#1 of 5 2005 · Drama, Mystery
$20.4M worldwide · 53% of the chart's total
Ladies in Lavender. (2005) is the highest-grossing romance movie released in week 18 of 2005 (Apr 24–30), with $20.4M worldwide, ahead of Innocent Steps (2005) at $13.4M and 3-Iron (2005) at $3.4M. 5 romance films released that week report a worldwide gross, $38.7M in all, 19% of it from the US & Canada. That is down 14% on Week 17, 2005, whose releases took $45.1M. By language, English leads with $20.4M across 1 romance release.
#1 of 5 2005 · Drama, Mystery
$20.4M worldwide · 53% of the chart's total
Ladies in Lavender. (2005) leads with $20.4M, 53% of the total. The top 5 together took $38.7M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 18 of 2005 (Apr 24–30).
Apr 29, 2005 US and Canada: $6.8M Rest of the world: $13.7M Worldwide: $20.4M
Apr 28, 2005 US and Canada: – Rest of the world: – Worldwide: $13.4M
Apr 29, 2005 US and Canada: $241.9K Rest of the world: $3.2M Worldwide: $3.4M
Apr 27, 2005 US and Canada: – Rest of the world: – Worldwide: $933.8K
Apr 29, 2005 US and Canada: $248.6K Rest of the world: $245.5K Worldwide: $494K Of the top 5, À Tout de Suite (Right Now) (2005) earned the biggest share at home (50% in the US & Canada), while 3-Iron (2005) made 93% of its gross abroad. Across all 5 films, $7.3M (19%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 18 releases took $38.7M. The biggest of these 9 weeks is week 20 (May 8–14) with $208.6M, led by Monster-in-Law (2005).
Of these 10 years, Week 18, 1999 earned the most: $216.5M from 3 films, led by Entrapment (1999). Week 18, 2005 took $38.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 18, 1996 Apr 28–May 4 1 film | 1 | $5.7M | – | The Pallbearer (1996) $5.7M |
| Week 18, 1997 Apr 27–May 3 1 film · −90% | 1 | $548.6K | −90% | Commandments (1997) $548.6K |
| Week 18, 1998 Apr 26–May 2 3 films · +2932% | 3 | $16.6M | +2932% | Les Misérables (1998) $14.1M |
| Week 18, 1999 Apr 25–May 1 3 films · +1202% | 3 | $216.5M | +1202% | Entrapment (1999) $212.4M |
| Week 18, 2000 Apr 23–29 2 films · −79% | 2 | $44.9M | −79% | Where the Heart Is (2000) $40.9M |
| Week 18, 2001 Apr 29–May 5 1 film · −100% | 1 | $37K | −100% | Pavilion of Women (2001) $37K |
| Week 18, 2002 Apr 28–May 4 4 films · +65407% | 4 | $24.2M | +65407% | Hollywood Ending (2002) $14.6M |
| Week 18, 2003 Apr 27–May 3 2 films · +130% | 2 | $55.8M | +130% | The Lizzie McGuire Movie (2003) $55.5M |
| Week 18, 2004 Apr 25–May 1 5 films · +192% | 5 | $163.1M | +192% | Pride and Prejudice (2004) $129.3M |
| Week 18, 2005 Apr 24–30 5 films · −76% | 5 | $38.7M | −76% | Ladies in Lavender. (2005) $20.4M |
52 weeks of 2005 with reported grosses; the biggest is week 51 (Dec 11–17) with $673.7M, led by King Kong (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Ladies in Lavender. (2005) leads with $20.4M worldwide, $6.8M of it in the US & Canada. Next come Innocent Steps (2005) at $13.4M and 3-Iron (2005) at $3.4M.
5 romance films released in week 18 of 2005 (Apr 24–30) report a worldwide gross, $38.7M in all, or $7.7M per film on average. Week 17, 2005 releases took $45.1M.
None. The biggest, Ladies in Lavender. (2005), earned $20.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 18 of 2005 (Apr 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.