#1 of 5 2010 · Action, Drama
$113.4M worldwide · 85% of the chart's total
Green Zone (2010) is the highest-grossing thriller movie released in week 11 of 2010 (Mar 7–13), with $113.4M worldwide, ahead of Mother (2010) at $17.3M and Paper Birds (2010) at $2.7M. 5 thriller films released that week report a worldwide gross, $133.4M in all, 27% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 92% on Week 10, 2010, whose releases took $69.3M. By language, English leads with $113.4M across 1 thriller release.
#1 of 5 2010 · Action, Drama
$113.4M worldwide · 85% of the chart's total
Green Zone (2010) leads with $113.4M, 85% of the total. The top 5 together took $133.4M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2010 (Mar 7–13).
Mar 12, 2010 US and Canada: $35.1M Rest of the world: $78.3M Worldwide: $113.4M
Mar 12, 2010 US and Canada: $551.5K Rest of the world: $16.7M Worldwide: $17.3M
Mar 12, 2010 US and Canada: – Rest of the world: – Worldwide: $2.7M
Mar 12, 2010 US and Canada: $7.9K Rest of the world: Worldwide: $7.9K
Mar 12, 2010 US and Canada: – Rest of the world: – Worldwide: $3.9K Of the top 5, Stolen (2010) earned the biggest share at home (100% in the US & Canada), while Mother (2010) made 97% of its gross abroad. Across all 5 films, $35.6M (27%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 11 releases took $133.4M. The biggest of these 9 weeks is week 8 (Feb 14–20) with $361.6M, led by Shutter Island (2010).
Of these 10 years, Week 11, 2001 earned the most: $217M from 4 films, led by Enemy at the Gates (2001). Week 11, 2010 took $133.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2001 Mar 11–17 4 films | 4 | $217M | – | Enemy at the Gates (2001) $97M |
| Week 11, 2002 Mar 10–16 1 film · −100% | 1 | $347.1K | −100% | The Peeping (2002) $347.1K |
| Week 11, 2003 Mar 9–15 5 films · +17342% | 5 | $60.5M | +17342% | The Hunted (2003) $46.1M |
| Week 11, 2004 Mar 7–13 2 films · +67% | 2 | $101M | +67% | Secret Window (2004) $92.9M |
| Week 11, 2005 Mar 6–12 4 films · −20% | 4 | $81M | −20% | Hostage (2005) $77.7M |
| Week 11, 2006 Mar 12–18 4 films · +70% | 4 | $137.3M | +70% | V for Vendetta (2006) $134.7M |
| Week 11, 2007 Mar 11–17 5 films · −20% | 5 | $109.3M | −20% | Premonition (2007) $84.3M |
| Week 11, 2008 Mar 9–15 3 films · −64% | 3 | $39.9M | −64% | Doomsday (2008) $22.5M |
| Week 11, 2009 Mar 8–14 3 films · +283% | 3 | $152.8M | +283% | Race to Witch Mountain (2009) $106.4M |
| Week 11, 2010 Mar 7–13 5 films · −13% | 5 | $133.4M | −13% | Green Zone (2010) $113.4M |
51 weeks of 2010 with reported grosses; the biggest is week 29 (Jul 11–17) with $842.1M, led by Inception (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Green Zone (2010) leads with $113.4M worldwide, $35.1M of it in the US & Canada. Next come Mother (2010) at $17.3M and Paper Birds (2010) at $2.7M.
5 thriller films released in week 11 of 2010 (Mar 7–13) report a worldwide gross, $133.4M in all, or $26.7M per film on average. Week 10, 2010 releases took $69.3M.
None. 1 film crossed $100 million, led by Green Zone (2010) with $113.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2010 (Mar 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.