#1 of 6 2005 · Action, Thriller
$487.3M worldwide · 95% of the chart's total
Mr. & Mrs. Smith (2005) is the highest-grossing romance movie released in week 24 of 2005 (Jun 5–11), with $487.3M worldwide, ahead of The Honeymooners (2005) at $13.2M and Rules of Dating (2005) at $11M. 6 romance films released that week report a worldwide gross, $515M in all, 39% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 12.2 times the total of Week 23, 2005, whose releases took $42.1M. By language, English leads with $502.4M across 4 romance releases.
#1 of 6 2005 · Action, Thriller
$487.3M worldwide · 95% of the chart's total
Mr. & Mrs. Smith (2005) leads with $487.3M, 95% of the total. The top 5 together took $515M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2005 (Jun 5–11).
Jun 10, 2005 US and Canada: $186.3M Rest of the world: $301M Worldwide: $487.3M
Jun 10, 2005 US and Canada: $12.8M Rest of the world: $339.6K Worldwide: $13.2M
Jun 10, 2005 US and Canada: – Rest of the world: – Worldwide: $11M
Jun 10, 2005 US and Canada: $50K Rest of the world: $1.9M Worldwide: $1.9M
Jun 10, 2005 US and Canada: $802.8K Rest of the world: $755.3K Worldwide: $1.6M
Jun 10, 2005 US and Canada: $21.5K Rest of the world: Worldwide: $21.5K Of the top 6, Slutty Summer (2005) earned the biggest share at home (100% in the US & Canada), while The Bridge of San Luis Rey (2005) made 97% of its gross abroad. Across all 6 films, $200.1M (39%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 24 releases took $515M. The biggest of these 9 weeks is week 24 (Jun 5–11) with $515M, led by Mr. & Mrs. Smith (2005).
Of these 10 years, Week 24, 2005 earned the most: $515M from 6 films, led by Mr. & Mrs. Smith (2005).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 1996 Jun 9–15 2 films | 2 | $8.4M | – | Stealing Beauty (1996) $4.9M |
| Week 24, 1997 Jun 8–14 1 film · +1861% | 1 | $164.5M | +1861% | Speed 2: Cruise Control (1997) $164.5M |
| Week 24, 1998 Jun 7–13 4 films · +18% | 4 | $193.7M | +18% | Six Days Seven Nights (1998) $164.8M |
| Week 24, 1999 Jun 6–12 No films | 0 | – | – | – |
| Week 24, 2000 Jun 4–10 3 films | 3 | $8.6M | – | Sunshine (2000) $7.9M |
| Week 24, 2001 Jun 10–16 3 films · −77% | 3 | $2M | −77% | Never Mind the Wall (2001) $1.3M |
| Week 24, 2002 Jun 9–15 3 films · +3908% | 3 | $78.9M | +3908% | Windtalkers (2002) $77.6M |
| Week 24, 2003 Jun 8–14 4 films · −80% | 4 | $15.5M | −80% | Jet Lag (2003) $8.2M |
| Week 24, 2004 Jun 6–12 1 film · −98% | 1 | $383.1K | −98% | Imagining Argentina (2004) $383.1K |
| Week 24, 2005 Jun 5–11 6 films · +134322% | 6 | $515M | +134322% | Mr. & Mrs. Smith (2005) $487.3M |
52 weeks of 2005 with reported grosses; the biggest is week 51 (Dec 11–17) with $673.7M, led by King Kong (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Mr. & Mrs. Smith (2005) leads with $487.3M worldwide, $186.3M of it in the US & Canada. Next come The Honeymooners (2005) at $13.2M and Rules of Dating (2005) at $11M.
6 romance films released in week 24 of 2005 (Jun 5–11) report a worldwide gross, $515M in all, or $85.8M per film on average. Week 23, 2005 releases took $42.1M.
None. 1 film crossed $100 million, led by Mr. & Mrs. Smith (2005) with $487.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2005 (Jun 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.