#1 of 29 2010 · Action, Sci-Fi
$321.9M worldwide · 46% of the chart's total
Megamind (2010) is the highest-grossing movie released in week 45 of 2010 (Oct 31–Nov 6), with $321.9M worldwide, ahead of Due Date (2010) at $211.8M and 127 Hours (2010) at $60.7M. 29 films released that week report a worldwide gross, $699.9M in all, 45% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is up 124% on Week 44, 2010, whose releases took $313M. By genre, Comedy leads with $563.4M across 14 releases.
#1 of 29 2010 · Action, Sci-Fi
$321.9M worldwide · 46% of the chart's total
Megamind (2010) leads with $321.9M, 46% of the total. The top 5 together took $658.2M, 94% of what all 29 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 45 of 2010 (Oct 31–Nov 6).
Nov 5, 2010 US and Canada: $148.4M Rest of the world: $173.5M Worldwide: $321.9M
Nov 5, 2010 US and Canada: $100.5M Rest of the world: $111.2M Worldwide: $211.8M
Nov 5, 2010 US and Canada: $18.3M Rest of the world: $42.4M Worldwide: $60.7M
Nov 5, 2010 US and Canada: $37.7M Rest of the world: $252.3K Worldwide: $38M
Nov 5, 2010 US and Canada: $9.5M Rest of the world: $16.3M Worldwide: $25.8M
Nov 5, 2010 US and Canada: $304.6K Rest of the world: $5.8M Worldwide: $6.1M
Nov 5, 2010 US and Canada: – Rest of the world: – Worldwide: $5.7M
Nov 4, 2010 US and Canada: – Rest of the world: – Worldwide: $4.6M
Oct 31, 2010 US and Canada: – Rest of the world: – Worldwide: $3.8M
Nov 3, 2010 US and Canada: $96.9K Rest of the world: $3.4M Worldwide: $3.5M
Nov 4, 2010 US and Canada: – Rest of the world: – Worldwide: $3.1M
Nov 5, 2010 US and Canada: – Rest of the world: – Worldwide: $2.8M
Nov 5, 2010 US and Canada: – Rest of the world: – Worldwide: $2.1M
Nov 5, 2010 US and Canada: $1.1M Rest of the world: $935.5K Worldwide: $2.1M
Nov 5, 2010 US and Canada: – Rest of the world: – Worldwide: $1.9M
Nov 5, 2010 US and Canada: – Rest of the world: – Worldwide: $1.6M
Nov 3, 2010 US and Canada: – Rest of the world: – Worldwide: $1.2M
Nov 5, 2010 US and Canada: – Rest of the world: – Worldwide: $766K
Nov 4, 2010 US and Canada: – Rest of the world: – Worldwide: $639.6K
Nov 4, 2010 US and Canada: – Rest of the world: – Worldwide: $492.4K
Nov 4, 2010 US and Canada: – Rest of the world: – Worldwide: $394.5K
Nov 5, 2010 US and Canada: $21.1K Rest of the world: $303.3K Worldwide: $324.4K
Nov 2, 2010 US and Canada: – Rest of the world: – Worldwide: $288.2K
Nov 1, 2010 US and Canada: – Rest of the world: – Worldwide: $90.2K
Nov 5, 2010 US and Canada: – Rest of the world: – Worldwide: $24K
Nov 5, 2010 US and Canada: $13.3K Rest of the world: Worldwide: $13.3K
Nov 3, 2010 US and Canada: – Rest of the world: – Worldwide: $4.4K
Nov 6, 2010 US and Canada: – Rest of the world: – Worldwide: $1.5K Of the top 10, For Colored Girls (2010) earned the biggest share at home (99% in the US & Canada), while Outside the Law (2010) made 97% of its gross abroad. Across all 29 films, $316.3M (45%) came from the US & Canada. 3 films of the top 10 report no US & Canada figure.
2 of 29 films crossed $100M and took $533.7M between them, 76% of the total. 24 films, 83% of the list, earned under $10M.
Week 45 releases took $699.9M. The biggest of these 9 weeks is week 47 (Nov 14–20) with $1.1B, led by Harry Potter and the Deathly Hallows: Part I (2010).
Of these 10 years, Week 45, 2003 earned the most: $932M from 15 films, led by The Matrix Revolutions (2003). Week 45, 2010 took $699.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 45, 2001 Nov 4–10 10 films | 10 | $174M | – | Shallow Hal (2001) $141.1M |
| Week 45, 2002 Nov 3–9 21 films · +147% | 21 | $429.3M | +147% | 8 Mile (2002) $242.9M |
| Week 45, 2003 Nov 2–8 15 films · +117% | 15 | $932M | +117% | The Matrix Revolutions (2003) $427.3M |
| Week 45, 2004 Oct 31–Nov 6 13 films · −24% | 13 | $708.9M | −24% | The Incredibles (2004) $631.7M |
| Week 45, 2005 Oct 30–Nov 5 21 films · −39% | 21 | $435.7M | −39% | Chicken Little (2005) $314.4M |
| Week 45, 2006 Nov 5–11 31 films · −56% | 31 | $191.2M | −56% | Stranger Than Fiction (2006) $53.7M |
| Week 45, 2007 Nov 4–10 28 films · +122% | 28 | $424M | +122% | No Country for Old Men (2007) $171.6M |
| Week 45, 2008 Nov 2–8 26 films · +79% | 26 | $759M | +79% | Madagascar: Escape 2 Africa (2008) $603.9M |
| Week 45, 2009 Nov 1–7 23 films · −32% | 23 | $517.6M | −32% | A Christmas Carol (2009) $325.3M |
| Week 45, 2010 Oct 31–Nov 6 29 films · +35% | 29 | $699.9M | +35% | Megamind (2010) $321.9M |
Comedy took $563.4M across 14 films, 80% of the total, ahead of Action ($356.5M) and Sci-Fi ($328.1M). A film counts once for each of its genres. English-language films took $343M across 9 films, 49% of the total, ahead of Hindi-language films ($7.8M) and Russian-language films ($4.6M).
53 weeks of 2010 with reported grosses; the biggest is week 48 (Nov 21–27) with $1.3B, led by Tangled (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 29 films as the chart.
Megamind (2010) leads with $321.9M worldwide, $148.4M of it in the US & Canada. Next come Due Date (2010) at $211.8M and 127 Hours (2010) at $60.7M.
29 films released in week 45 of 2010 (Oct 31–Nov 6) report a worldwide gross, $699.9M in all, or $24.1M per film on average. Week 44, 2010 releases took $313M.
None. 2 films crossed $100 million, led by Megamind (2010) with $321.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 45 of 2010 (Oct 31–Nov 6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.