#1 of 27 2010 · Action, Adventure
$493.2M worldwide · 71% of the chart's total
Clash of the Titans (2010) is the highest-grossing movie released in week 14 of 2010 (Mar 28–Apr 3), with $493.2M worldwide, ahead of The Last Song (2010) at $89.1M and Why Did I Get Married Too? (2010) at $60.7M. 27 films released that week report a worldwide gross, $691.3M in all, 41% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 5.2 times the total of Week 13, 2010, whose releases took $131.7M. By genre, Drama leads with $613.3M across 14 releases.
#1 of 27 2010 · Action, Adventure
$493.2M worldwide · 71% of the chart's total
Clash of the Titans (2010) leads with $493.2M, 71% of the total. The top 5 together took $666.4M, 96% of what all 27 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 2010 (Mar 28–Apr 3).
Apr 1, 2010 US and Canada: $163.2M Rest of the world: $330M Worldwide: $493.2M
Mar 31, 2010 US and Canada: $63M Rest of the world: $26.2M Worldwide: $89.1M
Apr 2, 2010 US and Canada: $60.1M Rest of the world: $578.1K Worldwide: $60.7M
Apr 2, 2010 US and Canada: – Rest of the world: – Worldwide: $17.2M
Apr 2, 2010 US and Canada: – Rest of the world: – Worldwide: $6.2M
Mar 31, 2010 US and Canada: – Rest of the world: – Worldwide: $5.9M
Apr 3, 2010 US and Canada: – Rest of the world: – Worldwide: $4.9M
Apr 1, 2010 US and Canada: – Rest of the world: – Worldwide: $2.3M
Apr 3, 2010 US and Canada: – Rest of the world: – Worldwide: $2.2M
Apr 1, 2010 US and Canada: – Rest of the world: – Worldwide: $2.1M
Apr 3, 2010 US and Canada: – Rest of the world: – Worldwide: $1.3M
Apr 2, 2010 US and Canada: $70.1K Rest of the world: $964.1K Worldwide: $1M
Apr 2, 2010 US and Canada: $114.8K Rest of the world: $872.3K Worldwide: $987.1K
Apr 1, 2010 US and Canada: – Rest of the world: – Worldwide: $808.4K
Mar 31, 2010 US and Canada: – Rest of the world: – Worldwide: $721.6K
Apr 1, 2010 US and Canada: – Rest of the world: – Worldwide: $440.7K
Apr 2, 2010 US and Canada: – Rest of the world: – Worldwide: $440.6K
Mar 31, 2010 US and Canada: – Rest of the world: – Worldwide: $367.6K
Apr 1, 2010 US and Canada: – Rest of the world: – Worldwide: $348.8K
Apr 1, 2010 US and Canada: – Rest of the world: – Worldwide: $344.5K
Apr 1, 2010 US and Canada: – Rest of the world: – Worldwide: $200K
Apr 2, 2010 US and Canada: $62K Rest of the world: $131.4K Worldwide: $193.5K
Apr 1, 2010 US and Canada: – Rest of the world: – Worldwide: $111K
Apr 2, 2010 US and Canada: $77.4K Rest of the world: Worldwide: $77.4K
Apr 2, 2010 US and Canada: $7.4K Rest of the world: $10.5K Worldwide: $17.8K
Apr 2, 2010 US and Canada: $13.7K Rest of the world: Worldwide: $13.7K Of the top 10, Why Did I Get Married Too? (2010) earned the biggest share at home (99% in the US & Canada), while Clash of the Titans (2010) made 67% of its gross abroad. Across all 27 films, $286.7M (41%) came from the US & Canada. 7 films of the top 10 report no US & Canada figure.
1 of 27 films crossed $100M and took $493.2M between them, 71% of the total. 23 films, 85% of the list, earned under $10M.
Week 14 releases took $691.3M. The biggest of these 9 weeks is week 10 (Feb 28–Mar 6) with $1.1B, led by Alice in Wonderland (2010).
Of these 10 years, Week 14, 2010 earned the most: $691.3M from 27 films, led by Clash of the Titans (2010).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 14, 2001 Apr 1–7 12 films | 12 | $279.8M | – | Along Came a Spider (2001) $105.2M |
| Week 14, 2002 Mar 31–Apr 6 8 films · −58% | 8 | $117.1M | −58% | High Crimes (2002) $63.8M |
| Week 14, 2003 Mar 30–Apr 5 12 films · +82% | 12 | $213.6M | +82% | Phone Booth (2003) $97.8M |
| Week 14, 2004 Mar 28–Apr 3 18 films · +82% | 18 | $388.3M | +82% | Home on the Range (2004) $145.4M |
| Week 14, 2005 Mar 27–Apr 2 11 films · −36% | 11 | $247.9M | −36% | Sin City (2005) $158.7M |
| Week 14, 2006 Apr 2–8 25 films · +1% | 25 | $251.4M | +1% | Take the Lead (2006) $66.5M |
| Week 14, 2007 Apr 1–7 26 films · +1% | 26 | $253.3M | +1% | The Reaping (2007) $62.8M |
| Week 14, 2008 Mar 30–Apr 5 22 films · −3% | 22 | $245.6M | −3% | Nim's Island (2008) $100.1M |
| Week 14, 2009 Mar 29–Apr 4 23 films · +75% | 23 | $428.8M | +75% | Fast & Furious (2009) $360.4M |
| Week 14, 2010 Mar 28–Apr 3 27 films · +61% | 27 | $691.3M | +61% | Clash of the Titans (2010) $493.2M |
Drama took $613.3M across 14 films, 89% of the total, ahead of Action ($494.7M) and Adventure ($494M). A film counts once for each of its genres. English-language films took $556.6M across 9 films, 81% of the total, ahead of Portuguese-language films ($17.2M) and Italian-language films ($6.2M).
53 weeks of 2010 with reported grosses; the biggest is week 48 (Nov 21–27) with $1.3B, led by Tangled (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 27 films as the chart.
Clash of the Titans (2010) leads with $493.2M worldwide, $163.2M of it in the US & Canada. Next come The Last Song (2010) at $89.1M and Why Did I Get Married Too? (2010) at $60.7M.
27 films released in week 14 of 2010 (Mar 28–Apr 3) report a worldwide gross, $691.3M in all, or $25.6M per film on average. Week 13, 2010 releases took $131.7M.
None. 1 film crossed $100 million, led by Clash of the Titans (2010) with $493.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 2010 (Mar 28–Apr 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.