#1 of 8 2005 · Comedy, Romance
$155.5M worldwide · 75% of the chart's total
Monster-in-Law (2005) is the highest-grossing romance movie released in week 20 of 2005 (May 8–14), with $155.5M worldwide, ahead of Unleashed (2005) at $50.9M and Once You’re Born You Can No Longer Hide (2005) at $1.8M. 8 romance films released that week report a worldwide gross, $208.6M in all, 52% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. By language, English leads with $155.8M across 3 romance releases.
#1 of 8 2005 · Comedy, Romance
$155.5M worldwide · 75% of the chart's total
Monster-in-Law (2005) leads with $155.5M, 75% of the total. The top 5 together took $208.6M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 20 of 2005 (May 8–14).
May 13, 2005 US and Canada: $82.9M Rest of the world: $72.5M Worldwide: $155.5M
May 13, 2005 US and Canada: $24.5M Rest of the world: $26.3M Worldwide: $50.9M
May 12, 2005 US and Canada: – Rest of the world: – Worldwide: $285.4K
May 13, 2005 US and Canada: – Rest of the world: – Worldwide: $198.7K
May 12, 2005 US and Canada: – Rest of the world: – Worldwide: $35.4K
May 14, 2005 US and Canada: – Rest of the world: – Worldwide: $1.7K
May 14, 2005 US and Canada: – Rest of the world: – Worldwide: $927 Week 20 releases took $208.6M. The biggest of these 9 weeks is week 20 (May 8–14) with $208.6M, led by Monster-in-Law (2005).
Of these 10 years, Week 20, 2004 earned the most: $518.5M from 5 films, led by Troy (2004). Week 20, 2005 took $208.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 20, 1996 May 12–18 No films | 0 | – | – | – |
| Week 20, 1997 May 11–17 1 film | 1 | $3M | – | Love! Valour! Compassion! (1997) $3M |
| Week 20, 1998 May 10–16 2 films · +6176% | 2 | $186.9M | +6176% | The Horse Whisperer (1998) $186.9M |
| Week 20, 1999 May 9–15 1 film · −91% | 1 | $16.1M | −91% | A Midsummer Night's Dream (1999) $16.1M |
| Week 20, 2000 May 7–13 3 films · −93% | 3 | $1.1M | −93% | Faithless (2000) $918K |
| Week 20, 2001 May 13–19 3 films · +19610% | 3 | $214.9M | +19610% | Moulin Rouge! (2001) $184.9M |
| Week 20, 2002 May 12–18 4 films · −36% | 4 | $137.6M | −36% | About a Boy (2002) $130.5M |
| Week 20, 2003 May 11–17 4 films · −92% | 4 | $10.7M | −92% | Carmen (2003) $8.1M |
| Week 20, 2004 May 9–15 5 films · +4764% | 5 | $518.5M | +4764% | Troy (2004) $497.4M |
| Week 20, 2005 May 8–14 8 films · −60% | 8 | $208.6M | −60% | Monster-in-Law (2005) $155.5M |
English-language romance films took $155.8M across 3 films, 75% of the total, ahead of Italian-language romance films ($1.8M) and Polish-language romance films ($198.7K).
52 weeks of 2005 with reported grosses; the biggest is week 51 (Dec 11–17) with $673.7M, led by King Kong (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Monster-in-Law (2005) leads with $155.5M worldwide, $82.9M of it in the US & Canada. Next come Unleashed (2005) at $50.9M and Once You’re Born You Can No Longer Hide (2005) at $1.8M.
8 romance films released in week 20 of 2005 (May 8–14) report a worldwide gross, $208.6M in all, or $26.1M per film on average.
None. 1 film crossed $100 million, led by Monster-in-Law (2005) with $155.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 20 of 2005 (May 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.