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Horror box office · Week 17 · Apr 17–23, 2011

Horror Box Office, Week 17 of 2011: Horror Releases of Apr 17–23

Gantz: Perfect Answer (2011) is the highest-grossing horror movie released in week 17 of 2011 (Apr 17–23), with $33.7M worldwide, ahead of Hidden 3D (2011) at $1.7M and Stake Land (2011) at $405.4K. 3 horror films released that week report a worldwide gross, $35.7M in all, <1% of it from the US & Canada.

week 17 releases with a gross
3
combined worldwide
$35.7M
Gantz: Perfect Answer (2011), the #1
$33.7M
earned in the US & Canada
<1%
Gantz: Perfect Answer (2011) movie poster #1 of 3
#1 horror movie of Week 17, 2011

Gantz: Perfect Answer (2011)

2011 · Mystery, Horror

$33.7M worldwide · 94% of the chart's total

No US & Canada figure reported
Top 3

What Were the Biggest Horror Hits of Week 17 of 2011?

Gantz: Perfect Answer (2011) leads with $33.7M, 94% of the total. The top 3 together took $35.7M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Gantz: Perfect Answer (2011) movie poster Number 1
    $33.7M Gantz: Perfect Answer (2011)
    No US & Canada figure reported
  2. Hidden 3D (2011) movie poster Number 2
    $1.7M Hidden 3D (2011)
    No US & Canada figure reported
  3. Stake Land (2011) movie poster Number 3
    $405.4K Stake Land (2011)
    $33.2K US & Canada · 8% $372.1K elsewhere · 92%

US & Canada (domestic) Rest of the world

The chart

Every Horror Release of Week 17 of 2011, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2011 (Apr 17–23).

  1. 1 Gantz: Perfect Answer (2011) movie poster
    Gantz: Perfect Answer (2011) Apr 23, 2011 · Japanese · Mystery, Horror, Sci-Fi $33.7M worldwide
    Apr 23, 2011 US and Canada: – Rest of the world: – Worldwide: $33.7M
  2. 2 Hidden 3D (2011) movie poster
    Hidden 3D (2011) Apr 21, 2011 · English · Thriller, Horror $1.7M worldwide
    Apr 21, 2011 US and Canada: – Rest of the world: – Worldwide: $1.7M
  3. 3 Stake Land (2011) movie poster
    Stake Land (2011) Apr 22, 2011 · English · Horror $405.4K worldwide
    Apr 22, 2011 US and Canada: $33.2K Rest of the world: $372.1K Worldwide: $405.4K
Weeks around it

How Does Week 17 Compare With the Weeks Around It?

Week 17 releases took $35.7M. The biggest of these 9 weeks is week 14 (Mar 27–Apr 2) with $100.2M, led by Insidious (2011).

  1. Week 11 Wk 11 Mar 6–12 The Unborn Child (2011) $1.1M The Unborn Child (2011)
  2. Week 12 Wk 12 Mar 13–19 National Theatre Live: Frankenstein (2011) $620.2K National Theatre Live: Frankenstein (2011)
  3. Week 13 Wk 13 Mar 20–26 The Last Fashion Show (2011) $565.9K The Last Fashion Show (2011)
  4. Week 14 Wk 14 Mar 27–Apr 2 Insidious (2011) $100.2M Insidious (2011)
  5. Week 15 Wk 15 Apr 3–9 A Lonely Place to Die (2011) $533.8K A Lonely Place to Die (2011)
  6. Week 16 Wk 16 Apr 10–16 Scream 4 (2011) $97.2M Scream 4 (2011)
  7. Week 17 Wk 17 Apr 17–23 Gantz: Perfect Answer (2011) $35.7M Gantz: Perfect Answer (2011)
  8. Week 18 Wk 18 Apr 24–30 Dylan Dog: Dead of Night (2011) $11.5M Dylan Dog: Dead of Night (2011)
  9. Week 19 Wk 19 May 1–7 The Ouija Experiment (2011) $960.6K The Ouija Experiment (2011)
Earlier years

How Does Week 17 of 2011 Compare With Earlier Years?

Of these 10 years, Week 17, 2003 earned the most: $90.3M from 1 film, led by Identity (2003). Week 17, 2011 took $35.7M.

Week Films Worldwide Change Biggest film
Week 17, 2002 Apr 21–27 1 film 1 $17.1M – Jason X (2002) $17.1M
Week 17, 2003 Apr 20–26 1 film · +429% 1 $90.3M +429% Identity (2003) $90.3M
Week 17, 2004 Apr 18–24 2 films · −86% 2 $12.7M −86% Casshern (2004) $12.6M
Week 17, 2005 Apr 17–23 2 films · −38% 2 $7.8M −38% One Missed Call (2005) $6.7M
Week 17, 2006 Apr 23–29 2 films · −61% 2 $3.1M −61% Darna Zaroori Hai (2006) $2.1M
Week 17, 2007 Apr 22–28 2 films · +2% 2 $3.1M +2% Rise: Blood Hunter (2007) $2.9M
Week 17, 2008 Apr 20–26 2 films · +60% 2 $5M +60% Rogue (2008) $4.6M
Week 17, 2009 Apr 19–25 3 films · −47% 3 $2.6M −47% Mutant Chronicles (2009) $2.1M
Week 17, 2010 Apr 18–24 No films 0 – – –
Week 17, 2011 Apr 17–23 3 films 3 $35.7M – Gantz: Perfect Answer (2011) $33.7M
Archive

Horror Box Office in 2011, Week by Week

42 weeks of 2011 with reported grosses; the biggest is week 43 (Oct 16–22) with $213.3M, led by Paranormal Activity 3 (2011).

FAQ

Horror Box Office Week 17 of 2011: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.

What is the highest-grossing horror movie in week 17 of 2011 (Apr 17–23)?

Gantz: Perfect Answer (2011) leads with $33.7M worldwide. Next come Hidden 3D (2011) at $1.7M and Stake Land (2011) at $405.4K.

How much did horror movies released in week 17 of 2011 (Apr 17–23) earn?

3 horror films released in week 17 of 2011 (Apr 17–23) report a worldwide gross, $35.7M in all, or $11.9M per film on average.

How many horror movies released in week 17 of 2011 (Apr 17–23) made $1 billion?

None. The biggest, Gantz: Perfect Answer (2011), earned $33.7M.

How much of the Week 17, 2011 Horror box office came from the US and Canada?

$33.2K of the $35.7M total, or <1%, was earned in the US & Canada (the domestic market); the rest came from other countries. 2 films of the 3 report no domestic figure.

How is the week 17, 2011 horror box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2011 (Apr 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 17, 2011 horror box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.