#1 of 31 The Exorcism of Emily Rose (2005)
2005 · Drama, Thriller
$145.2M worldwide · 53% of the chart's total
The Exorcism of Emily Rose (2005) is the highest-grossing movie released in week 37 of 2005 (Sep 4–10), with $145.2M worldwide, ahead of Marrying the Mafia 2 (2005) at $31.8M and April Snow (2005) at $24.9M. 31 films released that week report a worldwide gross, $276.5M in all, 34% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 16% on Week 36, 2005, whose releases took $238.1M. By genre, Drama leads with $209M across 18 releases.
#1 of 31 The Exorcism of Emily Rose (2005)
2005 · Drama, Thriller
$145.2M worldwide · 53% of the chart's total
The Exorcism of Emily Rose (2005) leads with $145.2M, 53% of the total. The top 5 together took $234M, 85% of what all 31 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2005 (Sep 4–10).
Sep 9, 2005 US and Canada: $75.1M Rest of the world: $70.1M Worldwide: $145.2M
Sep 7, 2005 US and Canada: – Rest of the world: – Worldwide: $31.8M
Sep 7, 2005 US and Canada: – Rest of the world: – Worldwide: $24.9M
Sep 9, 2005 US and Canada: $8.6M Rest of the world: $10M Worldwide: $18.6M
Sep 9, 2005 US and Canada: $8.3M Rest of the world: $5.2M Worldwide: $13.5M
Sep 9, 2005 US and Canada: $1.4M Rest of the world: $7.9M Worldwide: $9.3M
Sep 8, 2005 US and Canada: – Rest of the world: – Worldwide: $6.3M
Sep 9, 2005 US and Canada: $34.4K Rest of the world: $5.3M Worldwide: $5.3M
Sep 6, 2005 US and Canada: – Rest of the world: – Worldwide: $3.9M
Sep 9, 2005 US and Canada: $346.8K Rest of the world: $3.5M Worldwide: $3.8M
Sep 8, 2005 US and Canada: – Rest of the world: – Worldwide: $3.6M
Sep 10, 2005 US and Canada: – Rest of the world: – Worldwide: $3.1M
Sep 9, 2005 US and Canada: $141K Rest of the world: $2.3M Worldwide: $2.4M
Sep 8, 2005 US and Canada: – Rest of the world: – Worldwide: $775.2K
Sep 9, 2005 US and Canada: – Rest of the world: – Worldwide: $595.6K
Sep 9, 2005 US and Canada: – Rest of the world: – Worldwide: $536.7K
Sep 9, 2005 US and Canada: $33.3K Rest of the world: $443.4K Worldwide: $476.6K
Sep 9, 2005 US and Canada: $409.6K Rest of the world: Worldwide: $409.6K
Sep 8, 2005 US and Canada: – Rest of the world: – Worldwide: $403.5K
Sep 10, 2005 US and Canada: – Rest of the world: – Worldwide: $278.1K
Sep 10, 2005 US and Canada: – Rest of the world: – Worldwide: $273.7K
Sep 7, 2005 US and Canada: – Rest of the world: – Worldwide: $192.1K
Sep 7, 2005 US and Canada: – Rest of the world: – Worldwide: $174.7K
Sep 10, 2005 US and Canada: – Rest of the world: – Worldwide: $172.1K
Sep 9, 2005 US and Canada: $141.5K Rest of the world: Worldwide: $141.5K
Sep 10, 2005 US and Canada: $36K Rest of the world: $48.4K Worldwide: $84.4K
Sep 9, 2005 US and Canada: $34.8K Rest of the world: Worldwide: $34.8K
Sep 9, 2005 US and Canada: – Rest of the world: – Worldwide: $11.2K
Sep 6, 2005 US and Canada: $4.8K Rest of the world: Worldwide: $4.8K
Sep 9, 2005 US and Canada: $2K Rest of the world: Worldwide: $2K Of the top 10, The Man (2005) earned the biggest share at home (62% in the US & Canada), while Kamikaze Girls (2005) made 99% of its gross abroad. Across all 31 films, $94.8M (34%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
1 of 31 films crossed $100M and took $145.2M between them, 53% of the total. 26 films, 84% of the list, earned under $10M.
Week 37 releases took $276.5M. The biggest of these 9 weeks is week 39 (Sep 18–24) with $434.8M, led by Flightplan (2005).
Of these 10 years, Week 37, 2003 earned the most: $331.2M from 23 films, led by Lost in Translation (2003). Week 37, 2005 took $276.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 1996 Sep 8–14 16 films | 16 | $59.2M | – | Fly Away Home (1996) $25.1M |
| Week 37, 1997 Sep 7–13 6 films · +90% | 6 | $112.6M | +90% | The Game (1997) $109.4M |
| Week 37, 1998 Sep 6–12 8 films · −60% | 8 | $44.5M | −60% | Rounders (1998) $22.9M |
| Week 37, 1999 Sep 5–11 12 films · +111% | 12 | $93.8M | +111% | Stigmata (1999) $89.4M |
| Week 37, 2000 Sep 3–9 15 films · +20% | 15 | $112.6M | +20% | The Watcher (2000) $47.3M |
| Week 37, 2001 Sep 9–15 12 films · −28% | 12 | $81M | −28% | Hard Ball (2001) $44.1M |
| Week 37, 2002 Sep 8–14 21 films · +30% | 21 | $105.1M | +30% | Barbershop (2002) $77.1M |
| Week 37, 2003 Sep 7–13 23 films · +215% | 23 | $331.2M | +215% | Lost in Translation (2003) $118.7M |
| Week 37, 2004 Sep 5–11 20 films · −32% | 20 | $224M | −32% | Resident Evil: Apocalypse (2004) $129.3M |
| Week 37, 2005 Sep 4–10 31 films · +23% | 31 | $276.5M | +23% | The Exorcism of Emily Rose (2005) $145.2M |
Drama took $209M across 18 films, 76% of the total, ahead of Crime ($194.3M) and Thriller ($145.7M). A film counts once for each of its genres. English-language films took $182.8M across 14 films, 66% of the total, ahead of Korean-language films ($63.3M) and Hindi-language films ($9.3M).
53 weeks of 2005 with reported grosses; the biggest is week 50 (Dec 4–10) with $1.2B, led by The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 31 films as the chart.
The Exorcism of Emily Rose (2005) leads with $145.2M worldwide, $75.1M of it in the US & Canada. Next come Marrying the Mafia 2 (2005) at $31.8M and April Snow (2005) at $24.9M.
31 films released in week 37 of 2005 (Sep 4–10) report a worldwide gross, $276.5M in all, or $8.9M per film on average. Week 36, 2005 releases took $238.1M.
None. 1 film crossed $100 million, led by The Exorcism of Emily Rose (2005) with $145.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2005 (Sep 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.