#1 of 31 Resident Evil: Afterlife (2010)
2010 · Action, Sci-Fi
$300.2M worldwide · 80% of the chart's total
Resident Evil: Afterlife (2010) is the highest-grossing movie released in week 37 of 2010 (Sep 5–11), with $300.2M worldwide, ahead of Heartbreaker (2010) at $48M and Bran Nue Dae (2010) at $6.8M. 31 films released that week report a worldwide gross, $375.1M in all, 17% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 78% on Week 36, 2010, whose releases took $210.9M. By genre, Thriller leads with $301.6M across 6 releases.
#1 of 31 Resident Evil: Afterlife (2010)
2010 · Action, Sci-Fi
$300.2M worldwide · 80% of the chart's total
Resident Evil: Afterlife (2010) leads with $300.2M, 80% of the total. The top 5 together took $363.5M, 97% of what all 31 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2010 (Sep 5–11).
Sep 10, 2010 US and Canada: $60.1M Rest of the world: $240.1M Worldwide: $300.2M
Sep 10, 2010 US and Canada: $504K Rest of the world: $47.5M Worldwide: $48M
Sep 10, 2010 US and Canada: $113.6K Rest of the world: $6.7M Worldwide: $6.8M
Sep 10, 2010 US and Canada: – Rest of the world: – Worldwide: $5.5M
Sep 10, 2010 US and Canada: – Rest of the world: – Worldwide: $2.9M
Sep 9, 2010 US and Canada: – Rest of the world: – Worldwide: $2.2M
Sep 7, 2010 US and Canada: – Rest of the world: – Worldwide: $2.1M
Sep 11, 2010 US and Canada: – Rest of the world: – Worldwide: $989.8K
Sep 10, 2010 US and Canada: $34.5K Rest of the world: $885.7K Worldwide: $920.2K
Sep 10, 2010 US and Canada: – Rest of the world: – Worldwide: $726.5K
Sep 9, 2010 US and Canada: – Rest of the world: – Worldwide: $716.6K
Sep 10, 2010 US and Canada: $636.7K Rest of the world: Worldwide: $636.7K
Sep 10, 2010 US and Canada: $409K Rest of the world: $217.4K Worldwide: $626.4K
Sep 6, 2010 US and Canada: – Rest of the world: – Worldwide: $490.3K
Sep 8, 2010 US and Canada: – Rest of the world: – Worldwide: $333K
Sep 10, 2010 US and Canada: – Rest of the world: – Worldwide: $289.7K
Sep 10, 2010 US and Canada: $200.4K Rest of the world: Worldwide: $200.4K
Sep 10, 2010 US and Canada: $106.5K Rest of the world: $84.5K Worldwide: $191K
Sep 10, 2010 US and Canada: $40.3K Rest of the world: $121.3K Worldwide: $161.6K
Sep 10, 2010 US and Canada: $40.3K Rest of the world: $121.3K Worldwide: $161.6K
Sep 7, 2010 US and Canada: – Rest of the world: – Worldwide: $159.5K
Sep 5, 2010 US and Canada: – Rest of the world: – Worldwide: $102K
Sep 5, 2010 US and Canada: $29.9K Rest of the world: Worldwide: $29.9K
Sep 10, 2010 US and Canada: – Rest of the world: – Worldwide: $16.9K
Sep 11, 2010 US and Canada: $10K Rest of the world: Worldwide: $10K
Sep 7, 2010 US and Canada: – Rest of the world: – Worldwide: $9.8K
Sep 10, 2010 US and Canada: – Rest of the world: – Worldwide: $9.6K
Sep 10, 2010 US and Canada: – Rest of the world: – Worldwide: $957 Of the top 10, Resident Evil: Afterlife (2010) earned the biggest share at home (20% in the US & Canada), while Heartbreaker (2010) made 99% of its gross abroad. Across all 31 films, $62.5M (17%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
1 of 31 films crossed $100M and took $300.2M between them, 80% of the total. 29 films, 94% of the list, earned under $10M.
Week 37 releases took $375.1M. The biggest of these 9 weeks is week 33 (Aug 8–14) with $582.6M, led by The Expendables (2010).
Of these 10 years, Week 37, 2008 earned the most: $436.2M from 29 films, led by Burn After Reading (2008). Week 37, 2010 took $375.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2001 Sep 9–15 12 films | 12 | $81M | – | Hard Ball (2001) $44.1M |
| Week 37, 2002 Sep 8–14 21 films · +30% | 21 | $105.1M | +30% | Barbershop (2002) $77.1M |
| Week 37, 2003 Sep 7–13 23 films · +215% | 23 | $331.2M | +215% | Lost in Translation (2003) $118.7M |
| Week 37, 2004 Sep 5–11 20 films · −32% | 20 | $224M | −32% | Resident Evil: Apocalypse (2004) $129.3M |
| Week 37, 2005 Sep 4–10 31 films · +23% | 31 | $276.5M | +23% | The Exorcism of Emily Rose (2005) $145.2M |
| Week 37, 2006 Sep 10–16 33 films · −24% | 33 | $211M | −24% | The Black Dahlia (2006) $49.3M |
| Week 37, 2007 Sep 9–15 51 films · +65% | 51 | $348.4M | +65% | Dragon Wars: D-War (2007) $75.1M |
| Week 37, 2008 Sep 7–13 29 films · +25% | 29 | $436.2M | +25% | Burn After Reading (2008) $163.7M |
| Week 37, 2009 Sep 6–12 40 films · −45% | 40 | $239.2M | −45% | I Can Do Bad All by Myself (2009) $51.7M |
| Week 37, 2010 Sep 5–11 31 films · +57% | 31 | $375.1M | +57% | Resident Evil: Afterlife (2010) $300.2M |
Thriller took $301.6M across 6 films, 80% of the total, ahead of Action ($300.5M) and Horror ($300.3M). A film counts once for each of its genres. English-language films took $310.7M across 15 films, 83% of the total, ahead of French-language films ($48M) and Italian-language films ($8.1M).
53 weeks of 2010 with reported grosses; the biggest is week 48 (Nov 21–27) with $1.3B, led by Tangled (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 31 films as the chart.
Resident Evil: Afterlife (2010) leads with $300.2M worldwide, $60.1M of it in the US & Canada. Next come Heartbreaker (2010) at $48M and Bran Nue Dae (2010) at $6.8M.
31 films released in week 37 of 2010 (Sep 5–11) report a worldwide gross, $375.1M in all, or $12.1M per film on average. Week 36, 2010 releases took $210.9M.
None. 1 film crossed $100 million, led by Resident Evil: Afterlife (2010) with $300.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2010 (Sep 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.