#1 of 6 2010 · Action, Thriller
$80.2M worldwide · 48% of the chart's total
Takers (2010) is the highest-grossing thriller movie released in week 35 of 2010 (Aug 22–28), with $80.2M worldwide, ahead of The Last Exorcism (2010) at $69.4M and The Stool Pigeon (2010) at $9.8M. 6 thriller films released that week report a worldwide gross, $167.1M in all, 59% of it from the US & Canada. That is up 60% on Week 34, 2010, whose releases took $104.3M. By language, English leads with $156.5M across 3 thriller releases.
#1 of 6 2010 · Action, Thriller
$80.2M worldwide · 48% of the chart's total
Takers (2010) leads with $80.2M, 48% of the total. The top 5 together took $167.1M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 35 of 2010 (Aug 22–28).
Aug 27, 2010 US and Canada: $57.7M Rest of the world: $22.5M Worldwide: $80.2M
Aug 27, 2010 US and Canada: $41M Rest of the world: $28.4M Worldwide: $69.4M
Aug 26, 2010 US and Canada: – Rest of the world: – Worldwide: $9.8M
Aug 27, 2010 US and Canada: $123.6K Rest of the world: $6.8M Worldwide: $6.9M
Aug 26, 2010 US and Canada: – Rest of the world: – Worldwide: $832.7K
Aug 27, 2010 US and Canada: $2.4K Rest of the world: Worldwide: $2.4K Of the top 6, Daniel and Ana (2010) earned the biggest share at home (100% in the US & Canada), while Centurion (2010) made 98% of its gross abroad. Across all 6 films, $98.9M (59%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 35 releases took $167.1M. The biggest of these 9 weeks is week 29 (Jul 11–17) with $842.1M, led by Inception (2010).
Of these 10 years, Week 35, 2009 earned the most: $225.7M from 4 films, led by The Final Destination (2009). Week 35, 2010 took $167.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 35, 2001 Aug 26–Sep 1 2 films | 2 | $78.6M | – | Jeepers Creepers (2001) $59.4M |
| Week 35, 2002 Aug 25–31 3 films · −75% | 3 | $19.6M | −75% | FeardotCom (2002) $18.9M |
| Week 35, 2003 Aug 24–30 2 films · +223% | 2 | $63.4M | +223% | Jeepers Creepers II (2003) $63.1M |
| Week 35, 2004 Aug 22–28 2 films · +30% | 2 | $82.4M | +30% | Anacondas: The Hunt for the Blood Orchid (2004) $71M |
| Week 35, 2005 Aug 21–27 4 films · +28% | 4 | $105.3M | +28% | The Brothers Grimm (2005) $105.3M |
| Week 35, 2006 Aug 27–Sep 2 5 films · −20% | 5 | $84.3M | −20% | Crank (2006) $42.9M |
| Week 35, 2007 Aug 26–Sep 1 6 films · −76% | 6 | $20.5M | −76% | Death Sentence (2007) $17M |
| Week 35, 2008 Aug 24–30 9 films · +392% | 9 | $101M | +392% | Babylon A.D. (2008) $72.1M |
| Week 35, 2009 Aug 23–29 4 films · +124% | 4 | $225.7M | +124% | The Final Destination (2009) $186.2M |
| Week 35, 2010 Aug 22–28 6 films · −26% | 6 | $167.1M | −26% | Takers (2010) $80.2M |
51 weeks of 2010 with reported grosses; the biggest is week 29 (Jul 11–17) with $842.1M, led by Inception (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Takers (2010) leads with $80.2M worldwide, $57.7M of it in the US & Canada. Next come The Last Exorcism (2010) at $69.4M and The Stool Pigeon (2010) at $9.8M.
6 thriller films released in week 35 of 2010 (Aug 22–28) report a worldwide gross, $167.1M in all, or $27.9M per film on average. Week 34, 2010 releases took $104.3M.
None. The biggest, Takers (2010), earned $80.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 35 of 2010 (Aug 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.