#1 of 5 Mission: Impossible III (2006)
2006 · Action, Adventure
$398.5M worldwide · 93% of the chart's total
Mission: Impossible III (2006) is the highest-grossing thriller movie released in week 18 of 2006 (Apr 30–May 6), with $398.5M worldwide, ahead of An American Haunting (2006) at $29.6M and Down in the Valley (2006) at $855K. 5 thriller films released that week report a worldwide gross, $429.5M in all, 35% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 10.8 times the total of Week 17, 2006, whose releases took $39.8M. By language, English leads with $429.4M across 4 thriller releases.
#1 of 5 Mission: Impossible III (2006)
2006 · Action, Adventure
$398.5M worldwide · 93% of the chart's total
Mission: Impossible III (2006) leads with $398.5M, 93% of the total. The top 5 together took $429.5M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 18 of 2006 (Apr 30–May 6).
May 5, 2006 US and Canada: $16.3M Rest of the world: $13.3M Worldwide: $29.6M
May 5, 2006 US and Canada: $568.9K Rest of the world: $286.1K Worldwide: $855K
May 1, 2006 US and Canada: – Rest of the world: – Worldwide: $459.8K
May 3, 2006 US and Canada: – Rest of the world: – Worldwide: $116.5K Of the top 5, Down in the Valley (2006) earned the biggest share at home (67% in the US & Canada), while Mission: Impossible III (2006) made 66% of its gross abroad. Across all 5 films, $150.9M (35%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 18 releases took $429.5M. The biggest of these 9 weeks is week 20 (May 14–20) with $784M, led by The Da Vinci Code (2006).
Of these 10 years, Week 18, 2001 earned the most: $443.5M from 2 films, led by The Mummy Returns (2001). Week 18, 2006 took $429.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 18, 1997 Apr 27–May 3 1 film | 1 | $50.2M | – | Breakdown (1997) $50.2M |
| Week 18, 1998 Apr 26–May 2 1 film · −96% | 1 | $1.9M | −96% | Goodbye Lover (1998) $1.9M |
| Week 18, 1999 Apr 25–May 1 2 films · +11061% | 2 | $216.6M | +11061% | Entrapment (1999) $212.4M |
| Week 18, 2000 Apr 23–29 2 films · −69% | 2 | $68.1M | −69% | Frequency (2000) $68.1M |
| Week 18, 2001 Apr 29–May 5 2 films · +551% | 2 | $443.5M | +551% | The Mummy Returns (2001) $443.3M |
| Week 18, 2002 Apr 28–May 4 No films | 0 | – | – | – |
| Week 18, 2003 Apr 27–May 3 5 films | 5 | $415.9M | – | X2: X-Men United (2003) $407.7M |
| Week 18, 2004 Apr 25–May 1 4 films · −93% | 4 | $31.1M | −93% | Godsend (2004) $30.1M |
| Week 18, 2005 Apr 24–30 4 films · +136% | 4 | $73.4M | +136% | xXx: State of the Union (2005) $71.4M |
| Week 18, 2006 Apr 30–May 6 5 films · +485% | 5 | $429.5M | +485% | Mission: Impossible III (2006) $398.5M |
51 weeks of 2006 with reported grosses; the biggest is week 20 (May 14–20) with $784M, led by The Da Vinci Code (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Mission: Impossible III (2006) leads with $398.5M worldwide, $134M of it in the US & Canada. Next come An American Haunting (2006) at $29.6M and Down in the Valley (2006) at $855K.
5 thriller films released in week 18 of 2006 (Apr 30–May 6) report a worldwide gross, $429.5M in all, or $85.9M per film on average. Week 17, 2006 releases took $39.8M.
None. 1 film crossed $100 million, led by Mission: Impossible III (2006) with $398.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 18 of 2006 (Apr 30–May 6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.