Skip to content
What's After the Movie?

Jump to
What's After the Movie?
Thriller box office · Week 22 · May 28–Jun 3, 2006

Thriller Box Office, Week 22 of 2006: Thriller Releases of May 28–Jun 3

Typhoon (2006) is the highest-grossing thriller movie released in week 22 of 2006 (May 28–Jun 3), with $26.2M worldwide, ahead of Monopoly (2006) at $1.9M and A Bloody Aria (2006) at $591K. 3 thriller films released that week report a worldwide gross, $28.7M in all, <1% of it from the US & Canada. That is down 94% on Week 21, 2006, whose releases took $494.2M.

week 22 releases with a gross
3
combined worldwide
$28.7M
Typhoon (2006), the #1
$26.2M
vs Week 21, 2006
−94%
Typhoon (2006) movie poster #1 of 3
#1 thriller movie of Week 22, 2006

Typhoon (2006)

2006 · Action, Drama

$26.2M worldwide · 91% of the chart's total

$139.1K US & Canada · <1% $26M elsewhere · 99%
Top 3

What Were the Biggest Thriller Hits of Week 22 of 2006?

Typhoon (2006) leads with $26.2M, 91% of the total. The top 3 together took $28.7M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Typhoon (2006) movie poster Number 1
    $26.2M Typhoon (2006)
    $139.1K US & Canada · <1% $26M elsewhere · 99%
  2. Monopoly (2006) movie poster Number 2
    $1.9M Monopoly (2006)
    No US & Canada figure reported
  3. A Bloody Aria (2006) movie poster Number 3
    $591K A Bloody Aria (2006)
    $518 US & Canada · <1% $590.4K elsewhere · 100%

US & Canada (domestic) Rest of the world

The chart

Every Thriller Release of Week 22 of 2006, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 22 of 2006 (May 28–Jun 3).

  1. 1 Typhoon (2006) movie poster
    Typhoon (2006) Jun 2, 2006 · Korean · Action, Drama, Thriller $26.2M worldwide
    Jun 2, 2006 US and Canada: $139.1K Rest of the world: $26M Worldwide: $26.2M
  2. 2 Monopoly (2006) movie poster
    Monopoly (2006) Jun 1, 2006 · Korean · Thriller, Mystery, Crime $1.9M worldwide
    Jun 1, 2006 US and Canada: – Rest of the world: – Worldwide: $1.9M
  3. 3 A Bloody Aria (2006) movie poster
    A Bloody Aria (2006) May 31, 2006 · Korean · Thriller, Horror, Comedy $591K worldwide
    May 31, 2006 US and Canada: $518 Rest of the world: $590.4K Worldwide: $591K
Weeks around it

How Does Week 22 Compare With the Weeks Around It?

Week 22 releases took $28.7M. The biggest of these 9 weeks is week 20 (May 14–20) with $784M, led by The Da Vinci Code (2006).

  1. Week 16 Wk 16 Apr 16–22 Silent Hill (2006) $180.1M Silent Hill (2006)
  2. Week 17 Wk 17 Apr 23–29 Lady Vengeance (2006) $39.8M Lady Vengeance (2006)
  3. Week 18 Wk 18 Apr 30–May 6 Mission: Impossible III (2006) $429.5M Mission: Impossible III (2006)
  4. Week 19 Wk 19 May 7–13 Poseidon (2006) $181.7M Poseidon (2006)
  5. Week 20 Wk 20 May 14–20 The Da Vinci Code (2006) $784M The Da Vinci Code (2006)
  6. Week 21 Wk 21 May 21–27 X-Men: The Last Stand (2006) $494.2M X-Men: The Last Stand (2006)
  7. Week 22 Wk 22 May 28–Jun 3 Typhoon (2006) $28.7M Typhoon (2006)
  8. Week 23 Wk 23 Jun 4–10 The Omen (2006) $120.4M The Omen (2006)
  9. Week 24 Wk 24 Jun 11–17 The Fast and the Furious: Tokyo Drift (2006) $159M The Fast and the Furious: Tokyo Drift (2006)
Earlier years

How Does Week 22 of 2006 Compare With Earlier Years?

Of these 10 years, Week 22, 2004 earned the most: $552.6M from 1 film, led by The Day After Tomorrow (2004). Week 22, 2006 took $28.7M.

Week Films Worldwide Change Biggest film
Week 22, 1997 May 25–31 No films 0 – – –
Week 22, 1998 May 24–30 No films 0 – – –
Week 22, 1999 May 23–29 1 film 1 $18.6M – The Thirteenth Floor (1999) $18.6M
Week 22, 2000 May 21–27 3 films · +2845% 3 $546.8M +2845% Mission: Impossible II (2000) $546.4M
Week 22, 2001 May 27–Jun 2 No films 0 – – –
Week 22, 2002 May 26–Jun 1 1 film 1 $193.9M – The Sum of All Fears (2002) $193.9M
Week 22, 2003 May 25–31 2 films · +6% 2 $204.7M +6% The Italian Job (2003) $176.1M
Week 22, 2004 May 23–29 1 film · +170% 1 $552.6M +170% The Day After Tomorrow (2004) $552.6M
Week 22, 2005 May 22–28 2 films · −99% 2 $2.9M −99% Quo Vadis, Baby? (2005) $2.4M
Week 22, 2006 May 28–Jun 3 3 films · +898% 3 $28.7M +898% Typhoon (2006) $26.2M
Archive

Thriller Box Office in 2006, Week by Week

51 weeks of 2006 with reported grosses; the biggest is week 20 (May 14–20) with $784M, led by The Da Vinci Code (2006).

FAQ

Thriller Box Office Week 22 of 2006: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.

What is the highest-grossing thriller movie in week 22 of 2006 (May 28–Jun 3)?

Typhoon (2006) leads with $26.2M worldwide, $139.1K of it in the US & Canada. Next come Monopoly (2006) at $1.9M and A Bloody Aria (2006) at $591K.

How much did thriller movies released in week 22 of 2006 (May 28–Jun 3) earn?

3 thriller films released in week 22 of 2006 (May 28–Jun 3) report a worldwide gross, $28.7M in all, or $9.6M per film on average. Week 21, 2006 releases took $494.2M.

How many thriller movies released in week 22 of 2006 (May 28–Jun 3) made $1 billion?

None. The biggest, Typhoon (2006), earned $26.2M.

How much of the Week 22, 2006 Thriller box office came from the US and Canada?

$139.6K of the $28.7M total, or <1%, was earned in the US & Canada (the domestic market); the rest came from other countries. 1 film of the 3 report no domestic figure.

How is the week 22, 2006 thriller box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 22 of 2006 (May 28–Jun 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 22, 2006 thriller box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.