#1 of 3 #1 thriller movie of Week 9, 2006
2006 · Action, Drama
$65.7M worldwide · 100% of the chart's total
$36.9M US & Canada · 56% $28.8M elsewhere · 44%
Thriller box office · Week 9 · Feb 26–Mar 4, 2006
Thriller Box Office, Week 9 of 2006: Thriller Releases of Feb 26–Mar 4
16 Blocks (2006) is the highest-grossing thriller movie released in week 9 of 2006 (Feb 26–Mar 4), with $65.7M worldwide, ahead of Invisible Waves (2006) at $24.8K and Sorry, Haters (2006) at $7.1K. 3 thriller films released that week report a worldwide gross, $65.7M in all, 56% of it from the US & Canada. That is 3.9 times the total of Week 8, 2006, whose releases took $16.7M.
- week 9 releases with a gross
- 3
- combined worldwide
- $65.7M
- 16 Blocks (2006), the #1
- $65.7M
- vs Week 8, 2006
- ×3.9
#1 of 3 Top 3
What Were the Biggest Thriller Hits of Week 9 of 2006?
16 Blocks (2006) leads with $65.7M, 100% of the total. The top 3 together took $65.7M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Thriller Release of Week 9 of 2006, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 2006 (Feb 26–Mar 4).
- 1 Mar 3, 2006 US and Canada: $36.9M Rest of the world: $28.8M Worldwide: $65.7M
- 2 Mar 2, 2006 US and Canada: – Rest of the world: – Worldwide: $24.8K
- 3 Mar 1, 2006 US and Canada: $7.1K Rest of the world: Worldwide: $7.1K
Weeks around it
How Does Week 9 Compare With the Weeks Around It?
Week 9 releases took $65.7M. The biggest of these 9 weeks is week 6 (Feb 5–11) with $203.9M, led by Final Destination 3 (2006).
- Week 3 Wk 3 Jan 15–21 Underworld: Evolution (2006) $123.2M Underworld: Evolution (2006)
- Week 4 Wk 4 Jan 22–28 Big Momma's House 2 (2006) $144.3M Big Momma's House 2 (2006)
- Week 5 Wk 5 Jan 29–Feb 4 When a Stranger Calls (2006) $68.1M When a Stranger Calls (2006)
- Week 6 Wk 6 Feb 5–11 Final Destination 3 (2006) $203.9M Final Destination 3 (2006)
- Week 7 Wk 7 Feb 12–18 Freedomland (2006) $18.2M Freedomland (2006)
- Week 8 Wk 8 Feb 19–25 Running Scared (2006) $16.7M Running Scared (2006)
- Week 9 Wk 9 Feb 26–Mar 4 16 Blocks (2006) $65.7M 16 Blocks (2006)
- Week 10 Wk 10 Mar 5–11 The Hills Have Eyes (2006) $72.5M The Hills Have Eyes (2006)
- Week 11 Wk 11 Mar 12–18 V for Vendetta (2006) $137.3M V for Vendetta (2006)
Earlier years
How Does Week 9 of 2006 Compare With Earlier Years?
Of these 10 years, Week 9, 1997 earned the most: $127.5M from 3 films, led by Donnie Brasco (1997). Week 9, 2006 took $65.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 9, 1997 Feb 23–Mar 1 3 films | 3 | $127.5M | – | Donnie Brasco (1997) $124.9M |
| Week 9, 1998 Feb 22–28 1 film · −95% | 1 | $6.8M | −95% | Caught Up (1998) $6.8M |
| Week 9, 1999 Feb 21–27 1 film · +1330% | 1 | $96.6M | +1330% | 8MM (1999) $96.6M |
| Week 9, 2000 Feb 20–26 1 film · −67% | 1 | $32.2M | −67% | Reindeer Games (2000) $32.2M |
| Week 9, 2001 Feb 25–Mar 3 2 films · −97% | 2 | $1.1M | −97% | The Caveman's Valentine (2001) $794.5K |
| Week 9, 2002 Feb 24–Mar 2 No films | 0 | – | – | – |
| Week 9, 2003 Feb 23–Mar 1 2 films | 2 | $57.1M | – | Cradle 2 the Grave (2003) $56.5M |
| Week 9, 2004 Feb 22–28 4 films · −15% | 4 | $48.7M | −15% | Twisted (2004) $41M |
| Week 9, 2005 Feb 20–26 2 films · −39% | 2 | $29.7M | −39% | Cursed (2005) $29.6M |
| Week 9, 2006 Feb 26–Mar 4 3 films · +121% | 3 | $65.7M | +121% | 16 Blocks (2006) $65.7M |
Archive
Thriller Box Office in 2006, Week by Week
51 weeks of 2006 with reported grosses; the biggest is week 20 (May 14–20) with $784M, led by The Da Vinci Code (2006).
- Week 1 $82M
- Week 2 $17.2M
- Week 3 $123.2M
- Week 4 $144.3M
- Week 5 $68.1M
- Week 6 $203.9M
- Week 7 $18.2M
- Week 8 $16.7M
- Week 9 $65.7M
- Week 10 $72.5M
- Week 11 $137.3M
- Week 12 $213.3M
- Week 13 $40.4M
- Week 14 $56.9M
- Week 15 $7M
- Week 16 $180.1M
- Week 17 $39.8M
- Week 18 $429.5M
- Week 19 $181.7M
- Week 20 $784M
- Week 21 $494.2M
- Week 22 $28.7M
- Week 23 $120.4M
- Week 24 $159M
- Week 25 $21.4M
- Week 26 No grosses
- Week 27 $11M
- Week 28 $25.6M
- Week 29 $141.4M
- Week 30 $173.5M
- Week 31 $71.2M
- Week 32 $17.4K
- Week 33 $169.9M
- Week 34 $7.3M
- Week 35 $84.3M
- Week 36 $85M
- Week 37 $51.7M
- Week 38 $14.1M
- Week 39 $56.1M
- Week 40 $344.2M
- Week 41 $140.1M
- Week 42 $173.4M
- Week 43 $175.7M
- Week 44 $7.3M
- Week 45 $18.4M
- Week 46 $621.4M
- Week 47 $213.4M
- Week 48 $93.3M
- Week 49 $176.1M
- Week 50 $27.3M
- Week 51 $129.2M
- Week 52 $311.9M
- Week 53 No grosses
FAQ
Thriller Box Office Week 9 of 2006: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing thriller movie in week 9 of 2006 (Feb 26–Mar 4)?
16 Blocks (2006) leads with $65.7M worldwide, $36.9M of it in the US & Canada. Next come Invisible Waves (2006) at $24.8K and Sorry, Haters (2006) at $7.1K.
How much did thriller movies released in week 9 of 2006 (Feb 26–Mar 4) earn?
3 thriller films released in week 9 of 2006 (Feb 26–Mar 4) report a worldwide gross, $65.7M in all, or $21.9M per film on average. Week 8, 2006 releases took $16.7M.
How many thriller movies released in week 9 of 2006 (Feb 26–Mar 4) made $1 billion?
None. The biggest, 16 Blocks (2006), earned $65.7M.
How is the week 9, 2006 thriller box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 2006 (Feb 26–Mar 4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 9, 2006 thriller box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.