#1 of 5 2006 · Action, Adventure
$57.1M worldwide · 80% of the chart's total
The Descent (2006) is the highest-grossing thriller movie released in week 31 of 2006 (Jul 30–Aug 5), with $57.1M worldwide, ahead of The Night Listener (2006) at $10.6M and Bloody Reunion (2006) at $3.2M. 5 thriller films released that week report a worldwide gross, $71.2M in all, 48% of it from the US & Canada. That is down 59% on Week 30, 2006, whose releases took $173.5M. By language, English leads with $67.9M across 3 thriller releases.
#1 of 5 2006 · Action, Adventure
$57.1M worldwide · 80% of the chart's total
The Descent (2006) leads with $57.1M, 80% of the total. The top 5 together took $71.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 31 of 2006 (Jul 30–Aug 5).
Aug 4, 2006 US and Canada: $26M Rest of the world: $31.1M Worldwide: $57.1M
Aug 4, 2006 US and Canada: $7.8M Rest of the world: $2.8M Worldwide: $10.6M
Aug 3, 2006 US and Canada: – Rest of the world: – Worldwide: $3.2M
Aug 4, 2006 US and Canada: $97.2K Rest of the world: Worldwide: $97.2K
Aug 3, 2006 US and Canada: $55.4K Rest of the world: $33K Worldwide: $88.4K Of the top 5, Nightmare Man (2006) earned the biggest share at home (100% in the US & Canada), while The Descent (2006) made 54% of its gross abroad. Across all 5 films, $34M (48%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 31 releases took $71.2M. The biggest of these 9 weeks is week 30 (Jul 23–29) with $173.5M, led by Miami Vice (2006).
Of these 10 years, Week 31, 2001 earned the most: $548.2M from 4 films, led by Rush Hour 2 (2001). Week 31, 2006 took $71.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 31, 1997 Jul 27–Aug 2 2 films | 2 | $93.6M | – | Spawn (1997) $87.8M |
| Week 31, 1998 Jul 26–Aug 1 1 film · −52% | 1 | $44.5M | −52% | The Negotiator (1998) $44.5M |
| Week 31, 1999 Jul 25–31 2 films · +270% | 2 | $164.6M | +270% | Deep Blue Sea (1999) $164.6M |
| Week 31, 2000 Jul 23–29 No films | 0 | – | – | – |
| Week 31, 2001 Jul 29–Aug 4 4 films | 4 | $548.2M | – | Rush Hour 2 (2001) $347.3M |
| Week 31, 2002 Jul 28–Aug 3 1 film · −26% | 1 | $408.2M | −26% | Signs (2002) $408.2M |
| Week 31, 2003 Jul 27–Aug 2 3 films · −97% | 3 | $12.6M | −97% | Dragon Head (2003) $8.6M |
| Week 31, 2004 Jul 25–31 5 films · +2721% | 5 | $354.3M | +2721% | The Village (2004) $256.7M |
| Week 31, 2005 Jul 24–30 3 films · −73% | 3 | $96.4M | −73% | Stealth (2005) $79.3M |
| Week 31, 2006 Jul 30–Aug 5 5 films · −26% | 5 | $71.2M | −26% | The Descent (2006) $57.1M |
51 weeks of 2006 with reported grosses; the biggest is week 20 (May 14–20) with $784M, led by The Da Vinci Code (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Descent (2006) leads with $57.1M worldwide, $26M of it in the US & Canada. Next come The Night Listener (2006) at $10.6M and Bloody Reunion (2006) at $3.2M.
5 thriller films released in week 31 of 2006 (Jul 30–Aug 5) report a worldwide gross, $71.2M in all, or $14.2M per film on average. Week 30, 2006 releases took $173.5M.
None. The biggest, The Descent (2006), earned $57.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 31 of 2006 (Jul 30–Aug 5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.