#1 of 9 2005 · Comedy, Romance
$31.8M worldwide · 43% of the chart's total
Marrying the Mafia 2 (2005) is the highest-grossing romance movie released in week 37 of 2005 (Sep 4–10), with $31.8M worldwide, ahead of April Snow (2005) at $24.9M and Salaam Namaste (2005) at $9.3M. 9 romance films released that week report a worldwide gross, $73.3M in all, 2% of it from the US & Canada. By language, Korean leads with $57M across 3 romance releases.
#1 of 9 2005 · Comedy, Romance
$31.8M worldwide · 43% of the chart's total
Marrying the Mafia 2 (2005) leads with $31.8M, 43% of the total. The top 5 together took $72M, 98% of what all 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2005 (Sep 4–10).
Sep 7, 2005 US and Canada: – Rest of the world: – Worldwide: $31.8M
Sep 7, 2005 US and Canada: – Rest of the world: – Worldwide: $24.9M
Sep 9, 2005 US and Canada: $1.4M Rest of the world: $7.9M Worldwide: $9.3M
Sep 8, 2005 US and Canada: – Rest of the world: – Worldwide: $3.6M
Sep 9, 2005 US and Canada: $141K Rest of the world: $2.3M Worldwide: $2.4M
Sep 9, 2005 US and Canada: – Rest of the world: – Worldwide: $536.7K
Sep 8, 2005 US and Canada: – Rest of the world: – Worldwide: $403.5K
Sep 10, 2005 US and Canada: – Rest of the world: – Worldwide: $273.7K
Sep 10, 2005 US and Canada: $36K Rest of the world: $48.4K Worldwide: $84.4K Of the top 9, Mozart and the Whale (2005) earned the biggest share at home (43% in the US & Canada), while Cote d'Azur (2005) made 94% of its gross abroad. Across all 9 films, $1.6M (2%) came from the US & Canada. 6 films of the top 9 report no US & Canada figure.
Week 37 releases took $73.3M. The biggest of these 9 weeks is week 38 (Sep 11–17) with $223.6M, led by Corpse Bride (2005).
Of these 10 years, Week 37, 2003 earned the most: $119.3M from 4 films, led by Lost in Translation (2003). Week 37, 2005 took $73.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 1996 Sep 8–14 5 films | 5 | $8.2M | – | Kama Sutra: A Tale of Love (1996) $4.1M |
| Week 37, 1997 Sep 7–13 2 films · −67% | 2 | $2.7M | −67% | Hav Plenty (1997) $2.3M |
| Week 37, 1998 Sep 6–12 No films | 0 | – | – | – |
| Week 37, 1999 Sep 5–11 3 films | 3 | $846.4K | – | Earth (1999) $424.8K |
| Week 37, 2000 Sep 3–9 3 films · +3466% | 3 | $30.2M | +3466% | Nurse Betty (2000) $29.4M |
| Week 37, 2001 Sep 9–15 1 film · −89% | 1 | $3.3M | −89% | Samsara (2001) $3.3M |
| Week 37, 2002 Sep 8–14 5 films · −52% | 5 | $1.6M | −52% | Blue (2002) $997.7K |
| Week 37, 2003 Sep 7–13 4 films · +7512% | 4 | $119.3M | +7512% | Lost in Translation (2003) $118.7M |
| Week 37, 2004 Sep 5–11 5 films · −95% | 5 | $6.1M | −95% | The Story Of My Life (2004) $5M |
| Week 37, 2005 Sep 4–10 9 films · +1104% | 9 | $73.3M | +1104% | Marrying the Mafia 2 (2005) $31.8M |
Korean-language romance films took $57M across 3 films, 78% of the total, ahead of Hindi-language romance films ($9.3M) and Dutch-language romance films ($3.6M).
52 weeks of 2005 with reported grosses; the biggest is week 51 (Dec 11–17) with $673.7M, led by King Kong (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
Marrying the Mafia 2 (2005) leads with $31.8M worldwide. Next come April Snow (2005) at $24.9M and Salaam Namaste (2005) at $9.3M.
9 romance films released in week 37 of 2005 (Sep 4–10) report a worldwide gross, $73.3M in all, or $8.1M per film on average.
None. The biggest, Marrying the Mafia 2 (2005), earned $31.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2005 (Sep 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.