#1 of 7 2006 · Drama, Mystery
$70.7M worldwide · 50% of the chart's total
The Grudge 2 (2006) is the highest-grossing thriller movie released in week 41 of 2006 (Oct 8–14), with $70.7M worldwide, ahead of Man of the Year (2006) at $42.5M and The Marine (2006) at $22.2M. 7 thriller films released that week report a worldwide gross, $140.1M in all, 68% of it from the US & Canada. That is down 59% on Week 40, 2006, whose releases took $344.2M. By language, English leads with $135.9M across 4 thriller releases.
#1 of 7 2006 · Drama, Mystery
$70.7M worldwide · 50% of the chart's total
The Grudge 2 (2006) leads with $70.7M, 50% of the total. The top 5 together took $139.8M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 41 of 2006 (Oct 8–14).
Oct 13, 2006 US and Canada: $39.1M Rest of the world: $31.6M Worldwide: $70.7M
Oct 13, 2006 US and Canada: $37.3M Rest of the world: $5.1M Worldwide: $42.5M
Oct 13, 2006 US and Canada: $18.8M Rest of the world: $3.3M Worldwide: $22.2M
Oct 13, 2006 US and Canada: – Rest of the world: – Worldwide: $3.9M
Oct 13, 2006 US and Canada: $66.5K Rest of the world: $500.2K Worldwide: $566.6K
Oct 12, 2006 US and Canada: – Rest of the world: – Worldwide: $260K
Oct 14, 2006 US and Canada: – Rest of the world: – Worldwide: $67.6K Of the top 7, Man of the Year (2006) earned the biggest share at home (88% in the US & Canada), while Tideland (2006) made 88% of its gross abroad. Across all 7 films, $95.4M (68%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 41 releases took $140.1M. The biggest of these 9 weeks is week 40 (Oct 1–7) with $344.2M, led by The Departed (2006).
Of these 10 years, Week 41, 2003 earned the most: $360.9M from 6 films, led by Kill Bill: Vol. 1 (2003). Week 41, 2006 took $140.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 41, 1997 Oct 5–11 1 film | 1 | $5.9M | – | Gang Related (1997) $5.9M |
| Week 41, 1998 Oct 4–10 No films | 0 | – | – | – |
| Week 41, 1999 Oct 3–9 1 film | 1 | $3.3M | – | The Limey (1999) $3.3M |
| Week 41, 2000 Oct 1–7 4 films · +490% | 4 | $19.6M | +490% | Get Carter (2000) $19.4M |
| Week 41, 2001 Oct 7–13 3 films · +5% | 3 | $20.6M | +5% | Mulholland Dr. (2001) $20.4M |
| Week 41, 2002 Oct 6–12 5 films · +256% | 5 | $73.5M | +256% | The Transporter (2002) $43.9M |
| Week 41, 2003 Oct 5–11 6 films · +391% | 6 | $360.9M | +391% | Kill Bill: Vol. 1 (2003) $180.9M |
| Week 41, 2004 Oct 3–9 5 films · −79% | 5 | $76.8M | −79% | Taxi (2004) $71.3M |
| Week 41, 2005 Oct 2–8 2 films · −60% | 2 | $30.5M | −60% | Two for the Money (2005) $30.5M |
| Week 41, 2006 Oct 8–14 7 films · +359% | 7 | $140.1M | +359% | The Grudge 2 (2006) $70.7M |
51 weeks of 2006 with reported grosses; the biggest is week 20 (May 14–20) with $784M, led by The Da Vinci Code (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Grudge 2 (2006) leads with $70.7M worldwide, $39.1M of it in the US & Canada. Next come Man of the Year (2006) at $42.5M and The Marine (2006) at $22.2M.
7 thriller films released in week 41 of 2006 (Oct 8–14) report a worldwide gross, $140.1M in all, or $20M per film on average. Week 40, 2006 releases took $344.2M.
None. The biggest, The Grudge 2 (2006), earned $70.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 41 of 2006 (Oct 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.