#1 of 5 2006 · Drama, Thriller
$9M worldwide · 33% of the chart's total
Breaking and Entering (2006) is the highest-grossing thriller movie released in week 50 of 2006 (Dec 10–16), with $9M worldwide, ahead of Murder of the Inugami Clan (2006) at $6.3M and The Good German (2006) at $5.9M. 5 thriller films released that week report a worldwide gross, $27.3M in all, 9% of it from the US & Canada. That is down 85% on Week 49, 2006, whose releases took $176.1M. By language, English leads with $14.9M across 2 thriller releases.
#1 of 5 2006 · Drama, Thriller
$9M worldwide · 33% of the chart's total
Breaking and Entering (2006) leads with $9M, 33% of the total. The top 5 together took $27.3M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 50 of 2006 (Dec 10–16).
Dec 15, 2006 US and Canada: $930.5K Rest of the world: $8M Worldwide: $9M
Dec 15, 2006 US and Canada: $1.3M Rest of the world: $4.6M Worldwide: $5.9M
Dec 15, 2006 US and Canada: $302.5K Rest of the world: $4.8M Worldwide: $5.1M
Dec 14, 2006 US and Canada: – Rest of the world: – Worldwide: $970.6K Of the top 5, The Good German (2006) earned the biggest share at home (22% in the US & Canada), while Kabul Express (2006) made 94% of its gross abroad. Across all 5 films, $2.5M (9%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 50 releases took $27.3M. The biggest of these 9 weeks is week 46 (Nov 12–18) with $621.4M, led by Casino Royale (2006).
Of these 10 years, Week 50, 2004 earned the most: $499.8M from 6 films, led by Ocean's Twelve (2004). Week 50, 2006 took $27.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 50, 1997 Dec 7–13 1 film | 1 | $172.4M | – | Scream 2 (1997) $172.4M |
| Week 50, 1998 Dec 6–12 2 films · −25% | 2 | $128.9M | −25% | Star Trek: Insurrection (1998) $112.6M |
| Week 50, 1999 Dec 5–11 1 film · −84% | 1 | $21.1M | −84% | Stir of Echoes (1999) $21.1M |
| Week 50, 2000 Dec 3–9 2 films · +1217% | 2 | $278.4M | +1217% | Vertical Limit (2000) $215.7M |
| Week 50, 2001 Dec 9–15 4 films · −21% | 4 | $219.4M | −21% | Vanilla Sky (2001) $203.4M |
| Week 50, 2002 Dec 8–14 2 films · −68% | 2 | $69.2M | −68% | Star Trek: Nemesis (2002) $67.3M |
| Week 50, 2003 Dec 7–13 2 films · −98% | 2 | $1.2M | −98% | The Statement (2003) $1.1M |
| Week 50, 2004 Dec 5–11 6 films · +42710% | 6 | $499.8M | +42710% | Ocean's Twelve (2004) $362.7M |
| Week 50, 2005 Dec 4–10 4 films · −99% | 4 | $2.8M | −99% | Being Cyrus (2005) $1.3M |
| Week 50, 2006 Dec 10–16 5 films · +864% | 5 | $27.3M | +864% | Breaking and Entering (2006) $9M |
51 weeks of 2006 with reported grosses; the biggest is week 20 (May 14–20) with $784M, led by The Da Vinci Code (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Breaking and Entering (2006) leads with $9M worldwide, $930.5K of it in the US & Canada. Next come Murder of the Inugami Clan (2006) at $6.3M and The Good German (2006) at $5.9M.
5 thriller films released in week 50 of 2006 (Dec 10–16) report a worldwide gross, $27.3M in all, or $5.5M per film on average. Week 49, 2006 releases took $176.1M.
None. The biggest, Breaking and Entering (2006), earned $9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 50 of 2006 (Dec 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.