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Thriller box office · Week 16 · Apr 11–17, 2010

Thriller Box Office, Week 16 of 2010: Thriller Releases of Apr 11–17

Kick-Ass (2010) is the highest-grossing thriller movie released in week 16 of 2010 (Apr 11–17), with $96.2M worldwide, ahead of Bestseller (2010) at $68.8M and The Secret in Their Eyes (2010) at $35.1M. 6 thriller films released that week report a worldwide gross, $201.6M in all, 27% of it from the US & Canada. That is up 30% on Week 15, 2010, whose releases took $155M. By language, English leads with $96.5M across 2 thriller releases.

week 16 releases with a gross
6
combined worldwide
$201.6M
Kick-Ass (2010), the #1
$96.2M
vs Week 15, 2010
+30%
Kick-Ass (2010) movie poster #1 of 6
#1 thriller movie of Week 16, 2010

Kick-Ass (2010)

2010 · Action, Thriller

$96.2M worldwide · 48% of the chart's total

$48.1M US & Canada · 50% $48.1M elsewhere · 50%
Top 5

What Were the Biggest Thriller Hits of Week 16 of 2010?

Kick-Ass (2010) leads with $96.2M, 48% of the total. The top 5 together took $201.5M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Kick-Ass (2010) movie poster Number 1
    $96.2M Kick-Ass (2010)
    $48.1M US & Canada · 50% $48.1M elsewhere · 50%
  2. Bestseller (2010) movie poster Number 2
    $68.8M Bestseller (2010)
    No US & Canada figure reported
  3. The Secret in Their Eyes (2010) movie poster Number 3
    $35.1M The Secret in Their Eyes (2010)
    $6.4M US & Canada · 18% $28.7M elsewhere · 82%
  4. Secret Sunday (2010) movie poster Number 4
    $1.1M Secret Sunday (2010)
    No US & Canada figure reported
  5. Undisputed III: Redemption (2010) movie poster Number 5
    $285.7K Undisputed III: Redemption (2010)
    No US & Canada figure reported

US & Canada (domestic) Rest of the world

The chart

Every Thriller Release of Week 16 of 2010, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 16 of 2010 (Apr 11–17).

  1. 1 Kick-Ass (2010) movie poster
    Kick-Ass (2010) Apr 16, 2010 · English · Action, Thriller, Crime $96.2M worldwide
    Apr 16, 2010 US and Canada: $48.1M Rest of the world: $48.1M Worldwide: $96.2M
  2. 2 Bestseller (2010) movie poster
    Bestseller (2010) Apr 15, 2010 · Korean · Thriller, Mystery, Horror $68.8M worldwide
    Apr 15, 2010 US and Canada: – Rest of the world: – Worldwide: $68.8M
  3. 3 The Secret in Their Eyes (2010) movie poster
    The Secret in Their Eyes (2010) Apr 16, 2010 · Spanish · Drama, Mystery, Thriller $35.1M worldwide
    Apr 16, 2010 US and Canada: $6.4M Rest of the world: $28.7M Worldwide: $35.1M
  4. 4 Secret Sunday (2010) movie poster
    Secret Sunday (2010) Apr 13, 2010 · Thai · Horror, Thriller $1.1M worldwide
    Apr 13, 2010 US and Canada: – Rest of the world: – Worldwide: $1.1M
  5. 5 Undisputed III: Redemption (2010) movie poster
    Undisputed III: Redemption (2010) Apr 17, 2010 · English · Action, Crime, Drama $285.7K worldwide
    Apr 17, 2010 US and Canada: – Rest of the world: – Worldwide: $285.7K
  6. 6 The Weather Station (2010) movie poster
    The Weather Station (2010) Apr 15, 2010 · Russian · Thriller, Mystery $132.4K worldwide
    Apr 15, 2010 US and Canada: – Rest of the world: – Worldwide: $132.4K
Earlier years

How Does Week 16 of 2010 Compare With Earlier Years?

Of these 10 years, Week 16, 2002 earned the most: $240.9M from 3 films, led by The Scorpion King (2002). Week 16, 2010 took $201.6M.

Week Films Worldwide Change Biggest film
Week 16, 2001 Apr 15–21 2 films 2 $7.8M – The Hole (2001) $7.8M
Week 16, 2002 Apr 14–20 3 films · +2973% 3 $240.9M +2973% The Scorpion King (2002) $180.6M
Week 16, 2003 Apr 13–19 1 film · −98% 1 $3.7M −98% Moon Child (2003) $3.7M
Week 16, 2004 Apr 11–17 6 films · +5686% 6 $215.2M +5686% Kill Bill: Vol. 2 (2004) $154.1M
Week 16, 2005 Apr 10–16 1 film · −50% 1 $107.5M −50% The Amityville Horror (2005) $107.5M
Week 16, 2006 Apr 16–22 5 films · +68% 5 $180.1M +68% Silent Hill (2006) $100.6M
Week 16, 2007 Apr 15–21 7 films · −28% 7 $129.3M −28% Fracture (2007) $92M
Week 16, 2008 Apr 13–19 4 films · −66% 4 $43.8M −66% 88 Minutes (2008) $32.6M
Week 16, 2009 Apr 12–18 4 films · +271% 4 $162.2M +271% State of Play (2009) $87.8M
Week 16, 2010 Apr 11–17 6 films · +24% 6 $201.6M +24% Kick-Ass (2010) $96.2M
FAQ

Thriller Box Office Week 16 of 2010: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.

What is the highest-grossing thriller movie in week 16 of 2010 (Apr 11–17)?

Kick-Ass (2010) leads with $96.2M worldwide, $48.1M of it in the US & Canada. Next come Bestseller (2010) at $68.8M and The Secret in Their Eyes (2010) at $35.1M.

How much did thriller movies released in week 16 of 2010 (Apr 11–17) earn?

6 thriller films released in week 16 of 2010 (Apr 11–17) report a worldwide gross, $201.6M in all, or $33.6M per film on average. Week 15, 2010 releases took $155M.

How many thriller movies released in week 16 of 2010 (Apr 11–17) made $1 billion?

None. The biggest, Kick-Ass (2010), earned $96.2M.

How much of the Week 16, 2010 Thriller box office came from the US and Canada?

$54.5M of the $201.6M total, or 27%, was earned in the US & Canada (the domestic market); the rest came from other countries. 4 films of the 6 report no domestic figure.

How is the week 16, 2010 thriller box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 16 of 2010 (Apr 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 16, 2010 thriller box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.