#1 of 6 2004 · Thriller, Crime
$362.7M worldwide · 73% of the chart's total
Ocean's Twelve (2004) is the highest-grossing thriller movie released in week 50 of 2004 (Dec 5–11), with $362.7M worldwide, ahead of Blade: Trinity (2004) at $132M and Musafir (2004) at $4M. 6 thriller films released that week report a worldwide gross, $499.8M in all, 36% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. By language, English leads with $494.8M across 4 thriller releases.
#1 of 6 2004 · Thriller, Crime
$362.7M worldwide · 73% of the chart's total
Ocean's Twelve (2004) leads with $362.7M, 73% of the total. The top 5 together took $499.8M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 50 of 2004 (Dec 5–11).
Dec 10, 2004 US and Canada: $125.5M Rest of the world: $237.2M Worldwide: $362.7M
Dec 8, 2004 US and Canada: $52.4M Rest of the world: $79.6M Worldwide: $132M
Dec 9, 2004 US and Canada: – Rest of the world: – Worldwide: $4M
Dec 10, 2004 US and Canada: $72.5K Rest of the world: $1M Worldwide: $1.1M
Dec 10, 2004 US and Canada: $1.1K Rest of the world: $38.6K Worldwide: $39.7K
Dec 10, 2004 US and Canada: $4.1K Rest of the world: Worldwide: $4.1K Of the top 6, Bandido (2004) earned the biggest share at home (100% in the US & Canada), while Freeze Frame (2004) made 97% of its gross abroad. Across all 6 films, $178M (36%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 50 releases took $499.8M. The biggest of these 9 weeks is week 50 (Dec 5–11) with $499.8M, led by Ocean's Twelve (2004).
Of these 10 years, Week 50, 2004 earned the most: $499.8M from 6 films, led by Ocean's Twelve (2004).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 50, 1995 Dec 10–16 3 films | 3 | $450.9M | – | Jumanji (1995) $262.8M |
| Week 50, 1996 Dec 8–14 1 film · −78% | 1 | $101.4M | −78% | Mars Attacks! (1996) $101.4M |
| Week 50, 1997 Dec 7–13 1 film · +70% | 1 | $172.4M | +70% | Scream 2 (1997) $172.4M |
| Week 50, 1998 Dec 6–12 2 films · −25% | 2 | $128.9M | −25% | Star Trek: Insurrection (1998) $112.6M |
| Week 50, 1999 Dec 5–11 1 film · −84% | 1 | $21.1M | −84% | Stir of Echoes (1999) $21.1M |
| Week 50, 2000 Dec 3–9 2 films · +1217% | 2 | $278.4M | +1217% | Vertical Limit (2000) $215.7M |
| Week 50, 2001 Dec 9–15 4 films · −21% | 4 | $219.4M | −21% | Vanilla Sky (2001) $203.4M |
| Week 50, 2002 Dec 8–14 2 films · −68% | 2 | $69.2M | −68% | Star Trek: Nemesis (2002) $67.3M |
| Week 50, 2003 Dec 7–13 2 films · −98% | 2 | $1.2M | −98% | The Statement (2003) $1.1M |
| Week 50, 2004 Dec 5–11 6 films · +42710% | 6 | $499.8M | +42710% | Ocean's Twelve (2004) $362.7M |
49 weeks of 2004 with reported grosses; the biggest is week 27 (Jun 27–Jul 3) with $847.4M, led by Spider-Man 2 (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Ocean's Twelve (2004) leads with $362.7M worldwide, $125.5M of it in the US & Canada. Next come Blade: Trinity (2004) at $132M and Musafir (2004) at $4M.
6 thriller films released in week 50 of 2004 (Dec 5–11) report a worldwide gross, $499.8M in all, or $83.3M per film on average.
None. 2 films crossed $100 million, led by Ocean's Twelve (2004) with $362.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 50 of 2004 (Dec 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.