Skip to content
What's After the Movie?
Thriller box office · Week 11 · Mar 12–18, 2006

Thriller Box Office, Week 11 of 2006: Thriller Releases of Mar 12–18

V for Vendetta (2006) is the highest-grossing thriller movie released in week 11 of 2006 (Mar 12–18), with $134.7M worldwide, ahead of The Cloud (2006) at $2.5M and The Zodiac (2006) at $86.9K. 4 thriller films released that week report a worldwide gross, $137.3M in all, 51% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 89% on Week 10, 2006, whose releases took $72.5M.

week 11 releases with a gross
4
combined worldwide
$137.3M
film crossed $100M
1
vs Week 10, 2006
+89%
V for Vendetta (2006) movie poster #1 of 4
#1 thriller movie of Week 11, 2006

V for Vendetta (2006)

2006 · Action, Sci-Fi

$134.7M worldwide · 98% of the chart's total

$70.5M US & Canada · 52% $64.2M elsewhere · 48%
Top 4

What Were the Biggest Thriller Hits of Week 11 of 2006?

V for Vendetta (2006) leads with $134.7M, 98% of the total. The top 4 together took $137.3M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. V for Vendetta (2006) movie poster Number 1
    $134.7M V for Vendetta (2006)
    $70.5M US & Canada · 52% $64.2M elsewhere · 48%
  2. The Cloud (2006) movie poster Number 2
    $2.5M The Cloud (2006)
    No US & Canada figure reported
  3. The Zodiac (2006) movie poster Number 3
    $86.9K The Zodiac (2006)
    $45.1K US & Canada · 52% $41.7K elsewhere · 48%
  4. Hate Crime (2006) movie poster Number 4
    $40.8K Hate Crime (2006)
    $40.8K US & Canada · 100% elsewhere · 0%

US & Canada (domestic) Rest of the world

The chart

Every Thriller Release of Week 11 of 2006, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2006 (Mar 12–18).

  1. 1 V for Vendetta (2006) movie poster
    V for Vendetta (2006) Mar 17, 2006 · English · Action, Sci-Fi, Thriller $134.7M worldwide
    Mar 17, 2006 US and Canada: $70.5M Rest of the world: $64.2M Worldwide: $134.7M
  2. 2 The Cloud (2006) movie poster
    The Cloud (2006) Mar 16, 2006 · German · Sci-Fi, Drama, Thriller $2.5M worldwide
    Mar 16, 2006 US and Canada: – Rest of the world: – Worldwide: $2.5M
  3. 3 The Zodiac (2006) movie poster
    The Zodiac (2006) Mar 17, 2006 · English · Drama, Mystery, Thriller $86.9K worldwide
    Mar 17, 2006 US and Canada: $45.1K Rest of the world: $41.7K Worldwide: $86.9K
  4. 4 Hate Crime (2006) movie poster
    Hate Crime (2006) Mar 16, 2006 · English · Drama, Mystery, Thriller $40.8K worldwide
    Mar 16, 2006 US and Canada: $40.8K Rest of the world: Worldwide: $40.8K
US & Canada vs the world

Where Did the Money Come From in Week 11 of 2006?

Of the top 4, Hate Crime (2006) earned the biggest share at home (100% in the US & Canada), while The Zodiac (2006) made 48% of its gross abroad. Across all 4 films, $70.6M (51%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.

  1. 1 V for Vendetta (2006) $134.7M
    $70.5M US & Canada · 52% $64.2M elsewhere · 48%
  2. 2 The Cloud (2006) $2.5M
    No US & Canada figure reported
  3. 3 The Zodiac (2006) $86.9K
    $45.1K US & Canada · 52% $41.7K elsewhere · 48%
  4. 4 Hate Crime (2006) $40.8K
    $40.8K US & Canada · 100% elsewhere · 0%
Earlier years

How Does Week 11 of 2006 Compare With Earlier Years?

Of these 10 years, Week 11, 2001 earned the most: $217M from 4 films, led by Enemy at the Gates (2001). Week 11, 2006 took $137.3M.

Week Films Worldwide Change Biggest film
Week 11, 1997 Mar 9–15 1 film 1 $1.6M – City of Industry (1997) $1.6M
Week 11, 1998 Mar 8–14 1 film · −100% 1 $1.3K −100% Funny Games (1998) $1.3K
Week 11, 1999 Mar 7–13 2 films · +3337681% 2 $42.3M +3337681% The Corruptor (1999) $24.5M
Week 11, 2000 Mar 5–11 3 films · +301% 3 $169.5M +301% Mission to Mars (2000) $111M
Week 11, 2001 Mar 11–17 4 films · +28% 4 $217M +28% Enemy at the Gates (2001) $97M
Week 11, 2002 Mar 10–16 1 film · −100% 1 $347.1K −100% The Peeping (2002) $347.1K
Week 11, 2003 Mar 9–15 5 films · +17342% 5 $60.5M +17342% The Hunted (2003) $46.1M
Week 11, 2004 Mar 7–13 2 films · +67% 2 $101M +67% Secret Window (2004) $92.9M
Week 11, 2005 Mar 6–12 4 films · −20% 4 $81M −20% Hostage (2005) $77.7M
Week 11, 2006 Mar 12–18 4 films · +70% 4 $137.3M +70% V for Vendetta (2006) $134.7M
FAQ

Thriller Box Office Week 11 of 2006: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing thriller movie in week 11 of 2006 (Mar 12–18)?

V for Vendetta (2006) leads with $134.7M worldwide, $70.5M of it in the US & Canada. Next come The Cloud (2006) at $2.5M and The Zodiac (2006) at $86.9K.

How much did thriller movies released in week 11 of 2006 (Mar 12–18) earn?

4 thriller films released in week 11 of 2006 (Mar 12–18) report a worldwide gross, $137.3M in all, or $34.3M per film on average. Week 10, 2006 releases took $72.5M.

How many thriller movies released in week 11 of 2006 (Mar 12–18) made $1 billion?

None. 1 film crossed $100 million, led by V for Vendetta (2006) with $134.7M.

How much of the Week 11, 2006 Thriller box office came from the US and Canada?

$70.6M of the $137.3M total, or 51%, was earned in the US & Canada (the domestic market); the rest came from other countries. 1 film of the 4 report no domestic figure.

How is the week 11, 2006 thriller box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2006 (Mar 12–18). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 11, 2006 thriller box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.