#1 of 6 2004 · Drama, Thriller
$102.3M worldwide · 59% of the chart's total
Dawn of the Dead (2004) is the highest-grossing thriller movie released in week 12 of 2004 (Mar 14–20), with $102.3M worldwide, ahead of Taking Lives (2004) at $65.5M and Intermission (2004) at $5.2M. 6 thriller films released that week report a worldwide gross, $173.7M in all, 53% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. By language, English leads with $167.8M across 2 thriller releases.
#1 of 6 2004 · Drama, Thriller
$102.3M worldwide · 59% of the chart's total
Dawn of the Dead (2004) leads with $102.3M, 59% of the total. The top 5 together took $173.5M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 2004 (Mar 14–20).
Mar 19, 2004 US and Canada: $59M Rest of the world: $43.3M Worldwide: $102.3M
Mar 19, 2004 US and Canada: $32.7M Rest of the world: $32.8M Worldwide: $65.5M
Mar 19, 2004 US and Canada: $897K Rest of the world: $4.3M Worldwide: $5.2M
Mar 20, 2004 US and Canada: $51.2K Rest of the world: $254.8K Worldwide: $306K
Mar 19, 2004 US and Canada: – Rest of the world: – Worldwide: $261.1K
Mar 17, 2004 US and Canada: – Rest of the world: – Worldwide: $256.2K Of the top 6, Dawn of the Dead (2004) earned the biggest share at home (58% in the US & Canada), while Terkel in Trouble (2004) made 83% of its gross abroad. Across all 6 films, $92.7M (53%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 12 releases took $173.7M. The biggest of these 9 weeks is week 12 (Mar 14–20) with $173.7M, led by Dawn of the Dead (2004).
Of these 10 years, Week 12, 2004 earned the most: $173.7M from 6 films, led by Dawn of the Dead (2004).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 1995 Mar 19–25 1 film | 1 | $24.4M | – | Dolores Claiborne (1995) $24.4M |
| Week 12, 1996 Mar 17–23 1 film · −30% | 1 | $17.1M | −30% | Diabolique (1996) $17.1M |
| Week 12, 1997 Mar 16–22 1 film · −84% | 1 | $2.7M | −84% | Crash (1997) $2.7M |
| Week 12, 1998 Mar 15–21 2 films · +1047% | 2 | $30.7M | +1047% | Wild Things (1998) $30.2M |
| Week 12, 1999 Mar 14–20 2 films · −39% | 2 | $18.7M | −39% | True Crime (1999) $16.6M |
| Week 12, 2000 Mar 12–18 1 film · +503% | 1 | $112.9M | +503% | Final Destination (2000) $112.9M |
| Week 12, 2001 Mar 18–24 No films | 0 | – | – | – |
| Week 12, 2002 Mar 17–23 2 films | 2 | $158.5M | – | Blade II (2002) $155M |
| Week 12, 2003 Mar 16–22 1 film · −49% | 1 | $81.2M | −49% | Dreamcatcher (2003) $81.2M |
| Week 12, 2004 Mar 14–20 6 films · +114% | 6 | $173.7M | +114% | Dawn of the Dead (2004) $102.3M |
49 weeks of 2004 with reported grosses; the biggest is week 27 (Jun 27–Jul 3) with $847.4M, led by Spider-Man 2 (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Dawn of the Dead (2004) leads with $102.3M worldwide, $59M of it in the US & Canada. Next come Taking Lives (2004) at $65.5M and Intermission (2004) at $5.2M.
6 thriller films released in week 12 of 2004 (Mar 14–20) report a worldwide gross, $173.7M in all, or $29M per film on average.
None. 1 film crossed $100 million, led by Dawn of the Dead (2004) with $102.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 2004 (Mar 14–20). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.