#1 of 6 Resident Evil: Afterlife (2010)
2010 · Action, Sci-Fi
$300.2M worldwide · 100% of the chart's total
Resident Evil: Afterlife (2010) is the highest-grossing thriller movie released in week 37 of 2010 (Sep 5–11), with $300.2M worldwide, ahead of The Experiment (2010) at $716.6K and Essential Killing (2010) at $490.3K. 6 thriller films released that week report a worldwide gross, $301.6M in all, 20% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 160% on Week 36, 2010, whose releases took $115.9M. By language, English leads with $300.9M across 4 thriller releases.
#1 of 6 Resident Evil: Afterlife (2010)
2010 · Action, Sci-Fi
$300.2M worldwide · 100% of the chart's total
Resident Evil: Afterlife (2010) leads with $300.2M, 100% of the total. The top 5 together took $301.6M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2010 (Sep 5–11).
Sep 10, 2010 US and Canada: $60.1M Rest of the world: $240.1M Worldwide: $300.2M
Sep 9, 2010 US and Canada: – Rest of the world: – Worldwide: $716.6K
Sep 6, 2010 US and Canada: – Rest of the world: – Worldwide: $490.3K
Sep 10, 2010 US and Canada: $40.3K Rest of the world: $121.3K Worldwide: $161.6K
Sep 11, 2010 US and Canada: $10K Rest of the world: Worldwide: $10K
Sep 10, 2010 US and Canada: – Rest of the world: – Worldwide: $9.6K Of the top 6, Circle (2010) earned the biggest share at home (100% in the US & Canada), while Resident Evil: Afterlife (2010) made 80% of its gross abroad. Across all 6 films, $60.2M (20%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 37 releases took $301.6M. The biggest of these 9 weeks is week 37 (Sep 5–11) with $301.6M, led by Resident Evil: Afterlife (2010).
Of these 10 years, Week 37, 2010 earned the most: $301.6M from 6 films, led by Resident Evil: Afterlife (2010).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2001 Sep 9–15 2 films | 2 | $23.6M | – | The Glass House (2001) $23.6M |
| Week 37, 2002 Sep 8–14 4 films · −94% | 4 | $1.4M | −94% | Alias Betty (2002) $676.2K |
| Week 37, 2003 Sep 7–13 6 films · +13603% | 6 | $197.2M | +13603% | Once Upon a Time in Mexico (2003) $98.8M |
| Week 37, 2004 Sep 5–11 6 films · −4% | 6 | $188.9M | −4% | Resident Evil: Apocalypse (2004) $129.3M |
| Week 37, 2005 Sep 4–10 3 films · −23% | 3 | $145.7M | −23% | The Exorcism of Emily Rose (2005) $145.2M |
| Week 37, 2006 Sep 10–16 3 films · −64% | 3 | $51.7M | −64% | The Black Dahlia (2006) $49.3M |
| Week 37, 2007 Sep 9–15 9 films · +358% | 9 | $236.8M | +358% | Dragon Wars: D-War (2007) $75.1M |
| Week 37, 2008 Sep 7–13 3 films · −53% | 3 | $110.6M | −53% | Righteous Kill (2008) $79.5M |
| Week 37, 2009 Sep 6–12 7 films · −29% | 7 | $78.2M | −29% | Sorority Row (2009) $27.2M |
| Week 37, 2010 Sep 5–11 6 films · +286% | 6 | $301.6M | +286% | Resident Evil: Afterlife (2010) $300.2M |
51 weeks of 2010 with reported grosses; the biggest is week 29 (Jul 11–17) with $842.1M, led by Inception (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Resident Evil: Afterlife (2010) leads with $300.2M worldwide, $60.1M of it in the US & Canada. Next come The Experiment (2010) at $716.6K and Essential Killing (2010) at $490.3K.
6 thriller films released in week 37 of 2010 (Sep 5–11) report a worldwide gross, $301.6M in all, or $50.3M per film on average. Week 36, 2010 releases took $115.9M.
None. 1 film crossed $100 million, led by Resident Evil: Afterlife (2010) with $300.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2010 (Sep 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.