#1 of 27 #1 movie of Week 8, 2010
2010 · Drama, Mystery
$295M worldwide · 66% of the chart's total
$128M US & Canada · 43% $167M elsewhere · 57%
Box office · Week 8 · Feb 14–20, 2010
Box Office Week 8, 2010: Highest-Grossing Releases of Feb 14–20
Shutter Island (2010) is the highest-grossing movie released in week 8 of 2010 (Feb 14–20), with $295M worldwide, ahead of The Ghost Writer (2010) at $60.3M and Welcome to the Space Show (2010) at $45.9M. 27 films released that week report a worldwide gross, $448.8M in all, 32% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 41% on Week 7, 2010, whose releases took $758.8M. By genre, Drama leads with $368.5M across 16 releases.
- week 8 releases with a gross
- 27
- combined worldwide
- $448.8M
- film crossed $100M
- 1
- vs Week 7, 2010
- −41%
#1 of 27 Top 5
What Were the Biggest Hits of Week 8 of 2010?
Shutter Island (2010) leads with $295M, 66% of the total. The top 5 together took $422M, 94% of what all 27 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Release of Week 8 of 2010, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 8 of 2010 (Feb 14–20).
- 1 Feb 19, 2010 US and Canada: $128M Rest of the world: $167M Worldwide: $295M
- 2 Feb 19, 2010 US and Canada: $15.5M Rest of the world: $44.8M Worldwide: $60.3M
- 3 Feb 18, 2010 US and Canada: – Rest of the world: – Worldwide: $45.9M
- 4 Feb 16, 2010 US and Canada: – Rest of the world: – Worldwide: $14.8M
- 5 Feb 18, 2010 US and Canada: – Rest of the world: – Worldwide: $6M
- 6
Feb 14, 2010 US and Canada: – Rest of the world: – Worldwide: $5.2M - 7
Feb 14, 2010 US and Canada: – Rest of the world: – Worldwide: $4.9M - 8
Feb 19, 2010 US and Canada: – Rest of the world: – Worldwide: $4.1M - 9
Feb 18, 2010 US and Canada: – Rest of the world: – Worldwide: $3.8M - 10
Feb 17, 2010 US and Canada: – Rest of the world: – Worldwide: $2.9M - 11
Feb 17, 2010 US and Canada: – Rest of the world: – Worldwide: $2.7M - 12
Feb 18, 2010 US and Canada: – Rest of the world: – Worldwide: $1.4M - 13
Feb 17, 2010 US and Canada: $1.4K Rest of the world: $263.1K Worldwide: $264.5K - 14
Feb 15, 2010 US and Canada: $83.5K Rest of the world: $171K Worldwide: $254.5K - 15
Feb 17, 2010 US and Canada: – Rest of the world: – Worldwide: $171.2K - 16
Feb 14, 2010 US and Canada: – Rest of the world: – Worldwide: $140.2K - 17
Feb 18, 2010 US and Canada: $116K Rest of the world: $3.9K Worldwide: $119.9K - 18
Celine: Through the Eyes of the World (2010)Feb 17, 2010 US and Canada: – Rest of the world: – Worldwide: $119.3K
Feb 17, 2010 · English · Music, Documentary $119.3K worldwide - 19
Feb 19, 2010 US and Canada: $109.4K Rest of the world: Worldwide: $109.4K - 20
Feb 19, 2010 US and Canada: $100.7K Rest of the world: Worldwide: $100.7K - 21
Feb 19, 2010 US and Canada: – Rest of the world: – Worldwide: $99.6K - 22
Feb 15, 2010 US and Canada: – Rest of the world: – Worldwide: $93.1K - 23
Feb 16, 2010 US and Canada: – Rest of the world: – Worldwide: $28.6K - 24
Feb 19, 2010 US and Canada: $22.5K Rest of the world: Worldwide: $22.5K - 25
Feb 18, 2010 US and Canada: – Rest of the world: – Worldwide: $16.8K - 26
Feb 14, 2010 US and Canada: – Rest of the world: – Worldwide: $9.9K - 27
Feb 19, 2010 US and Canada: $6.2K Rest of the world: Worldwide: $6.2K
Gross bands
How Many Week 8 of 2010 Releases Crossed $100 Million?
1 of 27 films crossed $100M and took $295M between them, 66% of the total. 23 films, 85% of the list, earned under $10M.
66% 27%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 1 film, 4% of the list $295M · 66% of the gross
- $10M to $100M 3 films, 11% of the list $121.1M · 27% of the gross
- Under $10M 23 films, 85% of the list $32.7M · 7% of the gross
Weeks around it
How Does Week 8 Compare With the Weeks Around It?
Week 8 releases took $448.8M. The biggest of these 9 weeks is week 10 (Feb 28–Mar 6) with $1.1B, led by Alice in Wonderland (2010).
- Week 2 Wk 2 Jan 3–9 Daybreakers (2010) $98.5M Daybreakers (2010)
- Week 3 Wk 3 Jan 10–16 The Book of Eli (2010) $285.5M The Book of Eli (2010)
- Week 4 Wk 4 Jan 17–23 Tooth Fairy (2010) $244.7M Tooth Fairy (2010)
- Week 5 Wk 5 Jan 24–30 Edge of Darkness (2010) $191.4M Edge of Darkness (2010)
- Week 6 Wk 6 Jan 31–Feb 6 Dear John (2010) $252.3M Dear John (2010)
- Week 7 Wk 7 Feb 7–13 Percy Jackson & the Olympians: The Lightning Thief (2010) $758.8M Percy Jackson & the Olympians: The Lightning Thief (2010)
- Week 8 Wk 8 Feb 14–20 Shutter Island (2010) $448.8M Shutter Island (2010)
- Week 9 Wk 9 Feb 21–27 Cop Out (2010) $161.1M Cop Out (2010)
- Week 10 Wk 10 Feb 28–Mar 6 Alice in Wonderland (2010) $1.1B Alice in Wonderland (2010)
Earlier years
How Does Week 8 of 2010 Compare With Earlier Years?
Of these 10 years, Week 8, 2010 earned the most: $448.8M from 27 films, led by Shutter Island (2010).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 8, 2001 Feb 18–24 9 films | 9 | $78.8M | – | Haunted Castle (2001) $39.4M |
| Week 8, 2002 Feb 17–23 14 films · +84% | 14 | $144.7M | +84% | Dragonfly (2002) $52.3M |
| Week 8, 2003 Feb 16–22 13 films · +7% | 13 | $154.9M | +7% | Old School (2003) $87.1M |
| Week 8, 2004 Feb 15–21 16 films · −13% | 16 | $134.5M | −13% | Crimson Rivers II: Angels of the Apocalypse (2004) $40.2M |
| Week 8, 2005 Feb 13–19 22 films · +225% | 22 | $437.4M | +225% | Constantine (2005) $230.9M |
| Week 8, 2006 Feb 19–25 21 films · −69% | 21 | $135.8M | −69% | Madea’s Family Reunion (2006) $63.4M |
| Week 8, 2007 Feb 18–24 24 films · +40% | 24 | $190.1M | +40% | The Number 23 (2007) $77.7M |
| Week 8, 2008 Feb 17–23 16 films · +38% | 16 | $261.9M | +38% | Vantage Point (2008) $152M |
| Week 8, 2009 Feb 15–21 16 films · −46% | 16 | $141.6M | −46% | Madea Goes to Jail (2009) $90.5M |
| Week 8, 2010 Feb 14–20 27 films · +217% | 27 | $448.8M | +217% | Shutter Island (2010) $295M |
Genres & languages
Which Genres and Languages Earned the Most in Week 8 of 2010?
Drama took $368.5M across 16 films, 82% of the total, ahead of Thriller ($361.6M) and Mystery ($361.3M). A film counts once for each of its genres. English-language films took $355.9M across 9 films, 79% of the total, ahead of Japanese-language films ($50M) and French-language films ($20.5M).
Week 8 of 2010 Box Office by Genre
-
Drama $368.5M16 films · #1 Shutter Island (2010) -
Thriller $361.6M5 films · #1 Shutter Island (2010) -
Mystery $361.3M3 films · #1 Shutter Island (2010) -
Animation $45.9M1 film · #1 Welcome to the Space Show (2010) -
Sci-Fi $45.9M1 film · #1 Welcome to the Space Show (2010) -
Comedy $33.2M9 films · #1 The Pimp (2010) -
Action $11.2M3 films · #1 Parallel Life (2010) -
Family $6.6M3 films · #1 Rock It! (2010) -
Adventure $5.2M2 films · #1 Little Big Soldier (2010) -
Crime $1.7M2 films · #1 Gangsterboys (2010)
Week 8 of 2010 Box Office by Language
- English $355.9M9 films · #1 Shutter Island (2010)
-
Japanese $50M2 films · #1 Welcome to the Space Show (2010) -
French $20.5M3 films · #1 The Pimp (2010) -
German $9.2M4 films · #1 The Hairdresser (2010) -
Korean $6M3 films · #1 Parallel Life (2010) -
Chinese $5.3M2 films · #1 Little Big Soldier (2010) -
Dutch $1.4M1 film · #1 Gangsterboys (2010) -
Italian $264.5K1 film · #1 Little Girl (2010) -
Cantonese $93.1K1 film · #1 Amphetamine (2010) -
Persian $28.6K1 film · #1 The Hunter (2010)
Archive
Box Office in 2010, Week by Week
53 weeks of 2010 with reported grosses; the biggest is week 48 (Nov 21–27) with $1.3B, led by Tangled (2010).
- Week 1 $6M
- Week 2 $98.5M
- Week 3 $285.5M
- Week 4 $244.7M
- Week 5 $191.4M
- Week 6 $252.3M
- Week 7 $758.8M
- Week 8 $448.8M
- Week 9 $161.1M
- Week 10 $1.1B
- Week 11 $297.5M
- Week 12 $520.4M
- Week 13 $131.7M
- Week 14 $691.3M
- Week 15 $229.8M
- Week 16 $425M
- Week 17 $273M
- Week 18 $274.4M
- Week 19 $704.5M
- Week 20 $137.1M
- Week 21 $810.3M
- Week 22 $713.9M
- Week 23 $400.6M
- Week 24 $560.6M
- Week 25 $1.1B
- Week 26 $546.7M
- Week 27 $1.2B
- Week 28 $815.8M
- Week 29 $847.1M
- Week 30 $345.3M
- Week 31 $290.4M
- Week 32 $391.8M
- Week 33 $582.6M
- Week 34 $450.2M
- Week 35 $213.7M
- Week 36 $210.9M
- Week 37 $375.1M
- Week 38 $544.8M
- Week 39 $404.7M
- Week 40 $352.2M
- Week 41 $322.6M
- Week 42 $538.1M
- Week 43 $32.7M
- Week 44 $313M
- Week 45 $699.9M
- Week 46 $322.2M
- Week 47 $1.1B
- Week 48 $1.3B
- Week 49 $559.6M
- Week 50 $876.6M
- Week 51 $733.5M
- Week 52 $1.1B
- Week 53 $120.9M
FAQ
Box Office Week 8 of 2010: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 27 films as the chart.
What is the highest-grossing movie in week 8 of 2010 (Feb 14–20)?
Shutter Island (2010) leads with $295M worldwide, $128M of it in the US & Canada. Next come The Ghost Writer (2010) at $60.3M and Welcome to the Space Show (2010) at $45.9M.
How much did movies released in week 8 of 2010 (Feb 14–20) earn?
27 films released in week 8 of 2010 (Feb 14–20) report a worldwide gross, $448.8M in all, or $16.6M per film on average. Week 7, 2010 releases took $758.8M.
How many movies released in week 8 of 2010 (Feb 14–20) made $1 billion?
None. 1 film crossed $100 million, led by Shutter Island (2010) with $295M.
How is the week 8, 2010 box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 8 of 2010 (Feb 14–20). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 8, 2010 box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.