#1 of 6 2010 · Thriller, Horror
$21.5M worldwide · 43% of the chart's total
My Soul to Take (2010) is the highest-grossing thriller movie released in week 41 of 2010 (Oct 3–9), with $21.5M worldwide, ahead of Dark World (2010) at $17M and Stone (2010) at $10.3M. 6 thriller films released that week report a worldwide gross, $50.1M in all, 33% of it from the US & Canada. That is down 18% on Week 40, 2010, whose releases took $61.3M. By language, English leads with $33.1M across 5 thriller releases.
#1 of 6 2010 · Thriller, Horror
$21.5M worldwide · 43% of the chart's total
My Soul to Take (2010) leads with $21.5M, 43% of the total. The top 5 together took $50.1M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 41 of 2010 (Oct 3–9).
Oct 8, 2010 US and Canada: $14.7M Rest of the world: $6.8M Worldwide: $21.5M
Oct 7, 2010 US and Canada: – Rest of the world: – Worldwide: $17M
Oct 8, 2010 US and Canada: $1.8M Rest of the world: $8.5M Worldwide: $10.3M
Oct 8, 2010 US and Canada: $93.1K Rest of the world: $1.2M Worldwide: $1.3M
Oct 8, 2010 US and Canada: $2K Rest of the world: $53.6K Worldwide: $55.6K
Oct 8, 2010 US and Canada: – Rest of the world: – Worldwide: $177 Of the top 6, My Soul to Take (2010) earned the biggest share at home (69% in the US & Canada), while As Good as Dead (2010) made 96% of its gross abroad. Across all 6 films, $16.6M (33%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 41 releases took $50.1M. The biggest of these 9 weeks is week 37 (Sep 5–11) with $301.6M, led by Resident Evil: Afterlife (2010).
Of these 10 years, Week 41, 2003 earned the most: $360.9M from 6 films, led by Kill Bill: Vol. 1 (2003). Week 41, 2010 took $50.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 41, 2001 Oct 7–13 3 films | 3 | $20.6M | – | Mulholland Dr. (2001) $20.4M |
| Week 41, 2002 Oct 6–12 5 films · +256% | 5 | $73.5M | +256% | The Transporter (2002) $43.9M |
| Week 41, 2003 Oct 5–11 6 films · +391% | 6 | $360.9M | +391% | Kill Bill: Vol. 1 (2003) $180.9M |
| Week 41, 2004 Oct 3–9 5 films · −79% | 5 | $76.8M | −79% | Taxi (2004) $71.3M |
| Week 41, 2005 Oct 2–8 2 films · −60% | 2 | $30.5M | −60% | Two for the Money (2005) $30.5M |
| Week 41, 2006 Oct 8–14 7 films · +359% | 7 | $140.1M | +359% | The Grudge 2 (2006) $70.7M |
| Week 41, 2007 Oct 7–13 5 films · −43% | 5 | $80.1M | −43% | We Own the Night (2007) $55M |
| Week 41, 2008 Oct 5–11 4 films · +101% | 4 | $161.1M | +101% | Body of Lies (2008) $115.9M |
| Week 41, 2009 Oct 4–10 6 films · −80% | 6 | $32.6M | −80% | Kaiji: The Ultimate Gambler (2009) $24.7M |
| Week 41, 2010 Oct 3–9 6 films · +54% | 6 | $50.1M | +54% | My Soul to Take (2010) $21.5M |
51 weeks of 2010 with reported grosses; the biggest is week 29 (Jul 11–17) with $842.1M, led by Inception (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
My Soul to Take (2010) leads with $21.5M worldwide, $14.7M of it in the US & Canada. Next come Dark World (2010) at $17M and Stone (2010) at $10.3M.
6 thriller films released in week 41 of 2010 (Oct 3–9) report a worldwide gross, $50.1M in all, or $8.4M per film on average. Week 40, 2010 releases took $61.3M.
None. The biggest, My Soul to Take (2010), earned $21.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 41 of 2010 (Oct 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.