011 US and Canada: $100.1K Rest of the world: $63.5M Worldwide: $63.6M
Nov 11, 2011 US and Canada: – Rest of the world: – Worldwide: $26.9M
Nov 11, 2011 US and Canada: $3M Rest of the world: $14.7M Worldwide: $17.7M
Nov 11, 2011 US and Canada: $986.7K Rest of the world: $10.2M Worldwide: $11.2M
Nov 11, 2011 US and Canada: $16.1K Rest of the world: $8.3M Worldwide: $8.3M
Nov 11, 2011 US and Canada: $32.8K Rest of the world: $6.9M Worldwide: $7M
Nov 11, 2011 US and Canada: $74.5K Rest of the world: $6.6M Worldwide: $6.6M
Nov 9, 2011 US and Canada: – Rest of the world: – Worldwide: $3.7M
Nov 10, 2011 US and Canada: – Rest of the world: – Worldwide: $2.6M
Nov 11, 2011 US and Canada: – Rest of the world: – Worldwide: $2.2M
Nov 10, 2011 US and Canada: – Rest of the world: – Worldwide: $888K
Nov 11, 2011 US and Canada: – Rest of the world: – Worldwide: $793.3K
Nov 6, 2011 US and Canada: – Rest of the world: – Worldwide: $574.8K
Nov 9, 2011 US and Canada: – Rest of the world: – Worldwide: $406.6K
Nov 11, 2011 US and Canada: $223.9K Rest of the world: $169.8K Worldwide: $393.7K
Nov 10, 2011 US and Canada: – Rest of the world: – Worldwide: $369.6K
Nov 8, 2011 US and Canada: – Rest of the world: – Worldwide: $279.8K
Nov 11, 2011 US and Canada: – Rest of the world: – Worldwide: $173.3K
Nov 11, 2011 US and Canada: – Rest of the world: – Worldwide: $123.6K
Nov 11, 2011 US and Canada: – Rest of the world: – Worldwide: $106.1K
Nov 9, 2011 US and Canada: – Rest of the world: – Worldwide: $41K
Nov 10, 2011 US and Canada: – Rest of the world: – Worldwide: $24.5K
Nov 11, 2011 US and Canada: – Rest of the world: – Worldwide: $15.5K
Nov 11, 2011 US and Canada: – Rest of the world: – Worldwide: $1.9K Of the top 10, Jack and Jill (2011) earned the biggest share at home (50% in the US & Canada), while Elite Squad: The Enemy Within (2011) made 100% of its gross abroad. Across all 27 films, $199.4M (32%) came from the US & Canada. 1 film of the top 10 reports no US & Canada figure.
2 of 27 films crossed $100M and took $376.6M between them, 61% of the total. 20 films, 74% of the list, earned under $10M.
Week 46 releases took $615.6M. The biggest of these 9 weeks is week 47 (Nov 13–19) with $1.1B, led by The Twilight Saga: Breaking Dawn - Part 1 (2011).
Of these 10 years, Week 46, 2008 earned the most: $1.2B from 22 films, led by Quantum of Solace (2008). Week 46, 2011 took $615.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 46, 2002 Nov 10–16 16 films | 16 | $91.1M | – | The Crime of Padre Amaro (2002) $27M |
| Week 46, 2003 Nov 9–15 15 films · +222% | 15 | $293.8M | +222% | Master and Commander: The Far Side of the World (2003) $211.6M |
| Week 46, 2004 Nov 7–13 20 films · +84% | 20 | $541M | +84% | Bridget Jones: The Edge of Reason (2004) $265.1M |
| Week 46, 2005 Nov 6–12 20 films · −30% | 20 | $379.6M | −30% | Pride & Prejudice (2005) $129.4M |
| Week 46, 2006 Nov 12–18 25 films · +178% | 25 | $1.1B | +178% | Casino Royale (2006) $616.6M |
| Week 46, 2007 Nov 11–17 22 films · −67% | 22 | $350M | −67% | Beowulf (2007) $196.4M |
| Week 46, 2008 Nov 9–15 22 films · +250% | 22 | $1.2B | +250% | Quantum of Solace (2008) $589.6M |
| Week 46, 2009 Nov 8–14 20 films · −27% | 20 | $894.1M | −27% | 2012 (2009) $791.2M |
| Week 46, 2010 Nov 7–13 22 films · −64% | 22 | $322.2M | −64% | Unstoppable (2010) $167.8M |
| Week 46, 2011 Nov 6–12 27 films · +91% | 27 | $615.6M | +91% | Immortals (2011) $226.9M |
Drama took $409.5M across 14 films, 67% of the total, ahead of Action ($290.5M) and Fantasy ($227.3M). A film counts once for each of its genres. English-language films took $494.9M across 9 films, 80% of the total, ahead of Portuguese-language films ($63.7M) and Polish-language films ($26.9M).
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.7B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 27 films as the chart.
Immortals (2011) leads with $226.9M worldwide, $83.5M of it in the US & Canada. Next come Jack and Jill (2011) at $149.7M and J. Edgar (2011) at $84.9M.
27 films released in week 46 of 2011 (Nov 6–12) report a worldwide gross, $615.6M in all, or $22.8M per film on average. Week 45, 2011 releases took $231M.
None. 2 films crossed $100 million, led by Immortals (2011) with $226.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 46 of 2011 (Nov 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.